a thesis statement about feminism

302 Feminism Essay Topics & Examples

If you’re looking for original feminist topics to write about, you’re in luck! Our experts have collected this list of ideas for you to explore.

🌟 Top Feminism Titles for Essays

🔥 hottest topics on feminism.

• 🏆 Best Essay Topics & Examples

⚖️ Feminist Argument Topics

• 🥇 Most Interesting Feminist Topics
• 👗 Fashion and Feminism Topics

📌 Creative Feminist Essay Titles

✍️ title for feminism essay: how to choose, ✅ simple & easy feminism essay titles.

• 🔍 Interesting Topics about Feminism
• 📑 Research Topics about Feminism

❓ Feminism Questions for Essay

• 📝 Key Points for a Feminism Essay
• Feminism in “A Doll’s House” by Henrik Ibsen
• Feminism: Benefits over Disadvantages
• Feminism in Frankenstein by Mary Shelley
• Feminist Perspective: “My Last Duchess”, “To His Coy Mistress”, and “The Secretary Chant”
• Third-World Feminism Analysis
• Feminist Criticism in Literature: Character of Women in Books
• The Great Gatsby: Analysis and Feminist Critique
• Metropolis’ Women: Analysis of the Movie’s Feminism & Examples
• Feminism in “The Introduction” and “A Nocturnal Reverie” by Finch
• Feminist Approach to Health

Haven’t you found a perfect topic on feminism yet? Don’t worry! Check the following paragraphs to receive a dose of inspiration!

Abortion in Feminist Ethics

The central difference between feminist and non-feminist views on pregnancy termination lies in their focus. Rather than respecting the rights of the fetus, feminist arguments prioritize the impact of unwanted pregnancies on the lives of women as individuals and as a societal group. Feminists see abortion through the lens of a woman’s specific situation and how it affects her present and future.

Feminist Art

Feminist art is created by women who intentionally align their artistic practices with the politics of the women’s rights movement and feminist theory. Its primary goal is to rewrite male-dominated art history, influence cultural attitudes, and transform stereotypes, creating new opportunities for women and minority artists.

Myths About Feminism

Feminism is often misconceived as being anti-men, but its central principle is achieving gender equality, not female dominance. The idea that feminists hate makeup and fashion is another stereotype. While some feminists may reject societal pressures to look a certain way, this movement ultimately supports a woman’s right to wear makeup or express her femininity however she likes.

Feminism Interactions with Socialism

Socialist feminists see both capitalism and patriarchy as systems that work together to exploit and oppress women. They argue that economic systems, especially under capitalism, disadvantage women alongside the cultural norms set by patriarchy. The central goal of socialist feminists is to demolish both structures to attain true liberation for women.

Feminism in Islam

The central idea of Islamic feminism is complete equality for all Muslims, male and female, in both the public and private spheres. Islamic feminism argues that women can hold leadership roles in religion and become imams, which is something secular feminists have not traditionally advocated for. Moreover, Muslim feminists challenge traditional gender roles within Islamic families. They aim for a more equal marital relationship between men and women.

🏆 Best Feminism Essay Topics & Examples

• “We Should All Be Feminists” Adichie’s TED Talk For Adichie, the only thing necessary to qualify as a feminist is recognizing the problem with gender and aspiring to fix it, regardless of whether a person in question is a man or woman. This […]
• Mary Rowlandson’s Feminism and View on Women’s Role The sort of power developed by Rowlandson was such that it set her apart from the traditional roles of the Puritan women in her time and within her culture.
• Female Characters in Shakespeare’s “Othello”: A Feminist Critique This shows that Desdemona has completely accepted and respected her role as a woman in the society; she is an obedient wife to Othello.
• Top Themes About Feminism It’s a movement that is mainly concerned with fighting for women’s rights in terms of gender equality and equity in the distribution of resources and opportunities in society.
• Feminism in Advertisements of the 1950s and Today In the paper, the author discussed how the whole process of advertising and feminism is depicted in print advertisements. The common characteristic is the advertisements’ illustration of feminism in the media.
• Feminism in the “The Bell Jar” by Sylvia Plath This piece of writing reveals the concept of gender in general and “the role of female protagonists in a largely patriarchal world” in particular. In Plath’s novel, the bell jar is a metaphor used to […]
• Hedda Gabler: Feminist Ideas and Themes Central to the female world was the woman with knowledge.”Think of the sort of life she was accustomed to in her father’s time.
• Character Analysis in Pride and Prejudice From the Feminist Perspective Darcy is a character who is able to evolve over the span of the story, and eventually, he recognizes his mistakes.Mr.
• Feminist Approach in Literary Criticism The reason for this is simple this particular plot’s development suggests that, just as it happened to be the case with the functioning of a male psyche, the working of a female psyche implies that […]
• Feminist Theory of Delinquency by Chesney-Lind One of the core ideas expressed by Chesney-Lind is that girls are highly susceptible to abuse and violent treatment. At the same time, scholars note that girls do not view delinquency as the “rejection of […]
• Feminism in “The Handmaid’s Tale” by Margaret Atwood Religion in Gilead is the similar to that of the current American society especially, the aspect of ambiguity which has been predominant with regard to the rightful application of religious beliefs and principles.
• Yves Klein’s Works From a Feminist Perspective The images were painted in the 20th century in the backdrop of the rising pressure in many parts of the globe for the government to embrace gender equality.
• Feminism: Reflection of Cultural Feminism If they found that the gases were harmful and may lead to complications in their body, they would approve the employer’s right to prohibit women from working in the company.
• Race, Class and Gender: Feminism – A Transformational Politic The social construction of difference in America has its historical roots in the days of slavery, the civil war, the civil rights movement, and the various shades of affirmative action that have still not managed […]
• Feminism in “Heart of Darkness” and “Apocalypse Now” However, one realizes that she is voiceless in the novel, which highlights the insignificance of role of women in Heart of Darkness.
• Gender Issues: Education and Feminism These experiences in many times strongly affects the individual’s understanding, reasoning, action about the particular issue in contention In this work two issues of great influence and relevance to our societies are discussed.
• Hello Kitty as a Kitsch and Anti-Feminist Phenomenon In this scenario, Hello Kitty is linked to the notion of kitsch because it connects adult men and women that are attached to the cute image to constant consumerism.
• Feminism and Respect for Culture A crucial gender aspect that continues to trouble the unity of the people across the world is gender bias, which seems to encourage the formation of the feminist campaigns.
• The Fraternal Social Contract on Feminism and Community Formation The contract was signed by men to bring to an end the conditions of the state of nature. Life was anarchic and short lived which forced men to sign a social contract that could bring […]
• Dorothy E. Smith and Feminist Theory Development As we know men and women face very different and diverse challenges in life and therefore developing a theory that is supposed to suggest solutions to these problems of both men and women is supposed […]
• Feminism Builds up in Romanticism, Realism, Modernism Exploring the significance of the theme as well as the motifs of this piece, it becomes essential to understand that the era of modernism injected individualism in the literary works.
• Feminist Therapy: Gwen’s Case Study The application of a feminist perspective in Gwen’s case is different from other theoretical frameworks as the approach highlights the impact of gender and associated stressors on the client’s life.
• Feminism in ‘Telephone Video’ To demonstrate how feminist theory in communication is relevant to music, the paper will analyze the depiction of females, the vocal arrangements, representation of female roles and their visual appearance in Lady Gaga’s “Telephone” music […]
• Feminist Theories by Bordo, Shaw & Lee, Shildrick & Price The prolific feminist writers whose ideas and positions on the body will be compared are Susan Bordo, Shaw and Lee, and Shildrick and Price.
• Willa Cather and Feminism Ability to work and/or supervise oneself as a woman is also quietly depicted through the girl who is able to work in the absence of her father. Cather depicts most of the women in her […]
• A Feminist Reading of “Wild Nights” and “Death Be Not Proud” From the feminist perspective, the key feature of the speaker’s stance in “Death Be Not Proud” that sets it apart from “Wild Nights” is the speaker’s persona, which is openly and unequivocally male.
• “Daddy-long-Legs”: Why Jerusha Is a Feminist Heroine Jerusha is a feminist because she uses the letters to communicate the inequalities she feels in her relationship with Daddy-long-legs and her limits.
• Feminist View of Red Riding Hood Adaptations The Brothers Grimm modified the ending of the story, in their version the girl and her grandmother were saved by a hunter who came to the house when he heard the wolf snoring.
• The Concept of Feminist Epistemology The analysis starts with an overview of the evolutions process of standpoint epistemology; then, the philosophical movement is defined and the major ideas and arguments embedded into the theory are discussed.
• Feminist Critique of Jean Racine’s “Phedre” Racine view Phedre as in a trap by the anger of gods and her destiny due to the unlawful and jealous passion that resulted into the deaths of Hippolytus and Oenone.

The highly debated nature of feminism makes this topic ideal for expressing your point of view in an argumentative essay!

Here are the top 10 hot topic ideas on feminism that you may find helpful:

• Will countries become matriarchal soon?
• Women should not stay home to raise children.
• BDSM promotes violence against women.
• Should girls be allowed in Boy Scouts?
• Feminism is disliked due to the toxic principles it stands for.
• Women in government can really make a difference.
• Do women have an absolute right to abortion?
• Islam is compatible with feminism.
• Gender stereotyping in ads should be banned.
• Can fashion ever be feminist?

🥇 Most Interesting Feminist Topics to Write about

• Post-Feminism in the Wonder Bra Commercial The era of post-feminism is believed to start in the 1990s and it differs considerably from the times of feminism. In conclusion, it is possible to note that the advertisement of the Wonder Bra is […]
• The Picture of Arabic Feminist Najir’s father’s taking of her sexually excludes her from chances at a marriage of her own, because she is deprived of her virginity, and exposes the young woman to the risk of a pregnancy which […]
• Feminism in Canadian Literature First of all, the female author of the article considered by Cosh is evidently a supporter of the equality of rights for men and women, and her account on the women liberation movement in the […]
• Importance of Feminism in Interpersonal Communication in “Erin Brockovich” In this presentation, the theme of feminism in interpersonal communication will be discussed to prove that it is a good example of how a woman can fight for her rights.
• Wendy McElroy: A Feminist Defense of Men’s Rights The author sees the recent violation of men’s rights in the excessive spread of gender feminism, which appeared in the 1960s and touched primarily the family aspects of woman’s life, in particular, the right to […]
• Feminist Perspective in “Ruined” Play by Nottage This is a story about the issues of women in the Democratic Republic of Congo during the civil war. The comments of ‘Anonymous’ published as a response to the review of Jill Dolan, demonstrate the […]
• Feminist Connotations in Susan Glaspell’s “Trifles” It is a call to reexamine the value of women in a patriarchal society; through their central role in the drama, the female characters challenge traditional notions about women’s perspective and value.
• Feminism in The Yellow Wallpaper In an attempt to free her, she rips apart the wallpaper and locks herself in the bedroom. The husband locks her wife in a room because of his beliefs that she needed a rest break.
• The Myntra Logo from a Feminist Perspective The first feature of the Myntra logo that comes under the scrutiny of transnational feminism is the commercialization of female sexuality.
• Historical Development of Feminism and Patriarchy Women in the United States have always encountered challenges that interfere with their individual fulfillment in society.
• Feminist Approach: Virginia Woolf In “A room of ones own” Virginia Woolf speaks about the problems of women, gender roles, and the low social position of women writers in society.
• Judith Butler’s Feminist Theory From a phenomenological point of view, gender is a stable identity that is realized through the repetition of certain acts. Butler’s article is dedicated to the role of gender, its relation to a body and […]
• Comparing Mainardi and Kollantai on Housework and Women’s Oppression Mainardi and Kollantai argue that women should be liberated from chores for the sake of the future. Nonetheless, the two feminists have different views on the way liberation can be achieved.
• Bell Hooks’ Article Analysis With Regard to Women and Minorities Feminism is meant to stop sexist oppression. The major aim of these movements has not yet been achieved. Bell Hooks promotes the knowledge of feminist theory as essential portion of the development of self-actualization.
• Equal Society: Antebellum Feminism, Temperance, and Abolition It is characterized by the emergence of a women’s rights movement that was spearheaded by activists who sought to secure the rights of women to vote, own property, and participate in education and the public […]
• Feminism in the “Lorraine Hansberry” Film Her activism aligns with the fundamental tenets of women of color feminism, which emphasizes the intersecting nature of oppression and the importance of centering the experiences of marginalized groups in social justice movements.
• Gloria Steinem: Political Activist and Feminist Leader Thesis: Gloria Steinem’s direct, bold, argumentative, and explicit style of conveying her ideas and values is the result of her political activism, feminist leadership, and her grandmother, Pauline Perlmutter Steinem.
• Feminist Geography and Women Suppression Tim Cresswell’s feminist geography explores how the patriarchal structures of our society have silenced women’s voices and experiences in the field of geography for centuries and how recent changes in the field have allowed for […]
• Feminism from a Historical Perspective Accordingly, the discontent facilitated the development of reform-minded activist organizations across Europe and the United States and the subsequent rise of the Modern or New Women’s Movement.
• “Othello” Through the Lens of Feminist Theory It depicts female characters in a state of submission and obedience and shows the disbalance in the distribution of power between men and women.
• The Feminist Theory in Modern Realities The theory and culture of feminism in modern philosophy and the development of society play a significant role in cultural and social development.
• Feminist Accountability Approach Therefore, the feminist accountability approach involves the collective responsibility to fight social injustices regardless of gender and race. Therefore, integrating the global approach to social injustice promotes the aspect of universality and unity in promoting […]
• Alice Walker’s Statement “Womanist Is to Feminist…” In her short tale “Perspectives Past and Present,” author and poet Alice Walker famously uses the statement “Womanist Is to Feminist as Purple Is to Lavender,” meaning that womanist is a larger ideological framework within […]
• Feminist Perspective on Family Counselling The author of the article considers the study and the data obtained as a result of it as information reporting not only about the specifics of homosexual relationships but also about their perception in American […]
• The Feminist and Gender Theory Influence on Nursing That is, gender and feminist theories are still relevant in the modern world. This is explained by the fact that women are struggling to demonstrate their professionalism in order to receive the same recognition and […]
• Modern Feminism and Its Major Directions Radical feminism views patriarchy as the reason men have more rights than women and attempts to fight against it. Liberal, intersectional, and radical feminism differ in many ways as they have various perspectives on women’s […]
• Feminist Theory and Its Application Alice Walker advocated for the rights of women of color at the end of the 20th century, creating a feminist branch named womanism. The feminist theory is one of the most known and popular theories […]
• The Feminist Theory in Nursing Since nursing has traditionally been a women’s profession, it is important to understand the oppression of women to gain insight into some of the most pressing issues in nursing.
• Discussion of Feminist Movements The feminist movements have been behind a sequence of political and social movements that champion the equal rights of women in all aspects of life.
• Feminists on the Women’s Role in the Bible The author of the article uses the term intertextuality, which plays a significant role in the text analysis, including from the feminist aspect.
• The Incorporation of Feminism in Literature By focusing on the character, the book portrays the demand for feminism in society to allow females to have the ability and potential to undertake some responsibilities persevered by their male counterparts. The belief in […]
• Feminist Contribution to International Relations Moreover, it will be shown that the concept of gender is important as it helps to shed light on the power dynamics in the sphere of international relations and explain female exclusion from politics.
• Emotional Revival in Feminist Writers’ Short Stories This paper aims to discuss the emotional revival of heroines in the short stories of Kate Chopin and Charlotte Perkins Gilman.”The Story of an Hour” is a very short story that describes a woman’s experience […]
• Emotion and Freedom in 20th-Century Feminist Literature The author notes that the second layer of the story can be found in the antagonism between the “narrator, author, and the unreliable protagonist”.
• The Cyborg Term in the Context of Feminist Studies In other words, during the transition of identity from the individual to the collective level, people, especially women, may encounter inequalities manifested in the collective space.
• Feminism: A Road Map to Overcoming COVID-19 and Climate Change By exposing how individuals relate to one another as humans, institutions, and organizations, feminism aids in the identification of these frequent dimensions of suffering.
• White Privilege in Conflict and Feminist Theories They see how the privilege of whiteness and denial of non-whiteness are connected to the social and political meaning of race and ethnicity.
• Women’s Role in Society From Feminist Perspective Also, in Hartsock’s opinion, that the whole society would benefit if women were allowed to have a role equal with men in a community.
• The Feminist Theory and IR Practice Focusing on how international relations theorists explained some concepts, such as security, state, and superiority that led to gender bias, feminists felt the need to develop and transform the international relations practice and theory.
• Intersectionality and Feminist Activism Therefore, I hope to study the academic literature to discuss the existing tendencies and difficulties to contribute to the understanding of the identified topic in terms of gender and female studies.

👗 Fashion and Feminism Topics for Debate

The link between fashion and feminism is a double-edged sword. While it empowers women to express themselves and break free from gender limitations, it can also be used to promote unrealistic beauty ideals and reinforce patriarchal norms.

Review these intriguing topics about fashion and feminism:

• How have feminists used fashion to claim their freedom?
• The link between fashion, body positivity, and feminism.
• Women in fashion photography: art or objectification?
• How do feminists combat stereotypical portrayals of women in fashion?
• The impact of the #MeToo movement on fashion industry practices.
• Feminist Theoretical Perspectives on Rape There is a number of theoretical perspectives aimed at explaining what stands behind rape, that is, how rape is reinforced by, why it is more widespread in specific concepts, and what a rapist’s motivations for […]
• Feminist Film Theory Overview The presence of women on the screen is commonly accomplished by the sexualization and objectivization of female characters. Along with that, sadism and fetishism toward the physical beauty of the object and the representation of […]
• Homosexuality and Feminism in the TV Series The depiction of these complex topics in the TV series of the humoristic genre implies both regressive and progressive impulses for the audience.
• Popular Feminism in Video Post of Emma Watson According to Emma Watson, now feminism is increasingly associated with hatred of men, although in reality it only implies the belief that men and women should have equal rights and opportunities.
• Contingent Foundations: Feminism and Postmodernism Feminism offers women theoretical bases on which to interrogate the issues of womanhood while Postmodernism takes this away by arguing for the “death of subjects”.abolition of the foundations of the ideals of reality.
• The Feminist Theory, Prostitution, and Universal Access to Justice In the essay, it is concluded that the theory is a key component of the reforms needed in the criminal justice system with respect to prostitution. In this essay, the subject of prostitution is discussed […]
• A Feminist Life Lesson in “Sula” by Toni Morrison This essay is going to review gender and love and sexuality as the key themes that intertwined with Nel and Sula’s friendship, while also explaining how these influenced each of the two main characters. On […]
• Art, Pornography and Feminism and Internet Influence The purpose of pornography is not the desire to admire the human body and respect physical intimacy. Indeed, society can say that women themselves agree to such rules, but the choice of a minority forms […]
• The Contemporary Image of Feminism Following the initial surge of the movement, governments finally came to acknowledge the magnitude of the situation and satisfied the demands of the female population.
• Feminism and Nationalism: The Western World In this case, we find that feminism has been a different that all the time and therefore, it is impossible to predict the trend of feminism in future.
• Gould’s and Sterling’s Feminist Articles Critique The focal point of this paper is to prepare a critical reflection on the articles by Stephen Jay Gould named “Women’s Brains” in The Panda’s Thumb and by Anne Fausto-Sterling named “The biological Connections,” from […]
• Core Aspects of Black Feminist and Womanist Thoughts Compared to Jones, who believes in “unparalleled advocates of universal suffrage in its true sense,” Lindsey does not support the relegation of the “voices and experiences of women of color to the background”.
• Barbara and Beverly Smith: Black Feminist Statement Sexism was an explicit element of the African American Civil Rights Movement. Fight against segregation was rather single-sided.
• Feminist Contributions to Understanding Women’s Lives This gave women a clear picture of the daily realities in their lives. The success of feminism is evident at all levels of human interaction since there is a better understanding of women and their […]
• As We Are Feminist Campaign’s Strategic Goals The present paper is devoted to the analysis of the goals of a feminist campaign As We Are that is aimed at challenging gender stereotypes that are being promoted by the media and society in […]
• Feminist Ethics in Nursing: Personal Thoughts The concept of feminist ethics emphasizes the belief that ethical theorizing at the present is done from a distinctly male point of view and, as such, lacks the moral experience of women.
• Feminism: Kneel to the Rest of Life, or Fight for the Fairness It seems that the law is not perfect, and the public opinion of sexual harassment might influence a woman’s life negatively.
• Feminist Perspective Influence on Canadian Laws and Lawmakers The change in the statistics is attributed to social changes, which include increase of women in the labor force, conflict in female-male relations, increase in alcohol consumption and increase in the rate of divorce. Feminists […]
• Blog Post: Arab Feminism in Contemporary World Women of the Arab world have struggled to overcome inequality, oppression, and rights deprivation by state authorities, which takes the discussion of the Islamic feminist movement to the political domain. According to Sharia, the unity […]
• Feminist Movement and Recommendations on Women’s Liberation According to Nawal El-Saadawi In Egypt, the feminist movement was started by Nawal El-Saadawi, and her article “The Arab Women’s Solidarity Association: The Coming Challenge” has historical importance as it addresses the plight of women in the community.
• Technological Progress, Globalization, Feminism Roots However, the work becomes more complicated when the time distance of the events and processes is shorter, and the stories are unfinished.
• Race at the Intersections: Sociology, 3rd Wave Feminism, and Critical Race Theory In this reading, the author examines the phenomenon of racism not merely as an issue but a systematic, institutionalized, and cultural phenomenon that is hard to eliminate.
• The Feminist Performers: Yoko Ono, Marina Abramovic, Gina Pane The feminist artists ccontributed to the women’s image, its role in society, and exposed the passiveness and submissiveness the women are obliged to endure.
• Feminism and Multiculturalism for Women The foundation of liberalism is having an interest in all the minority cultures that are put together to form the larger special group.
• Feminist Analysis of Gender in American Television The analysis is guided by the hypothesis that the media plays a role in the propagation of antagonistic sexual and gender-based stereotypes.
• “The Great Gatsby” by Fitzgerald: Betrayal, Romance, Social Politics and Feminism This work seeks to outline the role of women in the development of the plot of the book and in relation to the social issues affecting women in contemporary society.
• Pornography’s Harm as a Feminist Fallacy In this scenario, scientific research has proven the argument not to be true. It is weakened by the fact that people are not forced to watch the video.
• Feminism in Mourning Dove’s “Cogewea, the Half-Blood” The patriarchal practices embraced by the Indian community and the subsequent system of governance humiliated the writer; hence, the use of Cogewea in the passage was aimed to imply the abilities that were bestowed upon […]
• Feminist Film Strategy: The Watermelon Women These techniques have the capabilities of shifting meaning away from the narrative as the source of meaning to the audience’s background knowledge in making meaning.
• The Emerging Feminism in India and Their Views on God as a Feminist However, among the explanation of the cause of the phenomenon for this lack of agreement is the tendency for people to define religion too narrowly, and in most cases from the perspective of their own […]
• Feminist Psychology in Canada The introduction of the article gives the purposes of the research that include the historical and present condition of the psychology of women field of interest.
• American Art Since 1945 Till Feminism The entire movement represented the combination of emotional strength and the self-expression of the European abstract schools: Futurism, the Bauhaus and Synthetic Cubism.
• Modernist Art: A Feminist Perspective Clarke limited the definition of modernism even further by his restriction of it to the facets of the Paris of Manet and the Impressionists, a place of leisure, pleasure, and excesses, and it seems that […]
• Enlightenment, Feminism and Social Movements As a result of Enlightenment, the creative entrepreneurs as well as thinkers enjoyed the high freedom benefits that were brought in by the Enlightenment thinkers, enabling them to apply the newly acquired liberty to invent […]
• Maya Angelou and Audre Lorde: The Black Feminist Poets The themes of double discrimination are developed in the poems “Woman Work” and “Still I Rise” by Maya Angelou and poems “A Meeting of Minds” and “To the Poet Who Happens to Be Black and […]
• The Feminist Art Movement in the 1970s and Today The feminist art movement emerged in the 1960s and from that time the women had taken much interest in what causes them to be different from the male gender and particularly, what causes the art […]
• Understanding of Feminism: Philosophical and Social Concepts The vision that emerges, in the narrative as in the world it represents, is of a whole composed of separate, yet interdependent and interrelating, parts.
• Geoffrey Chaucer: A Founder of English Literature as a Feminist Despite the distorted interpretation of gender in the patriarchal society, Chaucer’s vision of women contradicts the orthodox view of the biological distinction of males and females as the justification for gender inequality.
• Feminist Theory in Psychotherapy This theory puts women at the first place, and this place is reflected in three aspects: the first is its main object of study – the situation and difficulties faced by women in society, and […]
• Feminism in ‘Trifles’ by Susan Glaspell The Feminist Movement, also called the Women’s Movement and the Women’s Liberation Movement, includes a series of efforts by women in the world to fight for the restoration of gender equality.

We know that choosing a good topic about feminism can be a challenging process. That is why we have prepared for you a few practical tips that can come in handy:

• Choose a title that sparks curiosity. Your title should create interest and draw readers into your essay.
• Make sure your topic reflects the core purpose of your work. For instance, you can use keywords representing your essay’s main idea.
• Be concise. Keep your title short! A long title will be cumbersome and might lose the reader’s attention.
• Avoid using clichés. Overused phrases in essay titles on feminism can be dismissive, failing to reflect the complexity and nuance of the topic.

See these feminism title ideas to see how everything works in practice:

• The role of feminism in combating gender-based violence.
• How have feminist movements influenced the portrayal of women in literature?
• Body positivity is not a part of the feminist movement.
• Perils and Possibilities of Doing Transnational Feminist Activism These have promoted awareness of human rights among women and other masses, ensured and led to the adoption of the rules and regulations recognizing women rights and that supports ending of women violations and participated […]
• The Feminist Gendering Into International Relations These are early female contributions to IR academic and the In terms of conferences, the theme of gender and politics was being explored in conferences.
• “Feminism and Religion: The Introduction” by R. Gross Gross critically in order to see the essence of the book and the competence of the author in the current issue.
• Feminism – Women and Work in the Middle East The history of feminism consists of different movements and theories for the rights of women. The first wave of this phenomenon began in the 19th century and saw the end only in the early 20th […]
• Harriet Martineau, Charlotte Perkins Gilman, and Marianne Weber: Feminist Sociologists Through her writings she always advocated for the equal rights of women with men and remarked the importance of financial self-sufficiency among women in the society. She observed the role of women in society and […]
• Feminist Theory and Postmodern Approaches It seems to me that such technique can be quite helpful because it helps to get to the root of the problem.
• English Language in the Feminist Movement In addition to that, it is of the crucial importance to explore the underlying causes of this phenomenon. Now that we have enumerated the research methods, that can be employed, it is of the utmost […]
• Feminist Ideas in Mary Shelley’s “Frankenstein” One of these issues and the subject of this paper is the theme of feminism in Shelley’s novel. It is time to separate unchangeable morals from local manners”.- Mary Wollstonecraft in A Vindication of the […]
• Chitra Banerjee Divakaruni’s Works and Feminism The woman’s role is depicted ever so poignantly in the works of Divakaruni and this also reflects the importance of reclaiming the understanding of the role of women in society.
• Black Feminism: A Revolutionary Practice The Black Feminist Movement was organized in an endeavor to meet the requirements of black women who were racially browbeaten in the Women’s Movement and sexually exploited during the Black Liberation Movement.
• Popular Culture From the Fifties to Heroin Chic: Feminism The women have become aware of their legal rights and disabilities as a consequence of the inclusion of educated women in movements to repair the legal disabilities.
• Positive Changes That Feminism Brought to America And when, in 1919, the American Constitution was amended such that the women in all the States were given the right to vote, it was then that the first period of feminism officially ended, their […]
• Are Feminist Criticisms of Militarism Essentialist? In the following essay, I will trace the essentialist feminists and their juxtaposition to the extent of their deep thoughts and activities toward the militaristic attitude and the changing perception of women in the militarism […]
• Western Feminist Critics and Cultural Imperialism To be able to fulfill the above-provided task, it would be necessary to discuss and analyze the issues of race, gender, sexuality, the oppression of multiculturalism, cultural relativism, the attitude of the feminists toward the […]
• Social Justice and Feminism in America So as to make a change in this situation, the feminists in America took efforts to improve the condition of women.
• American Women in History: Feminism and Suffrage It is important to note that the key sharp issues discussed in this chapter are: a finding of the independent women suffrage movement, the role of the constituency in this process, the role of war […]
• Feminist Movements in Contemporary Times The artists are the intellectual leaders of a society who incur significant influence in the patterns of culture and civilization. The participation of women in the development of cultural values and literary achievements are also […]
• Feminist Critiques of Medicine In the area of new reproductive technologies, for instance, some women have campaigned to end the use of techniques such as IVF, seeing them as potentially genocidal and of no value to women.
• Shakespeare: A Feminist Writer A careful analysis of Lady Macbeth’s intensely complicated character and her role in the play proves that Shakespeare is actually a feminist writer.
• Kate Chopin’s Feminist Short Stories and Novels Two short stories were written by Chopin, A Story of One Hour and The Storm well as her brilliant novel Awakening should be regarded as one of the best examples of the feminist literature of […]
• Feminism in Ibsen’s Hedda Gabler Hedda Gabler, upon the discovery that her imaginary world of free-living and noble dying lies in shivers about her, no longer has the vitality to continue existence in the real world and chooses self-annihilation. At […]
• Liberal Feminism Movement Analysis The outcome of eradicating the concept of a patriarchy can only result in the liberation of women, gays, minorities and men as well.
• Feminism and Support of Gender Equality Nowadays, it involves advocacy and a set of activities aimed to protect the rights of a plethora of discriminated groups, including LGBT community members and racial minorities.
• Feminism: Liberal, Black, Radical, and Lesbian 2 In the 1960s and the 1970s, liberal feminism focused on working women’s issues and the impact of experiences that females of any race could have.
• Women and Law. Feminist Majority Foundation The paper describes the group’s history, principles, mission, methods of work, political activities, achievements, and opposition to emphasize the importance of the organization’s activity. As the ideology and movement that established the equality of men […]
• Empowerment and Feminist Theory Therefore, it can be concluded that the song “Unstoppable,” which is performed by Sia, transfers the main ideas of empowerment and feminist theory.
• A Feminist Analysis on Abu Ghraib Moreover, these tortures were intended to become public with the help of demonstrations at Abu Ghraib and taking photographs that accentuated the loss of prisoners’ masculine power.[4] According to Foucault’s views, public torture is an […]
• “The Historical Evolution of Black Feminist Theory and Praxis” by Taylor 1 The main points made by the author are reflected in the analysis of the four major topics in the creation of Black feminist thought and the discussion of two feminism waves in the US.
• Feminist Theory: Performing and Altering Bodies The introductory chapter points out that the body is a unifying subject that attracts intense inquiry to reveal different possibilities of corporeality that were masked by the intellectual traditions of modernism.
• Colonialism and Knowledge in Feminist Discourse Power imbalances affect human societies in multiple ways, and one of the phenomena that are important from this perspective is the intersection of colonialism and knowledge. From the perspective of colonization, the intersection of colonialism […]
• Feminism and the Relational Approach to Autonomy The relational approach to autonomy is a crucial aspect in the process of analyzing people’s behaviors and relations. Understanding the peculiarities of agency and autonomy is necessary to build ethical connections and avoid harming others.
• Feminism and Sexuality in the “Lila Says” Film She seems to be opposing the system and traditions, but instead, she is a product of the existing values and norms.
• Ecological Feminism and Environmental Ethics Because of the effects that the process of globalization has had on the environment, including the increase in the speed of global warming and the scope of its outcomes, environmental ethics has gained significance.
• Feminist Perspective: “The Gender Pay Gap Explained” Another issue that needs to be discussed is that it is suggested that the elimination of the wage gap would help to enhance the economy and living conditions of many families.
• Second Wave of Feminist Movement The reason why the movement emerged in the 1960s was that females began to reconsider their position in the society that was established after the war.
• Spiritual and Educational Feminist Comparison The first use of the phrase is traced back in the fiscal 1871 and it was incorporated in the French medical texts to undermine the people who had both sex organs.
• Feminism: “The Second Sex” by Simone de Beauvoir According to post-structural feminism structures in society still hold the woman back.de Beauvoir states that this is because structures still exist in the minds of people as to the place of women in society.
• The Application of Psychoanalysis in Feminist Theories The concepts of psychoanalytic theories have become effective tools for understanding the main underpinnings of the feminist movement, its place in the lives of individual women, and post-feminism symptoms.
• Feminist Psychoanalysis From McRobbie’s Perspective Butler and Rabine, for instance, had a distinct view of the concept though Angela was able to analyse their notions in a psychoanalytic manner.
• Feminist Theory in “A Family Thing” Movie Discrimination and disregard of someones basic rights are one of the central causes for the emergence of significant psychological problems and the gradual deterioration of the quality of life.

🔍 Interesting Topics to Write about Feminism

• Feminist Theory of Family Therapy
• Feminism in Tunisia and Jordan in Comparison
• Feminism in the United Arab Emirates
• Feminist Political Theory, Approaches and Challenge
• Feminism in the Past and Nowadays
• Feminism in Latin America
• Planet B-Girl: Community Building and Feminism in Hip-Hop
• “Feminism and Modern Friendship” by Marilyn Friedman
• Methods of Feminism Education and Its Modern Theories
• Feminism in Lorrie Moore’s “You’re Ugly, Too”
• Anti-Feminism and Heteropatriarchal Normativity
• The Theory of Feminism Through the Prism of Time
• Elena Poniatowska and Her Feminism
• Feminism in Laura Esquivel’s “Like Water for Chocolate”
• Concept of “Western Feminism”
• Prison and Social Movement in Black Feminist View
• Feminism and Roles in “A Raisin in the Sun” Play
• Feminist Miss America Pageant Protest of 1968
• Black Feminist Perspectives in Toni Morrison’s Works
• Feminist Movement as an Attempt to Obtain Equal Rights
• Axel Honneth Views on Feminism
• Feminist Deceit in Short Stories
• Feminist Movement Influence on the Arab Film Industry
• Third World Feminism and Its Challenges
• “First Wave” Feminist Movement
• Feminism in the Story “Lord of the Rings”
• Feminism: the Contraception Movement in Canada
• Beyonce and Assata Shakur Feminism Ideas Comparison
• Feminism in “‘Now We Can Begin” by Crystal Eastman
• Gender Studies of Feminism: Radical and Liberal Branches
• Feminism and Film Theory
• The Realization of Third-wave Feminism Ideals
• Sexuality as a Social and Historical Construct
• Modern Feminist Movements
• Feminist Theories in Relation to Family Functions
• Rebecca Solnit’s Views on Feminism
• “Frida Kahlo: A Contemporary Feminist Reading” by Liza Bakewell
• Chinese Feminism in the Early 20th Century
• Feminism in the 20th Century: a Literature Perspective. Research Summaries
• Shifting the Centre: Race, Class, and Feminist Theorizing About Motherhood
• Feminism and Modern Friendship
• Historical Development of Feminism and Patriarchy
• Women and Their Acceptance of Feminism
• Women, Religion, and Feminism
• Women’s Health and Feminism Theory
• Feminism is for Everybody: Passionate Politics
• Challenges to Build Feminist Movement Against Problems of Globalization and Neoliberalism
• Feministic Movement in Iron Jawed Angels
• Hillary Clinton: Furthering Political Agenda Through Feminism
• Feminist Pro-Porn During Sex Wars
• Feministic View of McCullers’ “The Member of the Wedding”
• “Feminism, Peace, Human Rights and Human Security” by Charlotte Bunch
• Feminist Political Change
• Antonio Gramsci and Feminism: The Elusive Nature of Power
• Changes That Feminism and Gender Lenses Can Bring To Global Politics
• Feminist Research Methods
• Feminism in the works of Susan Glaspell and Sophocles
• Cross Cultural Analysis of Feminism in the Muslim Community
• The Adoption of Feminist Doctrine in Canada
• Feminist Movement in Canada
• Feminism and Gender Mainstreaming
• Feminist Movement: The National Organization for Women
• Female Chauvinist Pigs: Raunch Culture and Feminism
• Feminist Analysis of the Popular Media: The Sexualization Process Takes Its Toll on the Younger Female Audience
• Seven Variations of Cinderella as the Portrayal of an Anti-Feminist Character: a Counterargument Against the Statement of Cinderella’s Passiveness
• Women in the Field of Art
• The Reflection of the Second-Wave Feminism in Scandinavia: “Show Me Love” and “Together”
• Liberal and Socialist Feminist Theories

📑 Good Research Topics about Feminism

• Gender Issue and the Feminist Movement
• Feminist Movement Tendencies
• Feminist Literature: “The Revolt of Mother” by Mary E. Wilkins
• Scholars Comment on Gender Equality
• The Adoption of Structuralism and Post-Structuralism Basics in Feminist Cultural Theory
• The Smurfette Principle in the Modern Media: Feminism Is over?
• Feminist Challenge to Mainstream International Relations Theory
• The Feminist Movement
• Feminism and Evolution or Emergence of Psychology
• Reasons Why the Black Women Population Did Not Consider Themselves a Part of the Ongoing Feminist Movements
• Black Women and the Feminist Movement
• Feminism and Patriarchy
• Feminism Interview and the Major Aim of Feminism
• Gender and Religion: Women and Islam
• World Politics: Realist, Liberals, and Feminists Theories
• Charlotte Gilman’s feminism theory
• Concept and History of the Liberal Feminism
• Feminism and Women’s History
• Feminist Criticism in “The Story of an Hour” and “The Yellow Wallpaper”
• Obesity: Health or Feminist Issue?
• Feminism in Roger and Dodger Film
• Comparing Views on the Feminism of Wollstonecraft and Martin Luther King
• Anarchy, Black Nationalism and Feminism
• Concepts of Feminism in the Present Societies
• Gender Issues and Feminist Movement
• “Just Say No? The Use of Conversation Analysis in Developing a Feminist Perspective on Sexual Refusal” by Kitzinger and Frith: Summary
• Feminist Ethics Concept
• How Did African Feminism Change the World?
• Why Might Feminism and Poststructuralism Be Described as an Uneasy Alliance?
• Does Feminism and Masculinity Define Who People Are Today?
• How Did Feminism Change New Zealand?
• Can Feminism and Marxism Come Together?
• How Did Second Wave Feminism Affect the Lives of Women?
• Does Arab Feminism Exist?
• How Does Chivalry Affect Feminism?
• Has Feminism Achieved Its Goals?
• How Does the French Feminism Theory Manifest Itself?
• Does Feminism Create Equality?
• How Has Feminism Changed the Lives of Women, Men, and Families?
• Has Feminism Benefited the American Society?
• How Does Feminism Explain Gender Differences in Comparison to the Mainstream Psychology?
• Does Feminism Discriminate Against Men?
• How Does Feminism Harm Women’s Health Care?
• Does Feminism Really Work?
• How Does Feminism Threaten Male Control and Alters Their Dominance in Society?
• What Are the Basic Traits of Liberal Feminism?
• How Has Economic Development and Globalization of South Korea Influenced the Role of Feminism?
• What Are the Concepts of Marxism and Feminism?
• How Has Feminism Developed?
• What Are the Main Theoretical and Political Differences Between First and Second Waves of Feminism?
• Why Should Men Teach Feminism?
• How Does Popular Fiction Reflect Debates About Gender and Sexuality?
• When Does Feminism Go Wrong?
• How Do Teenage Magazines Express the Post-feminism Culture?
• Why Has Patriarchy Proved Such a Contentious Issue for Feminism?
• What Are the Main Contributions of Feminism to the Contemporary Lifestyle?
• Can Modern Feminism Start the Discrimination of Men?

📝 Key Points to Use to Write an Outstanding Feminism Essay

You may find yourself confused by various theories, movements, and even opinions when writing a feminism essay, regardless of your topic. Thus, producing an excellent paper becomes a matter of more than merely knowing your facts.

You should be able to explain difficult concepts while coincidentally touching upon fundamental points of feminist theory. Here are some starter examples of crucial essay-writing points, which can make your work better:

• Research and create a bibliography before beginning to write. There are various book and journal titles available both online and in libraries, and using them defines your essay’s credibility. You may use both books published long ago, such as “The Second Sex” by Simone de Beauvoir, and modern-day publications. Referencing reliable sources throughout your work will help you convince your readers that your approach is factual and in line with the main trends of the academic community.
• Writing a feminism essay outline beforehand will save you precious time. Not only because it is a tool to get your thoughts in order before beginning to write but also because it allows you to judge whether you have covered the subject thoroughly. Furthermore, structuring beforehand enables you to understand possible drawbacks of your previous research, which you can promptly correct.
• Explain the history behind your problem. Doing so allows you to set the scene for your essay and quickly introduce it to an audience, who may not be as well versed in feminism essay topics as you. Furthermore, you can use your historical introduction later as a prerequisite to explaining its possible future effects.
• Be aware of the correct terminology and use it appropriately. This action demonstrates a profound knowledge of your assigned issue to your readers. From women’s empowerment and discrimination to androcentrism and gynocriticism, track the terms you may need to implement throughout your work.
• Do not overlook your title as a tool to gain your readers’ attention. Your papers should interest people from the beginning and making them want to read more of your work. Writing good feminism essay titles is a great start to both catching their attention and explaining what your central theme is.
• Read available feminism essay examples to understand the dos and don’ts that will help you write your own paper. Plagiarism and inspiration are different concepts, and you can get great ideas from others’ work, so long as you do not copy them!

After you have done your research, drafted an outline, and read some sample works, you are ready to begin writing. When doing so, you should not avoid opposing opinions on topics regarding feminism, and use them to your advantage by refuting them.

Utilizing feminist criticism will allow you to sway even those with different perspectives to see some aspects worthy of contemplation within your essay. Furthermore, it is a mark of good academism, to be able to defend your points with well-rounded counterarguments!

Remember to remain respectful throughout your essay and only include trusted, credible information in your work. This action ensures that your work is purely academic, rather than dabbling in a tabloid-like approach.

While doing the latter may entertain your readers for longer, the former will help you build a better demonstration of your subject, furthering good academic practices and contributing to the existing body of literature.

Find more points and essays at IvyPanda!

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• Gender Stereotypes Essay Titles
• Women’s Role Essay Topics
• Sociological Perspectives Titles
• Gender Discrimination Research Topics
• Masculinity Topics
• Activist Essay Titles
• Gender Issues Questions
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43 What Are Feminist Criticism, Postfeminist Criticism, and Queer Theory?

Learning Objectives

• Use a variety of approaches to texts to support interpretations (CLO 1.2)
• Using a literary theory, choose appropriate elements of literature (formal, content, or context) to focus on in support of an interpretation (CLO 2.3)
• Be exposed to a variety of critical strategies through literary theory lenses, such as formalism/New Criticism, reader-response, structuralism, deconstruction, historical and cultural approaches (New Historicism, postcolonial, Marxism), psychological approaches, feminism, and queer theory (CLO 4.1)
• Understand how context impacts the reading of a text, and how different contexts can bring about different readings (CLO 4.3)
• Demonstrate awareness of critical approaches by pairing them with texts in productive and illuminating ways (CLO 5.5)
• Demonstrate through discussion and/or writing how textual interpretation can change given the context from which one reads (CLO 6.2)
• Understand that interpretation is inherently political, and that it reveals assumptions and expectations about value, truth, and the human experience (CLO 7.1)

Feminist Criticism

Feminist criticism is a critical approach to literature that seeks to understand how gender and sexuality shape the meaning and representation of literary texts. While feminist criticism has its roots in the 1800s (First Wave), it became a critical force in the early 1970s (Second Wave) as part of the broader feminist movement and continues to be an important and influential approach to literary analysis.

Feminist critics explore the ways in which literature reflects and reinforces gender roles and expectations, as well as the ways in which it can challenge and subvert them. They examine the representation of female characters and the ways in which they are portrayed in relation to male characters, as well as the representation of gender and sexuality more broadly. With feminist criticism, we may consider both the woman as writer and the written woman.

As with New Historicism and Cultural Studies criticism, one of the key principles of feminist criticism is the idea that literature is not a neutral or objective reflection of reality, but rather, literary texts are shaped by the social and cultural context in which they are produced. Feminist critics are interested in gender stereotypes, exploring how literature reflects and reinforces patriarchal power structures and how it can be used to challenge and transform these structures.

Postfeminist Criticism

Postfeminist criticism is a critical approach to literature that emerged in the 1990s and 2000s as a response to earlier feminist literary criticism. It acknowledges the gains of feminism in terms of women’s rights and gender equality, but also recognizes that these gains have been uneven and that new forms of gender inequality have emerged.

The “post” in postfeminist can be understood like the “post” in post-structuralism or postcolonialism. Postfeminist critics are interested in exploring the ways in which gender and sexuality are constructed and represented in literature, but they also pay attention to the ways in which other factors such as race, class, and age intersect with gender to shape experiences and identities. They seek to move beyond the binary categories of male/female and masculine/feminine, and to explore the ways in which gender identity and expression are fluid and varied.

Postfeminist criticism also pays attention to the ways in which contemporary culture, including literature and popular media, reflects and shapes attitudes towards gender and sexuality. It explores the ways in which these representations can be empowering or constraining and seeks to identify and challenge problematic representations of gender and sexuality.

One of the key principles of postfeminist criticism is the importance of diversity and inclusivity. Postfeminist critics are interested in exploring the experiences of individuals who have been marginalized or excluded by traditional feminist discourse, including women of color, queer and trans individuals, and working-class women. If you are familiar with t he American Dirt controversy, where Oprah’s book pick was widely criticized because the author was a white woman, is an example of this type of approach.

Queer Theory

Queer theory is a critical approach to literature and culture that seeks to challenge and destabilize dominant assumptions about gender and sexuality. It emerged in the 1990s as a response to the limitations of traditional gay and lesbian studies, which tended to focus on issues of identity and representation within a binary understanding of gender and sexuality. According to Jennifer Miller,

“The film theorist Teresa de Lauretis (figure 1.1) coined the term at a University of California, Santa Cruz, conference about lesbian and gay sexualities in February 1990…. In her introduction to the special issue, de Lauretis outlines the central features of queer theory, sketching the field in broad strokes that have held up remarkably well.”

While queer theory was formalized as a critical approach in 1990, scholars built on earlier ideas from Michel Foucault’s History of Sexuality, as well as the works of Judith Butler, Eve Sedgewick, and others.

Queer theory is interested in exploring the ways in which gender and sexuality are constructed and performative, rather than innate or essential. As with feminist and postfeminist criticism, queer theory seeks to expose the ways in which these constructions are shaped by social, cultural, and historical factors, but additionally, queer theory seeks to challenge the rigid binaries of heterosexuality and homosexuality. Queer theory also emphasizes the importance of intersectionality, or the ways in which gender and sexuality intersect with other forms of identity such as race, class, and ability. It seeks to uncover the complex and nuanced ways in which multiple forms of oppression and privilege intersect.

Queer theory focuses on the importance of resistance and subversion. Scholars are interested in exploring the ways in which marginalized individuals and communities have resisted and subverted the dominant culture’s norms and values, observing how these acts of resistance and subversion can be empowering and transformative.

Scholarship: Examples from Feminist, Postfeminist, and Queer Theory Critics

Feminist criticism could technically be considered to be as old as writing. Since Sappho of Lesbos wrote her famous lyrics, women authors have been an active and important part of their cultures’ literary traditions. Why, then, are we sometimes not as familiar with the works of women authors? One of the earliest feminist critics is the French existentialist philosopher and writer Simone de Beauvoir (1908-1986). In her important book, The Second Sex, she lays the groundwork for feminist literary criticism by considering how in most societies, “man” is normal, and “woman” is “the Other.” You may have heard this famous quote: “One is not born a woman but becomes one.” (French: “On ne naît pas femme, on le devient”). This phrase encapsulates the essential feminist idea that “woman” is a social construct.

Feminist: Excerpt from Introduction to The Second Sex (1949), translated by H.M. Parshley

If her functioning as a female is not enough to define woman, if we decline also to explain her through ‘the eternal feminine’, and if nevertheless we admit, provisionally, that women do exist, then we must face the question “what is a woman”? To state the question is, to me, to suggest, at once, a preliminary answer. The fact that I ask it is in itself significant. A man would never set out to write a book on the peculiar situation of the human male. But if I wish to define myself, I must first of all say: ‘I am a woman’; on this truth must be based all further discussion. A man never begins by presenting himself as an individual of a certain sex; it goes without saying that he is a man. The terms masculine and feminine are used symmetrically only as a matter of form, as on legal papers. In actuality the relation of the two sexes is not quite like that of two electrical poles, for man represents both the positive and the neutral, as is indicated by the common use of man to designate human beings in general; whereas woman represents only the negative, defined by limiting criteria, without reciprocity. In the midst of an abstract discussion it is vexing to hear a man say: ‘You think thus and so because you are a woman’; but I know that my only defence is to reply: ‘I think thus and so because it is true,’ thereby removing my subjective self from the argument. It would be out of the question to reply: ‘And you think the contrary because you are a man’, for it is understood that the fact of being a man is no peculiarity. A man is in the right in being a man; it is the woman who is in the wrong. It amounts to this: just as for the ancients there was an absolute vertical with reference to which the oblique was defined, so there is an absolute human type, the masculine. Woman has ovaries, a uterus: these peculiarities imprison her in her subjectivity, circumscribe her within the limits of her own nature. It is often said that she thinks with her glands. Man superbly ignores the fact that his anatomy also includes glands, such as the testicles, and that they secrete 3 hormones. He thinks of his body as a direct and normal connection with the world, which he believes he apprehends objectively, whereas he regards the body of woman as a hindrance, a prison, weighed down by everything peculiar to it. ‘The female is a female by virtue of a certain lack of qualities,’ said Aristotle; ‘we should regard the female nature as afflicted with a natural defectiveness.’ And St Thomas for his part pronounced woman to be an ‘imperfect man’, an ‘incidental’ being. This is symbolised in Genesis where Eve is depicted as made from what Bossuet called ‘a supernumerary bone’ of Adam. Thus humanity is male and man defines woman not in herself but as relative to him; she is not regarded as an autonomous being. Michelet writes: ‘Woman, the relative being …’ And Benda is most positive in his Rapport d’Uriel: ‘The body of man makes sense in itself quite apart from that of woman, whereas the latter seems wanting in significance by itself … Man can think of himself without woman. She cannot think of herself without man.’ And she is simply what man decrees; thus she is called ‘the sex’, by which is meant that she appears essentially to the male as a sexual being. For him she is sex – absolute sex, no less. She is defined and differentiated with reference to man and not he with reference to her; she is the incidental, the inessential as opposed to the essential. He is the Subject, he is the Absolute – she is the Other.’ The category of the Other is as primordial as consciousness itself. In the most primitive societies, in the most ancient mythologies, one finds the expression of a duality – that of the Self and the Other. This duality was not originally attached to the division of the sexes; it was not dependent upon any empirical facts. It is revealed in such works as that of Granet on Chinese thought and those of Dumézil on the East Indies and Rome. The feminine element was at first no more involved in such pairs as Varuna-Mitra, Uranus-Zeus, Sun-Moon, and Day-Night than it was in the contrasts between Good and Evil, lucky and unlucky auspices, right and left, God and Lucifer. Otherness is a fundamental category of human thought. Thus it is that no group ever sets itself up as the One without at once setting up the Other over against itself. If three travellers chance to occupy the same compartment, that is enough to make vaguely hostile ‘others’ out of all the rest of the passengers on the train. In small-town eyes all persons not belonging to the village are ‘strangers’ and suspect; to the native of a country all who inhabit other countries are ‘foreigners’; Jews are ‘different’ for the anti-Semite, Negroes are ‘inferior’ for American racists, aborigines are ‘natives’ for colonists, proletarians are the ‘lower class’ for the privileged. Excerpt from The Second Sex by Simone de Beauvoir (translated by H.M. Parshley) is licensed All Rights Reserved and is used here under Fair Use exception.

How do you feel about de Beauvoir’s conception of woman as “Other”? How are her approaches to gender similar to what we have learned about deconstruction and New Historicism? Could feminist criticism, like Marxist, postcolonial, and ethnic studies criticism, also be thought of as having “power” as its central concern?

Let’s move on to postfeminist criticism. When you think of Emily Dickinson, sadomasochism is probably the last thing that comes to mind, unless you’re postfeminist scholar and critic Camille Paglia . No stranger to culture wars, Paglia has often courted controversy; a 2012 New York Times article noted that “ [a]nyone who has been following the body count of the culture wars over the past decades knows Paglia.” Paglia continues to write and publish both scholarship and popular works. Her fourth essay collection, Provocations: Collected Essays on Art, Feminism, Politics, Sex, and Education , was published by  Pantheon in 2018.

This excerpt from her 1990 book Sexual Personae , which drew on her doctoral dissertation research, demonstrates Paglia’s creative and confrontational approach to scholarship.

Postfeminist: Excerpt from “Amherst’s Madame de Sade” in Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson by Camille Paglia (1990)

Consciousness in Dickinson takes the form of a body tormented in every limb. Her sadomasochistic metaphors are Blake’s Universal Man hammering on himself, like the auctioneering Jesus. Her suffering personae make up the gorged superself of Romanticism. I argued that modern sadomasochism is a limitation of the will and that for a Romantic like the mastectomy-obsessed Kleist it represents a reduction of self. A conventional feminist critique of Emily Dickinson’s life would see her hemmed in on all sides by respectability and paternalism, impediments to her genius. But a study of Romanticism shows that post-Enlightenment poets are struggling with the absence of limits, with the gross inflation of solipsistic imagination. Hence Dickinson’s most uncontrolled encounter is with the serpent of her antisocial self, who breaks out like the Aeolian winds let out of their bag. Dickinson does wage guerrilla warfare with society. Her fractures, cripplings, impalements, and amputations are Dionysian disorderings of the stable structures of the Apollonian lawgivers. God, or the idea of God, is the “One,” without whom the “Many” of nature fly apart. Hence God’s death condemns the world to Decadent disintegration. Dickinson’s Late Romantic love of the apocalyptic parallels Decadent European taste for salon paintings of the fall of Babylon or Rome. Her Dionysian cataclysms demolish Victorian proprieties. Like Blake, she couples the miniature and grandiose, great disjunctions of scale whose yawing swings release tremendous poetic energy. The least palatable principle of the Dionysian, I have stressed, is not sex but violence, which Rousseau, Wordsworth, and Emerson exclude from their view of nature. Dickinson, like Sade, draws the reader into ascending degrees of complicity, from eroticism to rape, mutilation, and murder. With Emily Brontë, she uncovers the aggression repressed by humanism. Hence Dickinson is the creator of Sadean poems but also the creator of sadists, the readers whom she smears with her lamb’s blood. Like the Passover angel, she stains the lintels of the bourgeois home with her bloody vision. “There’s been a Death, in the Opposite House,” she announces with a satisfaction completely overlooked by the Wordsworthian reader (389). But merely because poet and modern society are in conflict does not mean art necessarily gains by “freedom.” It is a sentimental error to think Emily Dickinson the victim of male obstructionism. Without her struggle with God and father, there would have been no poetry. There are two reasons for this. First, Romanticism’s overexpanded self requires artificial restraints. Dickinson finds these limitations in sadomasochistic nature and reproduces them in her dual style. Without such a discipline, the Romantic poet cannot take a single step, for the sterile vastness of modern freedom is like gravity-free outer space, in which one cannot walk or run. Second, women do not rise to supreme achievement unless they are under powerful internal compulsion. Dickinson was a woman of abnormal will. Her poetry profits from the enormous disparity between that will and the feminine social persona to which she fell heir at birth. But her sadism is not anger, the a posteriori response to social injustice. It is hostility, an a priori Achillean intolerance for the existence of others, the female version of Romantic solipsism. Excerpt from Sexual Personae by Camille Paglia is licensed All Rights Reserved and is used here under Fair Use exception.

It’s important to note that these critical approaches can be applied to works from any time period, as the title of Paglia’s book makes clear. In this sense, post-feminist scholarship is similar to deconstruction and borrows many of its methods. After reading this passage, do you feel the same way about Emily Dickinson’s poetry? How does Paglia’s postfeminist approach differ from Simone de Beauvoir’s approach to feminism?

Our final reading is from Judith Butler , who is considered both a feminist scholar and a foundational queer theorist. Their 1990 book Gender Trouble: Feminism and the Subversion of Identity is considered an essential queer theory text. Expanding on the ideas about gender and performativity, Bodies that Matter (2011) deconstructs the binary sex/gender distinctions that we see in the works of earlier feminist scholars such as Simone de Beauvoir.

Queer Theory: Excerpt from “Introduction,”  Bodies that Matter  by Judith Butler (2011)

Why should our bodies end at the skin, or include at best other beings encapsulated by skin? -Donna Haraway, A Manifesto for Cyborgs If one really thinks about the body as such, there is no possible outline of the body as such. There are thinkings of the systematicity of the body, there are value codings of the body. The body, as such, cannot be thought, and I certainly cannot approach it. -Gayatri Chakravorty Spivak, “In a Word,” interview with Ellen Rooney There is no nature, only the effects of nature: denaturalization or naturalization. -Jacques Derrida, Donner le Temps Is there a way to link the question of the materiality of the body to the performativity of gender? And how does the category of “sex” figure within such a relationship? Consider first that sexual difference is often invoked as an issue of material differences. Sexual difference, however, is never simply a function of material differences that are not in some way both marked and formed by discursive practices. Further, to claim that sexual differences are indissociable from discursive demarcations is not the same as claiming that discourse causes sexual difference. The category “sex” is, from the start, normative; it is what Foucault has called a “regulatory ideal.” In this sense, then, “sex” not only functions as a norm but also is part of a regulatory practice that produces the bodies it governs, that is, whose regulatory force is made clear as a kind of productive power, the power to produce-demarcate, circulate, differentiate-the bodies it controls. Thus, “sex” is a regulatory ideal whose materialization is compelled, and this materialization takes place (or fails to take place) through certain highly regulated practices. In other words, “sex” is an ideal construct that is forcibly materialized through time. It is not a simple fact or static condition of a body, but a process whereby regulatory norms materialize “sex” and achieve this materialization through a forcible reiteration of those norms. That this reiteration is necessary is a sign that materialization is never quite complete, that bodies never quite comply with the norms by which their materialization is impelled. Indeed, it is the instabilities, the possibilities for rematerialization, opened up by this process that mark one domain in which the force of the regulatory law can be turned against itself to spawn rearticulations that call into question the hegemonic force of that very regulatory law. But how, then, does the notion of gender performativity relate to this conception of materialization? In the first instance, performativity must be understood not as a singular or deliberate “act” but, rather, as the reiterative and citational practice by which discourse produces the effects that it names. What will, I hope, become clear in what follows is that the regulatory norms of “sex” work in a performative fashion to constitute the materiality of bodies and, more specifically, to materialize the body’s sex, to materialize sexual difference in the service of the consolidation of the heterosexual imperative. In this sense, what constitutes the fixity of the body, its contours, its movements, will be fully material, but materiality will be rethought as the effect of power, as power’s most productive effect. And there will be no way to understand “gender” as a cultural construct which is imposed upon the surface of matter, understood either as “the body” or its given sex. Rather, once “sex” itself is understood in its normativity, the materiality of the body will not be thinkable apart from the materializatiqn of that regulatory norm. “Sex” is, thus, not simply what one has, or a static description of what one is: it will be one of the norms by which the “one” becomes viable at all, that which qualifies a body for life within the domain of cultural intelligibility. At stake in such a reformulation of the materiality of bodies will be the following: (1) the recasting of the matter of bodies as the effect of a dynamic of power, such that the matter of bodies will be indissociable from the regulatory norms that govern their materialization and the signification of those material effects; (2) the understanding of performativity not as the act by which a subject brings into being what she/he names, but, rather, as that reiterative power of dis.course to produce the phenomena that it regulates and constrains; (3) the construal of “sex” no longer as a bodily given on which the construct of gender is artificially imposed, but as a cultural norm which governs the materialization of bodies; (4) a rethinking of the process by which a bodily norm is assumed, appropriated, taken on as not, strictly speaking, undergone by a subject, but rather that the subject, the speaking “I,” is formed by virtue of having gone through such a process of assuming a sex; and (5) a linking of this process of “assuming” a sex with the question of identification, and with the discursive means by which the heterosexual imperative enables certain sexed identifications and forecloses and/ or disavows other identifications. This exclusionary matrix by which subjects are formed thus requires the simultaneous production of a domain of abject beings, those who are not yet “subjects” but who form the constitutive outside to the domain of the subject. The abject designates here precisely those “unlivable” and “uninhabitable” zones of so cial life, which are nevertheless densely populated by those who do not enjoy the status of the subject, but whose living under the sign of the “unlivable” is required to circumscribe the domain of the subject. This zone of uninhabitability will constitute the defining limit of the subject’s domain; it will constitute that site of dreadful identification against which-and by virtue of which-the domain of the subject will circumscribe its own claim to autonomy and to life. In this sense, then, the subject is constituted through the force of exclusion and abjection, one which produces a constitutive outside to the subject, an abjected outside, which is, after all, “inside” the subject as its own founding repudiation. The forming of a subject requires an identification with the normative phantasm of”sex,” and this identification takes place through a repudiation that produces a domain of abjection, a repudiation without which the subject cannot emerge. This is a repudiation that creates the valence of “abjection” and its status for the subject as a threatening spectre. Further, the materialization of a given sex will centrally concern the regulation of identificatory practices such that the identification with the abjection of sex will be persistently disavowed. And yet, this disavowed abjection will threaten to expose the self-grounding presumptions of the sexed subject, grounded as that subject is in repudiation whose consequences it cannot fully control. The task will be to consider this threat and disruption not as a permanent contestation of social norms condemned to the pathos of perpetual failure, but rather as a critical resource in the struggle to rearticulate the very terms of symbolic legitimacy and intelligibility. Lastly, the mobilization of the categories of sex within political discourse will be haunted in some ways by the very instabilities that the categories effectively produce and foreclose. Although the political discourses that mobilize identity categories tend to cultivate identifications in the service of a political goal, it may be that the persistence of disidentification is equally crucial to the rearticulation of democratic contestation. Indeed, it may be precisely through practices which underscore disidentification with those regulatory norms by which sexual difference is materialized that both feminists and queer politics are mobilized. Such collective disidentifications can facilitate a reconceptualization of which bodies matter, and which bodies are yet to emerge as critical matters of concern. Excerpt from Bodies that Matter by Judith Butler is licensed All Rights Reserved and is used here under Fair Use exception.

You can see in Butler’s work how deconstruction plays a role in queer theory approaches to texts. What do you think of her approach to sexuality and gender? Which bodies matter? Why is this question important for literary scholars, and how can we use literary texts to answer the question?

In our next section, we’ll look at some ways that these theories can be used to analyze literary texts.

Using Feminist, Postfeminist, and Queer Theory as a Critical Approach

As you can see from the introduction and the examples of scholarship that we read, there’s some overlap in the concepts of these three critical approaches. One of the first choices you have to make when working with a text is deciding which theory to use. Below I’ve outlined some ideas that you might explore.

• Character Analysis: Examine the portrayal of characters, paying attention to how gender roles and stereotypes shape their identities. Consider the agency, autonomy, and representation of both male and female characters, and analyze how their interactions contribute to or challenge traditional gender norms.
• Theme Exploration: Investigate themes related to gender, power dynamics, and patriarchy within the text. Explore how the narrative addresses issues such as sexism, women’s rights, and the construction of femininity and masculinity. Consider how the themes may reflect or critique societal attitudes towards gender.
• Language and Symbolism: Analyze the language used in the text, including the representation of gender through linguistic choices. Examine symbols and metaphors related to gender and sexuality. Identify instances of language that may reinforce or subvert traditional gender roles, and explore how these linguistic elements contribute to the overall meaning of the work.
• Authorial Intent and Context: Investigate the author’s background, motivations, and societal context. Consider how the author’s personal experiences and the cultural milieu may have influenced their portrayal of gender. Analyze the author’s stance on feminist issues and whether the text aligns with or challenges feminist principles.
• Intersectionality: Take an intersectional approach by considering how factors such as race, class, sexuality, and other identity markers intersect with gender in the text. Explore how different forms of oppression and privilege intersect, shaping the experiences of characters and influencing the overall thematic landscape of the literary work.

Postfeminist

• Interrogating Postfeminist Tropes: Examine the text for elements that align with or challenge postfeminist tropes, such as the notion of individual empowerment, choice feminism, or the idea that traditional gender roles are no longer relevant. Analyze how the narrative engages with or subverts these postfeminist ideals.
• Exploring Ambiguities and Contradictions: Investigate contradictions and ambiguities within the text regarding gender and sexuality. Postfeminist criticism often acknowledges the complexities of contemporary gender dynamics, so analyze instances where the text may present conflicting perspectives on issues like agency, equality, and empowerment.
• Media and Pop Culture Influences: Consider the influence of media and popular culture on the text. Postfeminist criticism often examines how cultural narratives and media representations of gender impact literature. Analyze how the text responds to or reflects contemporary media portrayals of gender roles and expectations.
• Global and Cultural Perspectives: Take a global and cultural perspective by exploring how the text addresses postfeminist ideas in different cultural contexts. Analyze how the narrative engages with issues of globalization, intersectionality, and diverse cultural perspectives on gender and feminism.
• Temporal Considerations: Examine how the temporal setting of the text influences its engagement with postfeminist ideas. Consider whether the narrative reflects a specific historical moment or if it transcends temporal boundaries. Analyze how societal shifts over time may be reflected in the text’s treatment of gender issues.
• Deconstructing Norms and Binaries: Utilize Queer Theory to deconstruct traditional norms and binaries related to gender and sexuality within the text. Explore how the narrative challenges or reinforces heteronormative assumptions, and analyze characters or relationships that subvert or resist conventional categories.
• Examining Queer Identities: Focus on the exploration and representation of queer identities within the text. Consider how characters navigate and express their sexualities and gender identities. Analyze the nuances of queer experiences and the ways in which the text contributes to a more expansive understanding of LGBTQ+ identities.
• Language and Subversion: Analyze the language used in the text with a Queer Theory lens. Examine linguistic choices that challenge or reinforce societal norms related to gender and sexuality. Explore how the text employs language to subvert or resist heteronormative structures.
• Queer Time and Space: Consider how the concept of queer time and space is represented in the text. Queer Theory often explores non-linear or non-normative temporalities and spatialities. Analyze how the narrative disrupts conventional timelines or spatial arrangements to create alternative queer realities.
• Intersectionality within Queer Narratives: Take an intersectional approach within the framework of Queer Theory. Analyze how factors such as race, class, and ethnicity intersect with queer identities in the text. Explore the intersections of different marginalized identities to understand the complexities of lived experiences.

Applying Gender Criticisms to Literary Texts

As with our other critical approaches, we will start with  a close reading of the poem below (we’ll do this together in class or as part of the recorded lecture for this chapter). In your close reading, you’ll focus on gender, stereotypes, the patriarchy, heteronormative writing, etc.  With feminist, postfeminist, and queer theory criticism, you might look to outside sources, especially if you are considering the author’s gender identity or sexuality, or you might bring your own knowledge and lived experience to the text.

The poem below was written by Mary Robinson, an early Romantic English poet. Though her works were quite popular when she was alive, you may not have heard of her. However, you’re probably familiar with her male contemporaries William Blake, William Wordsworth, Lord Byron, John Keats, Samuel Taylor Coleridge, or Percy Bysshe Shelley.

Keep in mind that reading this poem is thus itself a feminist act. When we choose to include historical voices of woman that were previously excluded, we are doing feminist criticism.

“January, 1795”

BY  MARY ROBINSON

Pavement slipp’ry, people sneezing, Lords in ermine, beggars freezing; Titled gluttons dainties carving, Genius in a garret starving.

Lofty mansions, warm and spacious; Courtiers cringing and voracious; Misers scarce the wretched heeding; Gallant soldiers fighting, bleeding.

Wives who laugh at passive spouses; Theatres, and meeting-houses; Balls, where simp’ring misses languish; Hospitals, and groans of anguish.

Arts and sciences bewailing; Commerce drooping, credit failing; Placemen mocking subjects loyal; Separations, weddings royal.

Authors who can’t earn a dinner; Many a subtle rogue a winner; Fugitives for shelter seeking; Misers hoarding, tradesmen breaking.

Taste and talents quite deserted; All the laws of truth perverted; Arrogance o’er merit soaring; Merit silently deploring.

Ladies gambling night and morning; Fools the works of genius scorning; Ancient dames for girls mistaken, Youthful damsels quite forsaken.

Some in luxury delighting; More in talking than in fighting; Lovers old, and beaux decrepid; Lordlings empty and insipid.

Poets, painters, and musicians; Lawyers, doctors, politicians: Pamphlets, newspapers, and odes, Seeking fame by diff’rent roads.

Gallant souls with empty purses; Gen’rals only fit for nurses; School-boys, smit with martial spirit, Taking place of vet’ran merit.

Honest men who can’t get places, Knaves who shew unblushing faces; Ruin hasten’d, peace retarded; Candor spurn’d, and art rewarded.

“January, 1795” by Mary Robinson is in the Public Domain.

Questions (Feminist and Postfeminist Criticism)

• What evidence of gender stereotypes can you find in the text?
• What evidence of patriarchy and power structure do you see? How is this evidence supported by historical context? Consider, for example, the 1794 contemporary poem “London” by William Blake. These two poems have similar themes. How does the male poet Blake’s treatment of this theme compare with the female poet Mary Robinson’s work? How have these two works and authors differed in their critical reception?
• Who is the likely contemporary audience for Mary Robinson’s poetry? Who is the audience today? What about the audience during the 1940s and 50s, when New Criticism was popular? How would these three audiences view feminism, patriarchy, and gender roles differently?
• Do a search for Mary Robinson’s work in JSTOR. Then do a search for William Blake. How do the two authors compare in terms of scholarship produced on their work? Do you see anything significant about the dates of the scholarship? The authors? The critical lenses that are applied?
• Do you see any contradictions and ambiguities within the text regarding gender and sexuality? What about evidence for subversion of traditional gender roles?

Example of a feminist thesis statement: While William Blake’s “London” and Mary Robinson’s “January, 1795” share similar themes with similar levels of artistry, Robinson’s work and critical reception demonstrates the effects of 18th-century patriarchal power structures that kept even the most brilliant women in their place.

Example of a postfeminist thesis statement: Mary Robinson’s “January, 1975” slyly subverts gender norms and expectations with a brilliance that transcends the confines of traditional eighteenth century gender roles.

To practice queer theory, let’s turn to a more contemporary text. “The Eyepatch” by transgender author and scholar Cassandra Arc follows a gender-neutral protagonist as they navigate an ambiguous space. This short story questions who sees and who is seen in heteronormative spaces, as well as exploring what it means to see yourself as queer.

“The Eyepatch”

The lightning didn’t kill me, though it should’ve. The bolt pierced my eyes, gifted curse from Zeus or Typhon or God. I remember waking up in that hospital, everything was black. I felt bandages, pain, fire. I tried to sit up, but a hand gently pushed me back into the bed. I heard the shuffling of feet and the sound of scrubs rubbing against each other. I smelled the pungent disinfectant in the air.  I heard the slow methodical beep of a heart rate monitor. That incessant blip-blip-blip was my heart rate. I heard the thunder of my heart beating to the same methodical rhythm. A metronome to a wordless melody of ignorance, an elegy to blindness.

I wasn’t awake long. They put me back to sleep. To salvage my face. My burned face, my charred face. I should’ve died. The next time I woke the bandages were gone. I could see the doctors, but I couldn’t see me. They wouldn’t let me see me, told me they would fix my face, make it look good again. I didn’t trust them. The doctors thought their faces were pretty. They weren’t. I asked to see my face. They wouldn’t let me. I’m lucky to be alive, that’s what they said. I’m lucky I can see.

But some things I can’t see. They left the eyepatch on my left eye. Told me the left eye would never work again. My right eye can’t see everything. It sees the doctors, their heads swathed in sterile caps, their wrinkled noses, their empty eyes. It sees the nurses, their exhaustion, their bitterness. It sees the bleak beige walls and the tiny tinny television hanging in the corner by the laminated wood door. It sees the plastic bag of fluid hanging from the metal rack on wheels, the plastic instruments and the fluorescent light panel above my head. But it can’t see my mom, it can’t see my sister. It can’t see myself. They never believe me.

My mom comes to visit me on the third day I’m awake. I hear her enter, smell her usual perfume, lilac with a hint of dirt and rain. I feel her hand hold mine, warmth and comfort and kindness. My right eye can’t see her. She came from the garden to see me, to make sure I’m okay. My right eye can’t see my mom. The doctors don’t believe me. My mom believes me.

The doctors pull her away from me. They say they need to fix my face. She can see me tomorrow. I smell the anesthesia and hear the spurt of the needle as they test to make sure no air bubbles formed in the syringe. I hear my mom crying. She assures me she’ll come back tomorrow. I can’t see her tears. They put me back to sleep.

In my dreams I can see them, my mother and sister. There is no eyepatch on my left eye; it can see them, and it can see me, reflected in the water. We swim across the pond to the island with the tree in the center. The reeds grow tall along the banks. The water smells of fish shit and moss. the reflection is murky except for the shallow blue eyes.

The reflection is broken by a ripple. My sister swims to me, wraps her arms around me, then splashes water directly into my face. Some droplets stick to my forehead and nose, like beads of cold sweat. She giggles, a grin emerges on her freckled face. Her wet blonde hair has strands of moss hanging from it. I smile back and with a quick flick of my wrist she too is drenched.  I feel peace from the water. My mother calls us to shore. Storm clouds, she says. The lightning might kill you. That’s what she said then. I didn’t believe her. Thunder echoes like the heartbeat of the sky.

The doctors wake me up. They have thunder too. I cannot see them, can’t see anything. Bandages surround my face. My face is fixed. That’s what they claim. I didn’t see anything wrong before. They wouldn’t let me see me. It’s a miracle. I’m lucky to be alive. I don’t believe them. They apologize for not being able to fix my eye.

My sister comes with my mom today. I can’t see her. She believes me, reminds me about the lightning. It could’ve killed me. When she learns I can’t see her, she cackles. She says she’ll have fun when I come home. She asks when I’ll come home.

I don’t know when I’ll come home. The doctors don’t know. I should’ve died. They want to keep me. My mother wants to take me. They shout at each other. My sister holds my left hand. I can’t see her hand, or mine.

The doctors remove the bandages. They show me a mirror. I see behind me, but I don’t see me . I see the eyepatch float. When I try to remove it the doctors stop me. My eye is too damaged. They tell me to never remove the eyepatch. They hold up a vase. My mom brought me flowers.  I can’t see the flowers. They don’t believe me. Their voices are angry. Stop being childish, they say. I lie and say I see the flowers.

Once one of the nurses I can’t see, he brought me food from outside. I saw the bag float in the room. I heard his footsteps. He handed me the brown paper bag and told me to enjoy. He sounded old. I felt a band of metal on his left-hand ring finger when I took the bag. The smell of chicken nuggets and French fries pierced the stale aroma of bleach and disinfectant. I heard the edge of the bed creak, the cushion indented slightly. The invisible nurse told wild tales of dragons and monsters while I ate. He didn’t know when I’ll be home. He watered invisible flowers before leaving. I fell back asleep.

In my dreams I’m still swimming. The sun is blocked by clouds. Drops of rain hit my hair. Mother calls from the cabin on the shore. My sister runs out of the water, her leg kicks water into my eyes. I’m blinded for a moment. I don’t leave. I stay in the water, dropping my eyes level with the water. They both hear the thunder. I don’t hear the thunder. They both see the lightning.

All I feel is heat. I’m blind. The lightning should’ve killed me. The lightning in my eyes, lucky to be alive.  My sister screams for help. Smell the ozone. Pungent and sweet. I don’t scream, I can’t scream. I’m dead. I’m alive. The lightning killed me. I can’t see my mom. I can’t see my sister. I can’t see the flowers. The lightning saved me. I can see the doctors, I can see the nurses, I can see the hospital.

The lightning killed me, that’s what they said. They brought me back with lightning, pads of metal, artificial energy. My eye is broken, the one the lightning struck. Three minutes. That’s what they told me. Three minutes of death. My face was burned. I can’t see it. They fixed it.

The doctors worried my body was broken too. The lightning still might kill me. They say I need to move, I need to walk. Lightning causes paralysis, or weakness. They bring in a special doctor. I can’t see this doctor. The other doctors leave. The invisible doctor takes me to a room for walking practice. I think I walk just fine. They hold me anyway. Crutches line the walls, pairs of metal handrails take up the center, and exercise equipment sits off to the right side. The invisible doctor lets go and I fall. My hands are too slow to catch me. My face hits one of the many black foam squares that make up the floor. I turn my head left and see the eyepatch almost fall off in the mirror on the wall. For a second, I think I see me, but I can’t see me. The invisible doctor fixes it and helps me to my feet. They tell me to be like a tree, that I’ll be okay. That I’ll be able to walk again soon. They tell me when I can walk I will go home. I place my hands on the rails. The metal is cold. The doctor yelps in shock and withdraws their hand; it was just static. My arms are weak but they hold me. My legs move slowly, but I can’t walk without the rails.

The invisible doctor takes me back after a while. They tell me I did good work. It’s a miracle I can still move. They tell me lightning takes people’s movement. The lightning should’ve killed me. That’s what they say. They tell me strength should come back to me. Lightning steals that too. Lightning can’t keep strength like it keeps movement.

My mom comes back again. She brings me the manatee, Juno. I can see Juno. Soft gray fabric, small black plastic eyes. I hold her tightly in my arms. Mom wants me home. The doctors still won’t let her take me. Juno will keep me safe, that’s what she said. She brings me homework too, and videos of teachers explaining how the world works. I can see them. I can’t see my mom.

I miss the smell of earth when my mom leaves. I want to smell her garden again. To swim in the pond and feel the moss brush against my skin. I want to feel the peace of the water and hear the crickets sing their lullaby. The invisible doctor tells me I will. They tell me I need to steal my strength from the lightning. They take me back to that room for walking. I only need one hand to guide me now. They tell me I’ll go home soon. They tell me I’m stronger than lightning. I still can’t see them.

Back in my room I learn about lightning. It’s hotter than the sun. I remember the heat I felt and wonder if that’s how it feels to touch the surface of a star. The video says that direct strikes are usually fatal. I’m lucky to be alive. I hold Juno tightly.

It takes a month to steal my strength back from the lightning. I walk without holding the rails. The invisible doctor applauds me and tells me I’m ready to go home. They call my mom. I still can’t see my mom.

I can’t see the trees with my right eye, my good eye. I know where they should be by the shaded patches of dirt in the ground. I can see the grass, the road, the dirt covered green Volvo Station wagon, Mom’s car. My sister shouts for joy and runs toward me. I fall to the ground. Her arms squeeze Juno into my chest. I can’t see my sister.

Mom drives me to the cabin. I can see the towering buildings of the city. In the reflection of the tinted glass, I see the station wagon. The eyepatch floats in the window right above Juno’s head. Mom tells me about what she’ll make for dinner. She killed one of the chickens and plucked carrots and celery from the ground. Soup gives strength. That’s what she said. She reminds me that I’m lucky to be alive.

I can’t see the reeds. Mom stops the car in front of the cabin. I can’t see the cabin, nor the rustic wood threshold. Mom helps me across it. The hand-carved wooden table is invisible, but I can see the small electric stove. I smell the soup, hear the water boil, guide my hand along the wood of the narrow hallway to help me walk. I can’t see my bedroom, nor the bed alcove carved into the wall. My mattress floats in the air as if by magic. I can see the plastic desk my mom bought me for school, and the lightbulb in the ceiling. I see wires in invisible walls.

My sister wants to play. She tugs on my arm. I set Juno into the bed alcove and feel my way back to the main room. Mom reminds me to be careful. She tells my sister to be gentle. She reminds us both that I can’t take off my eyepatch. We both take off our shoes.

My sister guides me to the shore. I enjoy the sensation of dirt beneath my feet and the occasional pain of a rock. We move slowly, some of my strength still belongs to the lightning. She runs in. I can’t see the pond. I can’t see the moss in the pond. I can’t see my sister. My sister asks about the eyepatch. She wants to know why I can’t take it off. I don’t know. She asks about my eye. The dark one. The one filled with abyss. The right eye. She asks why it’s dark. I don’t know. I put my foot in the invisible water. My sister jumps out. Something shocked her. She thinks I shocked her. She gets back in.

I stay close to the shore I can’t see. I don’t want to drown. I don’t want my eyes near the water. There are no storm clouds today. I fiddle with moss between my toes. Mom calls us in for dinner. My sister runs ahead. I try walking on my own. I trip over a tree root that I couldn’t see. I fall and hit my chin on the ground. The eyepatch slides up a bit. I quickly push it back down before it can come off. I can’t take off my eyepatch.

My mom hears the thud and comes running. She helps me to my feet, guides me back to the cabin, and sits me at the table. She brings me a bowl of soup, tells me I need to be careful. She wants me to stay alive. I sip the soup and listen to her sing while she cleans the soup pot. I can’t see my mom.

When I sleep, I dream of before. Before the lightning stole my left eye. Before it stole my strength. I dream of the pond. I dream of the old willow tree on the island. Its dark drooping branches blossoming every spring. The leaves fall on the pond. Nature’s Navy of little boats. The tree is stronger than lightning. I am the tree. I want to see the tree again.

My sister tells me she’ll guide me to the island. I refuse. I can’t see the tree, or the water. My eyes would have to be close to it. The eyepatch might come off. I spend the day holding Juno. My mom brings me a sandwich and sits with me a while. I only know she’s there from the sound of her bouncing leg. She’s nervous. She doesn’t smell of the garden yet. She won’t smell of the garden today. I want to smell of the garden, but I can’t see the garden.

In the evening I sit outside the cabin and listen to the crickets. I’m lucky to be alive. The lightning didn’t kill me. I scratch at an itch under the eyepatch. I feel a shock in my hand and pull it back. I smell the ozone on my fingertip.  In my mind I’m in the water again. I remember the heat, the pain. My mom comes running when I scream. She puts Juno in my arms. I feel safe again. I am stronger than the lightning. The lightning didn’t kill me.

While I sleep I am the tree, standing tall, guarding my island. The lightning wants to take it. It strikes at the water around me, burning my Navy of leaves. Once it struck me, but the rain extinguished its flames. I grew back stronger. My Navy rebuilt. The lightning always comes back. I am always stronger.

My sister and I play in the lake. I go out deeper today. My legs can tell how deep I am. We go to the tree. The lightning couldn’t steal the ability to swim. I follow the sound of my sister’s splashing. We push through invisible reeds, I feel the plants surround me. My sister holds my hand and guides me through the canopy of branches. I feel the incomplete ships of Nature’s Navy brush against my face. She puts my hand against the tree. I guide my hand along it until I find the once charred wood where lightning burned it. The lightning should’ve killed us.

My sister and I sit under the tree for a while. I feel the bugs occasionally crawl across my hands. She rests her shoulder on mine. I’m lucky to be alive. The lightning didn’t kill us.

We walk back to the shore. I feel the water, and one of Nature’s boats brush against my foot and look down. I still can’t see the water. I can’t see myself. I can see the Navy. The floating leaves atop the tranquil pond. The tears begin to fall. My sister asks why the tears from beneath the eyepatch are white as ash. I wish I knew.

The crickets sing again that evening. Tonight, they sing the ballad of the tree. Loud and harmonic. I whisper my thanks into the wind. The crickets whistle back. They believe me.

In the morning I wake up before anyone else. I shuffle through the halls and out to the porch to listen to the morning bird song. I let my head weave side to side in tune with their melody. I dance across invisible dirt. A laugh escapes my lips. I jump into invisible water. I sail with Nature’s Navy to the tree.

My soul sits atop resilient roots. Hands find the burned wood, where the lightning almost killed it. I bring the left hand to the eyepatch, where the lightning almost killed me. The wind blows through the leaves. Splashes echo from the opposite shore, sounds of someone swimming. Thunder echoes from my stomach, I rise to return home. Gallivanting down the invisible slope back towards my invisible home.

I trip across a root near the water. The eyepatch sinks beneath the surface of the lake. I yank my head back. The eyepatch slips off. My left hand covers my eye. A shock forces me to pull it away. The eyelid flutters opened. I see the lightning. Nature’s Navy set ablaze by my gaze. My eye touches the sun again as the lightning leaves. The tree set ablaze by my gaze. The crickets echo a lament. The birds resound a harmonizing elegy. The drooping branches fall lower, as if bowing. I bow in return.  The splashing water calms.

My left eye sees the water, sees the earth, sees myself. Authentic and whole. It observes my leaves of joy, fingers stretched in shallows. My left eye witnesses my roots of kindness, feet planted on solid shores. It beholds the resilience of my trunk, a beautiful body. The eyepatch floats in the water. I perceive my eyes again, the dark one and the white. my black and white tears drift across the surface of water. Someone shuffles the dirt behind me. I turn with a smile on my face.

Cassandra Arc is an autistic trans woman living in Portland, Oregon. In her writing she likes to focus on themes of healing, gender identity issues, and nature as a means of understanding authenticity. This story was originally published in the Talking River Review and is reprinted here by permission of the author (All Rights Reserved). 

• Who is the narrator of this story? What do we know about their gender? How do we know this? What does the lightning signify?
• What does the eyepatch represent? When the narrator says, “I see behind me, but I don’t see me,”  what does this mean? What ideas about social constructs are present in this narrative, and how does the story subvert those social constructs?
• How do characters navigate and express their gender identities in the text? Does the story expand your understanding of the queer experience? In what ways? What do you think about the way some things can’t be seen and some things can in the story? How might this experience relate to being queer?
• How are time and space treated in this story?
• How does the story subvert or resist conventional categories?

Example of a queer theory thesis statement: In “The Eyepatch” by Cassandra Arc, the binary oppositions of light, darkness, sight, and blindness are used to subvert heteronormative structures, deconstructing artificially constructed binaries to capture the experience of being in the closet and the explosive nature of coming out.

Limitations of Gender Criticisms

While these approaches offer interesting and important insights into the ways that gender and sexuality exist in texts, they also have some limitations. Here are some potential drawbacks:

• Essentialism: Feminist theory may sometimes be criticized for essentializing gender experiences, assuming a universal women’s experience that overlooks the diversity of women’s lives.
• Neglect of Other Identities: The focus on gender in feminist theory may overshadow other intersecting identities such as race, class, and sexuality, limiting the analysis of how these factors contribute to oppression or privilege.
• Overlooking Male Perspectives: In some instances, feminist theory may be perceived as neglecting the examination of male characters or perspectives, potentially reinforcing gender binaries rather than deconstructing them.
• Historical and Cultural Context: Feminist theory, while valuable, may not always adequately address the historical and cultural contexts of literary works, potentially overlooking shifts in societal attitudes towards gender over time.
• Oversimplification of Feminist Goals: Post-feminist criticism may be criticized for oversimplifying or prematurely declaring the achievement of feminist goals, potentially obscuring persistent gender inequalities.
• Individualism and Choice Feminism: The emphasis on individual empowerment in post-feminist criticism, often associated with choice feminism, may overlook systemic issues and structural inequalities that continue to affect women’s lives.
• Lack of Intersectionality: Post-feminist approaches may sometimes neglect intersectionality, overlooking the interconnectedness of gender with race, class, and other identity factors, which can limit a comprehensive understanding of oppression.
• Commodification of Feminism: Critics argue that post-feminism can lead to the commodification of feminist ideals, with feminist imagery and language used for commercial purposes, potentially diluting the transformative goals of feminism.
• Complexity and Jargon: Queer Theory can be complex and may use specialized language, making it challenging for some readers to engage with and understand, potentially creating barriers to entry for students and scholars.
• Overemphasis on Textual Deconstruction: Critics argue that Queer Theory may sometimes prioritize textual deconstruction over concrete political action, leading to concerns about the practical impact of this theoretical approach on real-world LGBTQ+ issues.
• Challenges in Application: Queer Theory’s emphasis on fluidity and resistance to fixed categories can make it challenging to apply consistently, as it may resist clear definitions and frameworks, making it more subjective in its interpretation.
• Limited Representation: While Queer Theory aims to deconstruct norms, some critics argue that it may still primarily focus on certain aspects of queer experiences, potentially neglecting the diversity within the LGBTQ+ spectrum and reinforcing certain stereotypes.

Gender Scholars

• Simone de Beauvoir (1908-1986): A French existentialist philosopher and writer, de Beauvoir is best known for her groundbreaking work “The Second Sex,” which explored the oppression of women and laid the groundwork for feminist literary theory.
• Virginia Woolf (1882-1941): A celebrated English writer, Woolf is known for her novels such as “Mrs. Dalloway” and “Orlando.” Her works often engaged with feminist themes and issues of gender identity.
• bell hooks (1952-2021): An American author, feminist, and social activist, hooks wrote extensively on issues of race, class, and gender. Her works, such as “Ain’t I a Woman” and “The Feminist Theory from Margin to Center,” are essential in feminist scholarship.
• Adrienne Rich (1929-2012): An American poet and essayist, Rich’s poetry and prose explored themes of feminism, identity, and social justice. Her collection of essays, “Of Woman Born,” is a notable work in feminist literary criticism.
• Gayatri Chakravorty Spivak: An Indian-American literary theorist and philosopher, Spivak is known for her work in postcolonialism and deconstruction. Her essay “Can the Subaltern Speak?” is a key text in postcolonial and feminist studies.
• Susan Faludi: An American journalist and author, Faludi’s work often explores issues related to gender and feminism. Her book “Backlash: The Undeclared War Against American Women” critically examines the societal responses to feminism.
• Camille Paglia: An American cultural critic and author, Paglia is known for her provocative views on gender and sexuality. Her work, including “Sexual Personae,” challenges conventional feminist perspectives.
• Rosalind Gill: A British cultural and media studies scholar, Gill has written extensively on gender, media, and postfeminism. Her work explores the intersection of popular culture and contemporary feminist thought.
• Laura Kipnis: An American cultural critic and essayist, Kipnis has written on topics related to gender, sexuality, and contemporary culture. Her book “Against Love: A Polemic” challenges conventional ideas about love and relationships.
• Judith Butler: A foundational figure in both feminist and queer theory, Judith Butler has made profound contributions to the understanding of gender and sexuality. Their work Gender Trouble  has been influential in shaping queer theoretical discourse.
• Eve Kosofsky Sedgwick: An influential scholar in queer studies, Sedgwick’s works, such as Epistemology of the Closet , have contributed to the understanding of queer identities and the impact of societal norms on the construction of sexuality.
• Michel Foucault: Although not exclusively a queer theorist, Foucault’s ideas on power, knowledge, and sexuality laid the groundwork for many aspects of queer theory. His works, including The History of Sexuality,  are foundational in queer studies.
• Teresa de Lauretis: An Italian-American scholar, de Lauretis has contributed significantly to feminist and queer theory. Her work Queer Theory: Lesbian and Gay Sexualities  explores the complexities of sexuality and identity.
• Jack Halberstam: A gender and queer studies scholar, Halberstam’s works, including Female Masculinity and In a Queer Time and Place,  engage with issues of gender nonconformity and the temporalities of queer experience.
• Annamarie Jagose: A New Zealand-born scholar, Jagose has written extensively on queer theory. Her book Queer Theory: An Introduction  provides a comprehensive overview of key concepts within the field.
• Leo Bersani: An American literary theorist, Bersani’s work often intersects with queer theory. His explorations of intimacy, desire, and the complexities of same-sex relationships have been influential in queer studies.

Further Reading

• Aravind, Athulya. Transformations of Sappho: Late 18th Century to 1900. Senior Thesis written for Department of English, Northeastern University. https://www.sfu.ca/~decaste/OISE/page2/files/deBeauvoirIntro.pdf  This is a wonderful example of a student-written feminist approach to English Romantic poetry.
• Banet-Weiser, Sarah, Rosalind Gill, and Catherine Rottenberg. “Postfeminism, Popular Feminism and Neoliberal Feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in Conversation.” Feminist Theory  21.1 (2020): 3-24.
• Butler, Judith.  Bodies that Matter: On the Discursive Limits of Sex . Taylor & Francis, 2011.
• Butler, Judith. Gender Trouble . Routledge, 2002.
• de Beauvoir, Simone.  The Second Sex.  Trans. H.M. Parshley. 1956.
• De Lauretis, Teresa. “Eccentric Subjects: Feminist Theory and Historical Consciousness.” Feminist Studies  16.1 (1990): 115-150.
• Gill, Rosalind. “Postfeminist Media Culture: Elements of a Sensibility.” European Journal of Cultural Studies  10.2 (2007): 147-166.
• Foucault, Michel. The History of Sexuality, Vol. 1: An Introduction.  Trans. Robert Hurley. Vintage, 1990.
• Foucault, Michel.  The History of Sexuality, Vol. 2: The Use of Pleasure . Vintage, 2012.
• Halberstam, Jack.  Trans: A Quick and Quirky Account of Gender Variability . Vol. 3. Univ of California Press, 2017.
• hooks, bell. Feminist Theory: From Margin to Center . Pluto Press, 2000.
• hooks, bell. “Choosing the Margin as a Space of Radical Openness.” Women, Knowledge, and Reality . Routledge, 2015. 48-55.
• Jagose, Annamarie.  Queer Theory: An Introduction . NYU Press, 1996.
• Miller, Jennifer. “Thirty Years of Queer Theory.” In Introduction to LGBTQ+ Studies: A Multidisciplinary Approach. Pressbooks. https://milnepublishing.geneseo.edu/introlgbtqstudies/chapter/thirty-years-of-queer-theory/   
• Paglia, Camille.  Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson . Yale University Press, 1990.
• Sedgwick, Eve Kosofsky.  Touching Feeling: Affect, Pedagogy, Performativity . Duke University Press, 2003.
• Sedgwick, Eve Kosofsky.  Epistemology of the Closet . Univ of California Press, 2008.
• Spivak, Gayatri Chakravorty.  The Spivak Reader: Selected works of Gayatri Chakravorty Spivak . Psychology Press, 1996.

Critical Worlds Copyright © 2024 by Liza Long is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

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Digital Commons @ USF > College of Arts and Sciences > Women's and Gender Studies > Theses and Dissertations

Women's and Gender Studies Theses and Dissertations

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WGST/SOC/HUM 409/509: Feminist Theories

• Write Your Essay
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• Develop Your Thesis Statement
• Start Finding Sources
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• Use Your Sources
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• Cite Your Sources

Writing Your Final Essay

Your Final Essay  requires academic, upper-level writing and should be formatted as a research paper.   Everything in your essay should point back to your thesis statement.

1.  Introduction : summarizes what you will write and puts it into context

• Start the introduction with background that contextualizes the paper's main topic
• End the introduction with a thesis statement, which outlines the main points of the paper and how you will address them

2.  Body : presents the main points of the paper, with each paragraph representing one aspect of the paper's main focus. Prioritize and organize your main points and paragraphs to logically build your arguments to a compelling conclusion. Each paragraph should include a topic sentence, evidence, analysis, and a transition sentence:

• The topic sentence summarizes the paragraph's main idea
• Use evidence, theories, and ideas from your course materials and external sources to support or make the argument for your analysis 
• Analyze your evidence to show how it makes you think about the paper's main topic
• Include a transition sentence at the end of each paragraph to connect what you discussed in that paragraph with the main idea of the next paragraph

3.  Conclusion : summarizes what you wrote and what you learned

• Restate your paper's main topic in different words
• Briefly summarize your main points or arguments and pull them together into conclusions 
• End with a strong, final statement that ties the whole essay together and makes it clear the paper has come to an end
• No new ideas should be introduced in the conclusion, it should only review and analyze the main points from the body of the paper (with the exception of suggestions for further research)

For more writing help, contact  the Writing Center   and  make an online appointment  to meet with one of their consultants.

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