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Importance of Literature: Essay

What is Literature Essay

What is the Importance of Literature?

Literature is the foundation of life. It places an emphasis on many topics from human tragedies to tales of the ever-popular search for love. While it is physically written in words, these words come alive in the imagination of the mind, and its ability to comprehend the complexity or simplicity of the text. An essay about literature often explores these themes in depth, offering insight into how they resonate with readers.

The Importance of Literature in Our Life Essay

Literature enables people to see through the lenses of others, and sometimes even inanimate objects; therefore, it becomes a looking glass into the world as others view it. It is a journey that is inscribed in pages and powered by the imagination of the reader. Ultimately, literature has provided a gateway to teach the reader about life experiences from even the saddest stories to the most joyful ones that will touch their hearts. This is why understanding the importance of literature is crucial in any essay about literature.

The Journey into Literature

From a very young age, many are exposed to literature in the most stripped-down form: picture books and simple texts that are mainly for the sole purpose of teaching the alphabet etc. Although these are not nearly as complex as an 800-page sci-fi novel, it is the first step that many take towards the literary world. Progressively, as people grow older, they explore other genres of books, ones that propel them towards curiosity of the subject, and the overall book. These early encounters with books emphasize the importance of literature in our life, preparing individuals to appreciate and understand more complex works.

Literature and Empathy

Physically speaking, it is impossible to be someone else. It is impossible to switch bodies with another human being, and it is impossible to completely understand the complexity of their world. Literature, as an alternative, is the closest thing the world has to being able to understand another person whole-heartedly. For instance, a novel about a treacherous war, written from the perspective of a soldier, allows the reader to envision their memories, their pain, and their emotions without actually being that person. Consequently, literature can act as a time machine, enabling individuals to go into a specific time period of the story, into the mind and soul of the protagonist. This ability to foster empathy is a key point in any essay about literature.

Moral Lessons in Literature

With the ability to see the world with a pair of fresh eyes, it triggers the reader to reflect upon their own lives. Reading material that is relatable to the reader may teach them morals and encourage them to practice good judgment. This can be proven through public school systems, where the books that are emphasized the most tend to have a moral-teaching purpose behind the story. An example would be William Shakespeare’s stories, where each one is meant to be reflective of human nature – both the good and bad. Consequently, this can promote better judgment of situations, so the reader does not find themselves in the same circumstances as perhaps those in the fiction world. Henceforth, literature is proven to not only be reflective of life but it can also be used as a guide for the reader to follow and practice good judgment.

Literature in the Modern World

The world today is ever-changing. Never before has life been so chaotic and challenging for all. Life before literature was practical and predictable, but in the present day, literature has expanded into countless libraries and into the minds of many as the gateway for comprehension and curiosity of the human mind and the world around them. Literature is of great importance and is studied upon as it provides the ability to connect human relationships and define what is right and what is wrong. Therefore, words are alive more than ever before. Understanding what is the importance of literature can significantly enhance our appreciation of the world and the human condition.

In conclusion, literature is a powerful tool that shapes our understanding of life, morality, and human relationships. “A what is literature” essay can highlight the profound impact that written works have on individuals and societies. By exploring the importance of literature in our life essay components, we can appreciate its role in teaching empathy, moral lessons, and providing a deeper connection to the human experience.

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17 Comments

Indeed literature is the foundation of life, people should know and appreciate these kind of things

its very useful info thanks

very helpful…..tnx

Hi, thanks!

First year student who wants to know about literature and how I can develop interest in reading novels.

Fantastic piece!

wonderful work

Literature is anything that is artistically presented through writtings or orally.

you may have tangible wealth untold, caskets of jewels and coffers of gold, richer than i you could never be, i know someone who told stories to me.

there’s a great saying that “the universe isn’t made up of at atoms, its made of stories” i hope none will argue this point, because this is the truest thing i have ever heard and its beautiful…….

I have learnt alot thanks to the topic literature.Literature is everything.It answers the questions why?,how? and what?.To me its my best and I will always treasure and embress literature to death.

I agree with the writer when says that Literature is the foundation of life. For me, reading is the most wonderful experience in life. It allows me to travel to other places and other times. I think that also has learnt me to emphathize with others, and see the world with other´s eyes and from their perspectives. I really like to read.

This is the first time i am presenting on a literature and i am surprised by the amount of people who are interested on the same subject. I regret my absence because i have missed much marvelous thing in that field.In fact literature is what is needed by the whole world,it brings the people of different culture together and by doing so it breaks the imposed barriers that divided people.My address now goes to the people of nowadays who prefer other source of entertainment like TV,i am not saying that TV is bad but reading is better of.COME BACK TO IT THEN.

literature is a mirror; a true reflection of our nature. it helps us see ourselves in a third persons point of view of first persons point of view. it instills virtues and condones vices. literature forms a great portion of fun and entertainment through plays, comedies and novels. it also educates individuals on life’s basic but delicate and sacred issues like love and death. it informs us of the many happenings and events that we would never have otherwise known about. literature also forms a source of livelihood to thousands of people, starting from writers,characters in plays, editors, printers,distributors and business people who deal with printed materials. literature is us and without it, we are void.

I believe that life without Literature would be unacceptable , with it i respect myself and loved human life . Next week i am going to make presentation about Literature, so i benefited from this essay.

Thanks a lot

Essays About Literature: Top 6 Examples and 8 Prompts

Society and culture are formed around literature. If you are writing essays about literature, you can use the essay examples and prompts featured in our guide.

It has been said that language holds the key to all human activities, and literature is the expression of language. It teaches new words and phrases, allows us to better our communication skills, and helps us learn more about ourselves.

Whether you are reading poems or novels, we often see parts of ourselves in the characters and themes presented by the authors. Literature gives us ideas and helps us determine what to say, while language gives form and structure to our ideas, helping us convey them.

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6 Helpful Essay Examples

1. importance of literature by william anderson, 2. philippine literature by jean hodges, 3. african literature by morris marshall.

4. Nine Questions From Children’s Literature That Every Person Should Answer by Shaunta Grimes

5. Exploring tyranny and power in Macbeth by Tom Davey

6. guide to the classics: homer’s odyssey by jo adetunji, 1. the importance of literature, 2. comparing and contrasting two works of literature , 3. the use of literary devices, 4. popular adaptations of literature, 5. gender roles in literature, 6. analysis of your chosen literary work, 7. fiction vs. non-fiction, 8. literature as an art form.

“Life before literature was practical and predictable, but in the present-day, literature has expanded into countless libraries and into the minds of many as the gateway for comprehension and curiosity of the human mind and the world around them. Literature is of great importance and is studied upon as it provides the ability to connect human relationships and define what is right and what is wrong.”

Anderson writes about why an understanding of literature is crucial. It allows us to see different perspectives of people from different periods, countries, and cultures: we are given the ability to see the world from an entirely new lens. As a result, we obtain a better judgment of situations. In a world where anything can happen, literature gives us the key to enacting change for ourselves and others. You might also be interested in these essays about Beowulf .

“So successful were the efforts of colonists to blot out the memory of the country’s largely oral past that present-day Filipino writers, artists and journalists are trying to correct this inequity by recognizing the country’s wealth of ethnic traditions and disseminating them in schools through mass media. The rise of nationalistic pride in the 1960s and 1970s also helped bring about this change of attitude among a new breed of Filipinos concerned about the “Filipino identity.””

In her essay, Hodges writes about the history of Philippine literature. Unfortunately, much of Philippine literary history has been obscured by Spanish colonization, as the written works of the Spanish largely replaced the oral tradition of the native Filipinos. A heightened sense of nationalism has recently led to a resurgence in Filipino tradition, including ancient Philippine literature.

“In fact, the common denominator of the cultures of the African continent is undoubtedly the oral tradition. Writing on black Africa started in the middle Ages with the introduction of the Arabic language and later, in the nineteenth century with introduction of the Latin alphabet. Since 1934, with the birth of the “Negritude.” African authors began to write in French or in English.”

Marshall explores the history of African literature, particularly the languages it was written over time. It was initially written in Arabic and native languages; however, with the “Negritude” movement, writers began composing their works in French or English. This movement allowed African writers to spread their work and gain notoriety. Marshall gives examples of African literature, shedding light on their lyrical content.

4. Nine Questions From Children’s Literature That Every Person Should Answer by Shaunta Grimes

“ They asked me questions — questions about who I am, what I value, and where I’m headed — and pushed me to think about the answers. At some point in our lives, we decide we know everything we need to know. We stop asking questions. To remember what’s important, it sometimes helps to return to that place of childlike curiosity and wonder.”

Grimes’ essay is a testament to how much we can learn from literature, even as simple as children’s stories. She explains how different works of children’s literature, such as Charlotte’s Web and Little Women, can inspire us, help us maximize our imagination, and remind us of the fleeting nature of life. Most importantly, however, they remind us that the future is uncertain, and maximizing it is up to us.

“This is a world where the moral bar has been lowered; a world which ‘sinks beneath the yoke’. In the Macbeths, we see just how terribly the human soul can be corrupted. However, this struggle is played out within other characters too. Perhaps we’re left wondering: in such a dog-eat-dog world, how would we fare?”

The corruption that power can lead to is genuine; Davey explains how this theme is present in Shakespeare’s Macbeth . Even after being honored, Macbeth still wishes to be king and commits heinous acts of violence to achieve his goals. Violence is prevalent throughout the play, but Macbeth and Lady Macbeth exemplify the vicious cycle of bloodshed through their ambition and power.

“Polyphemus is blinded but survives the attack and curses the voyage home of the Ithacans. All of Odysseus’s men are eventually killed, and he alone survives his return home, mostly because of his versatility and cleverness. There is a strong element of the trickster figure about Homer’s Odysseus.”

Adetunji also exposes a notable work of literature, in this case, Homer’s Odyssey . She goes over the epic poem and its historical context and discusses Odysseus’ most important traits: cleverness and courage. As the story progresses, he displays great courage and bravery in his exploits, using his cunning and wit to outsmart his foes. Finally, Adetunji references modern interpretations of the Odyssey in film, literature, and other media.

8 Prompts for Essays About Literature

In your essay, write about the importance of literature; explain why we need to study literature and how it can help us in the future. Then, give examples of literary works that teach important moral lessons as evidence.

For your essay, choose two works of literature with similar themes. Then, discuss their similarities and differences in plot, theme, and characters. For example, these themes could include death, grief, love and hate, or relationships. You can also discuss which of the two pieces of literature presents your chosen theme better.

Essays about literature: The use of literary devices

Writers use literary devices to enhance their literary works and emphasize important points. Literary devices include personification, similes, metaphors, and more. You can write about the effectiveness of literary devices and the reasoning behind their usage. Research and give examples of instances where authors use literary devices effectively to enhance their message.

Literature has been adapted into cinema, television, and other media time and again, with series such as Lord of the Rings and Harry Potter turning into blockbuster franchises. Explore how these adaptations diverge from their source material yet retain the key themes the writer composed the work with in mind. If this seems confusing, research first and read some essay examples.

Literature reflects the ideas of the period it is from; for example, ancient Greek literature, such as Antigone, depicts the ideal woman as largely obedient and subservient, to an extent. For your essay, you can write about how gender roles have evolved in literature throughout the years, specifically about women. Be sure to give examples to support your points.

Choose a work of literature that interests you and analyze it in your essay. You can use your favorite novel, book, or screenplay, explain the key themes and characters and summarize the plot. Analyze the key messages in your chosen piece of literature, and discuss how the themes are enhanced through the author’s writing techniques.

Essays about literature: Fiction Vs. Non-Fiction

Literature can be divided into two categories: fiction, from the writer’s imagination, and non-fiction, written about actual events. Explore their similarities and differences, and give your opinion on which is better. For a strong argument, provide ample supporting details and cite credible sources.

Literature is an art form that uses language, so do you believe it is more effective in conveying its message? Write about how literature compares to other art forms such as painting and sculpture; state your argument and defend it adequately.

Tip: If writing an essay sounds like a lot of work, simplify it. Write a simple 5 paragraph essay instead.

For help picking your next essay topic, check out the best essay topics about social media .

Why Is Literature Important? (23 Reasons)

What’s the point of picking up a book when the world’s knowledge can be streamed directly into my ears or viewed on a screen, right?

But, stick with me for a moment.

With every turn of the page, literature challenges, comforts, and questions. It nurtures our capacity for empathy, enriches our language, and hones our critical thinking. It offers escape but also a confrontation with the truths of human existence—our joys, sorrows, ambitions, and fears.

Now, stick with me for a bit longer as we explore why literature is essential and how it has survived the test of time. Ready to turn the page? Let’s explore this together!

Table of Contents

Literature Fosters Empathy

Literature acts as a gateway into the lives, emotions, and experiences of others. By delving into a character’s journey, readers step out of their own lives and enter another’s world, broadening their emotional depth and fostering empathetic understanding.

Connection to Others : Through narratives, we connect with characters who may be vastly different from ourselves, allowing us to appreciate their struggles, joys, and sorrows.
Broadened Horizons : Exposure to diverse lifestyles and viewpoints broadens our worldview, aiding us in becoming more tolerant and appreciative of differences.
Emotional Depth : A poignant scene or a touching dialogue engraves deeper emotional understanding within us, which we then carry into our real-life interactions.

An example of empathy in literature is found in Harper Lee’s classic, “To Kill a Mockingbird,” where readers learn to understand and feel compassion for characters who confront racial injustice.

This tale, among others, extends the boundaries of our compassion beyond our immediate life circle and has the potential to affect social change through this expanded empathy.

Literature Stimulates Emotional Intelligence and Growth

Emotional intelligence is the capacity to be aware of and manage one’s own emotions and to handle interpersonal relationships judiciously and empathetically. Literature educates the heart as much as the mind by illustrating the complexity of emotions.

Self-awareness: Recognizing personal emotions and their effects.
Self-regulation: Managing disruptive emotions and impulses.
Motivation: Relating one’s emotions to personal goals and objectives.
Empathy: Understanding the emotional makeup of others.
Social skills: Building and managing relationships effectively.

Readers may find themselves growing alongside characters, experiencing a maturation that parallels the protagonists’ evolutions. By dealing with fictional situations and conflicts, individuals become better equipped to face their challenges, making literature a catalyst for personal growth and development.

Literature Trains the Mind in Critical Thinking and Analytical Skills

Critical thinking can be defined as the objective analysis and evaluation of an issue in order to form a judgment. It is a cornerstone of education and personal development.

In the context of literature, readers activate these skills by dissecting themes, symbols, and the motives of characters.

Questioning the text: Readers must consider the reasons behind events and characters’ decisions.
Analyzing structures: Understanding how stories are crafted, including plot, setting, and character development.
Interpreting meaning: Delving into themes, symbols, and metaphors to grasp deeper significance.

This mental exercise enhances the ability to critique and argue points effectively, which is an essential skill in many professional environments.

Take, for example, Sherlock Holmes stories, which aren’t just about following the detective’s brilliant deductions. They invite readers to think alongside Holmes, practicing deductive reasoning by picking out important details and drawing conclusions from them.

Literature Encourages Lifelong Learning and Curiosity

The pursuit of knowledge and the joy of curiosity are deeply embedded in the human spirit. Each book, story, or poem offers a new opportunity to learn something unknown or to see the world from a different perspective.

New topics and themes challenge readers to explore subjects they may never have considered.
Exposure to different writing styles and genres can inspire further reading and investigation.
Lifelong learning through literature contributes to personal fulfillment and professional success.

The diversity in learning styles and preferences illustrates how literature accommodates and nurtures an array of learning journeys, contributing to a well-rounded, informed individual.

Literature Enriches Language Skills and Vocabulary

Complex narratives challenge readers to understand context, double meanings, and sophisticated themes, expanding not only vocabulary but also cognitive abilities.

Advanced Vocabulary: Reading exposes one to new words and ways of using them.
Language Patterns: Various literary works employ distinct styles, enhancing one’s grasp of grammatical structures.
Figurative Language: Metaphors, similes, and analogies in literature sharpen comprehension and usage of nuanced language.

Over time, frequent readers tend to articulate thoughts better, achieve higher academic performance, and become more effective communicators. Language mastery is foundational to success in many areas of life, and literature offers a rich, enjoyable path to achieving it.

Literature Enhances Communication and Writing Abilities

Literature offers readers a look into the art of conveying thoughts, emotions, and narratives effectively, laying the groundwork for strong speaking and writing abilities.

Enhancing Verbal Skills:

Dialogue: Literature often includes examples of dialogue that reflect how people speak and interact, providing a model for effective verbal communication.
Narrative Voice: The unique voices of characters or narrators teach us about tone and style, which can translate into better-spoken communication.

Writing, like communication, is refined through exposure to good literature. Analyzing an author’s crafting of sentences, or how they build tension and convey mood, can be immensely beneficial for one’s own writing.

Improving Written Expression:

Style: Every author has a distinctive style—a personal fingerprint of word choice and syntax, which aspiring writers can learn from.
Structure: The way a story is structured, from sentence length to paragraph layout, influences how readers perceive and understand content.

Literature Provides a Voice for Social and Political Discourse

Authors can influence public opinion and inspire change by presenting stories that highlight societal issues. Through the power of the written word, literature has the capacity to shine a light on injustice, question authority, and offer new perspectives.

It stimulates discussions on social justice, equity, and human rights.
Authors often use allegory and satire to comment on contemporary political climates.
Literature can be a form of resistance and a catalyst for democratic change.

Reading literature that deals with complex social and political themes can be a transformative experience. It helps readers understand different viewpoints and teaches them about the struggles of others.

When Harriet Beecher Stowe wrote “Uncle Tom’s Cabin, ” it was said to have laid the groundwork for the American Civil War by bringing the reality of slavery to readers in a poignant and humanizing manner.

Literature Bridges Gaps Between Diverse Cultures and Societies

World literature introduces readers to ways of life and belief systems unlike their own, promoting cross-cultural sensitivity and global citizenship.

Asian Literature: Explore Asian cultures through classic and contemporary works like “The Tale of Genji” and “The God of Small Things.”
African Literature: Explore the vibrant traditions and contemporary challenges of African societies through authors like Chinua Achebe and Chimamanda Ngozi Adichie .
Middle Eastern Literature: Discover tales from ancient Arabian nights or contemporary reflections in works by authors like Khaled Hosseini .

By walking in the shoes of characters from around the world, readers gain a deeper appreciation of our shared humanity and the diversity that colors it. Literature serves as a bridge, connecting the reader to the global community and fostering unity through understanding.

Literature Enhances Our Understanding of History

Literature is a witness to history, capturing the essence of historical moments and the intricacies of lives lived during different eras. As much as history books record facts, literature infuses those facts with emotion and human experience.

Immersion into Periods: Whether through the accurate depictions of a period in historical fiction or symbolic representations in classics, literature offers an immersive view of the past.
Insight into Mindsets: Reading works from or about a specific time period provides insight into the thoughts and values of people from that era.
Comprehension of Events: Many authors incorporate significant historical events into their stories, allowing readers to understand the impact of these events on individuals and societies.

Books like “War and Peace” by Leo Tolstoy not only tell a tale but also bring the Napoleonic Wars to personal reality. They allow contemporary readers to feel the reverberations of the past in the comfort of the present.

Literature Develops Ethical Reasoning and Moral Understanding

Through stories, readers are exposed to complex scenarios where characters must make difficult choices. This exploration of right and wrong invites readers to contemplate moral complexities in a nuanced way.

Presents moral dilemmas: Readers evaluate characters’ choices, considering their own values in the process.
Reflects societal norms: Literature paints a picture of evolving ethical standards through various epochs and cultures.
Encourages reflection on consequences: The outcomes of actions in literature serve as cautionary or exemplary tales.

Reading about scenarios that challenge characters ethically allows individuals to explore their moral compasses within a safe and contemplative space. This vicarious exploration can lead to more nuanced ethical reasoning in one’s own life.

Literature Serves as a Medium for Escape and Mental Relaxation

Literature provides a respite in a fast-paced, often stressful world—a door to other worlds where the mind can wander freely, unwind, and rejuvenate. The act of reading is in itself a form of mental reprieve, a break from the immediacy of one’s own life.


Immersive Reading	Reduces stress by transporting the reader to another realm.
Explorative Learning	Enlivens the senses and stimulates peaceful curiosity.
Reflective Respite	Allows for introspection and self-discovery in a calming context.

Furthermore, this form of escapism also contributes positively to mental health. Literature’s transportive nature allows individuals to disconnect, recharge, and often return to their lives with renewed energy and a fresh perspective.

Literature Preserves Cultural Heritage and Traditions

Literature is a primary vehicle for sustaining the traditions and legacies of cultures worldwide. Each story, poem, or novel is a time capsule, enveloping the mores, beliefs, and expressions of the period it represents.

It captures and transmits oral and folk traditions.
It encapsulates the historical context and the zeitgeist of eras past.
It allows future generations to access and understand their cultural foundations and histories.

Epics like Homer’s “The Odyssey” faithfully conserve ancient Greece’s myths and social values, while classics like Chinua Achebe’s “Things Fall Apart” provide insight into pre-colonial life in Africa as well as the impact of colonialism on indigenous cultures.

Literature does not merely record cultural artifacts; it breathes life into them, ensuring their persistence through the ages and reinforcing a shared human heritage that transcends the written word.

Literature Encourages Imagination and Creativity

Losing oneself to a work of literature can ignite the spark of imagination and inspire creativity. Unlike the passive consumption of visual media, reading necessitates that we use our minds to visualize characters and worlds, thus exercising and expanding our creative muscles.

For both authors and readers, the creation and interpretation of stories serve as a means of personal expression and imaginative exploration.

Examples of this abound, one of which is C.S. Lewis’ s “Chronicles of Narnia” series, which has sparked not only the imagination of its readers but also numerous adaptations in film, theater, and music.

Literature Challenges Stereotypes

Often, stereotypes are simplified and widely held beliefs about a particular group of people or things that can be ingrained in society’s consciousness.

When we engage with literature, we encounter characters and cultures that are complex, nuanced, and diverse. Literature can make us question our preconceived notions about others by presenting us with a range of experiences and identities.

Breaking down barriers: Stories can expose readers to different cultures, lifestyles, and belief systems, promoting empathy and understanding.
A broader perspective: Through narratives that span various backgrounds, readers can question their own preconceived notions and potentially rethink their biases.

By offering an array of diverse perspectives within its pages, literature acts as a catalyst for broader thinking, urging us to consider viewpoints outside of our own experience.

Literature Can Help Us Develop Our Unique Voice

In the quest to find one’s voice—be it in writing, speaking, or through artistic expression—literature can be a guiding force. As we read, we unconsciously absorb these styles, which later influence the development of our own writing and speaking voices.

Experimentation: Sampling different genres and authors provides a wealth of vocabulary and rhetorical techniques to draw from when crafting our language.
Reflection: Analyzing authors’ choices in narrative and dialogue can lead to a more profound understanding of how we wish to present our ideas.

Whether inspired by the raw honesty of Maya Angelou or the piercing insight of George Orwell, as we read, we learn, and as we learn, we find new words for our feelings and thoughts, crafting a voice that’s truly our own.

Literature Encourages You to Learn Deeper

Engaging with literature often sparks a desire to dig deeper into a subject, whether motivated by a historical setting, a scientific concept, or a foreign culture described in a story. This pursuit of knowledge extends beyond the pages of the book into real-world understanding.

Readers not only gain insights from within the confines of the book’s universe but are also drawn to investigate and learn more about the real-world context. When a book like Dan Brown ‘s “The Da Vinci Code” entwines history with fiction, readers may find themselves delving into art history or religious studies.

Literature Can Inspire Us to Pursue Our Own Writing Dreams

For aspiring writers, the world of literature is not just an escape; it is a source of inspiration and a catalyst for one’s own creative endeavors. Each narrative is a nod to the potential writer within, suggesting, “You, too, have a story to tell.”

A reader might start journaling after connecting with a character’s introspective diary.
Another might draft a screenplay inspired by the vibrant imagery in a novel.
Or perhaps a poem sparks a blog, a memoir, or even a new genre altogether.

Whether it is keeping a journal, starting a blog, or drafting a novel, the inspiration derived from literature is a powerful motivator in the pursuit of personal writing objectives.

Literature Reflects Human Experiences

The power of literature to mirror the full spectrum of human experiences is unparalleled. Through stories, one can find reflections of love, loss, triumph, and the mundanities of everyday life. Readers often see pieces of their reality within the pages, a testament to the universal nature of literary themes.

Love and Relationships: From the romance of Elizabeth and Mr. Darcy in “Pride and Prejudice” to the tempestuous bond between Heathcliff and Catherine in “Wuthering Heights,” literature explores the complexities of relationships.
Conflict and Resolution: The challenges faced by characters in narratives from “The Odyssey” to “The Lord of the Rings” reflect our own struggles and the pursuit of resolution.

Reading these stories validates our own experiences and emotions, giving us comfort and a sense of connection to others.

Literature Lets Us Time Travel

Imagine a machine that allows us to travel through time. Literature is that machine, not made of gears and levers but of words and ideas.

Past: Journey to Victorian England with Charles Dickens or to Renaissance Italy with Dante Alighieri.
Future: Explore dystopian societies through the lens of George Orwell or Aldous Huxley.

We travel back to learn or forward to dream, all within the span of pages. Unlike a history textbook’s linear recitation of facts, literature often weaves personal tales with the period’s cultural and social norms, giving a multidimensional view of the past or speculative futures.

Literature Lets Us Appreciate the Beauty of Words

The aesthetic pleasure derived from reading well-crafted sentences, the rhythm of poetry, and the eloquence of a compelling dialogue is one of literature’s greatest offerings. The beauty of words lies not just in their meaning but in their sound and structure, which can move and captivate readers.

Authors like Shakespeare and Jane Austen are celebrated for their eloquence and mastery of dialogue. The melodic potential of language comes to life in poetry, from the classics of Emily Dickinson to the contemporary works of Amanda Gorman.

Each passage, phrase, and word in literature holds the potential to inspire awe and admiration, reminding us of the evocative power of language.

Literature Gives You Something to Talk About With Others

Books are great conversation starters, providing endless topics for discussion. Whether it’s the latest bestseller or a timeless classic, literature opens the door for shared insights and lively debate.

Book clubs gather to dissect the latest bestseller.
Classroom debates over the themes of a classic novel.
Friendships are formed through mutual appreciation of a beloved series.

Sharing thoughts about literature can lead to stronger social bonds and a better understanding of different viewpoints. Moreover, it’s an opportunity to learn from others’ interpretations and gain insights you might have missed.

Literature Can Take You on New Adventures Without Leaving Home

Adventures await within the pages of books, offering escapes into worlds unknown without ever having to step outside. Whether it’s fantasy, science fiction, or adventure novels, literature has the unique ability to transport readers to different realms of possibility and imagination.

Explore New Worlds: Whether it’s through the magical wardrobe to Narnia in C.S. Lewis ‘s beloved series or the warring kingdoms in George R.R. Martin ‘s “Game of Thrones,” readers experience the thrill of exploration.
Escape from Reality: During trying times or moments of ennui, literature offers a sanctuary, a place to escape and recharge emotionally and mentally.

A reader’s imagination is the only ticket needed for these boundless adventures, proving that one can travel the world without ever stepping foot outside.

Literature Can Make Children Smarter

Introducing children to literature is not just about storytelling; it’s an investment in their cognitive development. From enhanced vocabulary to improved memory and analytical skills, reading lays the foundation for a lifetime of learning.

Cognitive Development: Stories stimulate young brains, fostering growth and connectivity.
Academic Achievement: Reading proficiency is strongly linked to success in other academic areas.
Imagination and Creativity: Literature opens doors to new worlds, encouraging innovative thinking.

Picture books, fairy tales, and young adult novels all contribute to the intellectual enrichment of children, showing that literature is not merely an amusement but a powerful educational tool.

Literature reminds us that despite our different paths, we all share experiences that stories capture so eloquently. Whether it’s a novel that keeps us company on a quiet evening or a poem that resonates with our deepest emotions, literature uniquely touches each of us on a personal level.

So next time you pick up a book, remember that you’re not just flipping through pages—you’re igniting a spark that can illuminate, transform, and heal. And it’s our collective responsibility to keep this flame alive, honoring the past and inspiring the future.

May the stories we read today light the way for the journeys of tomorrow!

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Home — Essay Samples — Philosophy — Philosophy of Education — “Why Literature” by Mario Vargas Llosa: A Comprehensive Analysis

"Why Literature" by Mario Vargas Llosa: a Comprehensive Analysis

Categories: Art History Human Nature Philosophy of Education

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Published: Mar 16, 2024

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The significance of literature, evidence to support vargas llosa's arguments.

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Why Literature?

The premature obituary of the book.

It has often happened to me, at book fairs or in bookstores, that a gentleman approaches me and asks me for a signature. “It is for my wife, my young daughter, or my mother,” he explains. “She is a great reader and loves literature.” Immediately I ask: “And what about you? Don’t you like to read?” The answer is almost always the same: “Of course I like to read, but I am a very busy person.” I have heard this explanation dozens of times: this man and many thousands of men like him have so many important things to do, so many obligations, so many responsibilities in life, that they cannot waste their precious time buried in a novel, a book of poetry, or a literary essay for hours and hours. According to this widespread conception, literature is a dispensable activity, no doubt lofty and useful for cultivating sensitivity and good manners, but essentially an entertainment, an adornment that only people with time for recreation can afford. It is something to fit in between sports, the movies, a game of bridge or chess; and it can be sacrificed without scruple when one “prioritizes” the tasks and the duties that are indispensable in the struggle of life.

It seems clear that literature has become more and more a female activity. In bookstores, at conferences or public readings by writers, and even in university departments dedicated to the humanities, the women clearly outnumber the men. The explanation traditionally given is that middle-class women read more because they work fewer hours than men, and so many of them feel that they can justify more easily than men the time that they devote to fantasy and illusion. I am somewhat allergic to explanations that divide men and women into frozen categories and attribute to each sex its characteristic virtues and shortcomings; but there is no doubt that there are fewer and fewer readers of literature, and that among the saving remnant of readers women predominate.

This is the case almost everywhere. In Spain, for example, a recent survey organized by the General Society of Spanish Writers revealed that half of that country’s population has never read a book. The survey also revealed that in the minority that does read, the number of women who admitted to reading surpasses the number of men by 6.2 percent, a difference that appears to be increasing. I am happy for these women, but I feel sorry for these men, and for the millions of human beings who could read but have decided not to read.

They earn my pity not only because they are unaware of the pleasure that they are missing, but also because I am convinced that a society without literature, or a society in which literature has been relegated—like some hidden vice—to the margins of social and personal life, and transformed into something like a sectarian cult, is a society condemned to become spiritually barbaric, and even to jeopardize its freedom. I wish to offer a few arguments against the idea of literature as a luxury pastime, and in favor of viewing it as one of the most primary and necessary undertakings of the mind, an irreplaceable activity for the formation of citizens in a modern and democratic society, a society of free individuals.

We live in the era of the specialization of knowledge, thanks to the prodigious development of science and technology and to the consequent fragmentation of knowledge into innumerable parcels and compartments. This cultural trend is, if anything, likely to be accentuated in years to come. To be sure, specialization brings many benefits. It allows for deeper exploration and greater experimentation; it is the very engine of progress. Yet it also has negative consequences, for it eliminates those common intellectual and cultural traits that permit men and women to co-exist, to communicate, to feel a sense of solidarity. Specialization leads to a lack of social understanding, to the division of human beings into ghettos of technicians and specialists. The specialization of knowledge requires specialized languages and increasingly arcane codes, as information becomes more and more specific and compartmentalized. This is the particularism and the division against which an old proverb warned us: do not focus too much on the branch or the leaf, lest you forget that they are part of a tree, or too much on the tree, lest you forget that it is part of a forest. Awareness of the existence of the forest creates the feeling of generality, the feeling of belonging, that binds society together and prevents it from disintegrating into a myriad of solipsistic particularities. The solipsism of nations and individuals produces paranoia and delirium, distortions of reality that generate hatred, wars, and even genocide.

In our time, science and technology cannot play an integrating role, precisely because of the infinite richness of knowledge and the speed of its evolution, which have led to specialization and its obscurities. But literature has been, and will continue to be, as long as it exists, one of the common denominators of human experience through which human beings may recognize themselves and converse with each other, no matter how different their professions, their life plans, their geographical and cultural locations, their personal circumstances. It has enabled individuals, in all the particularities of their lives, to transcend history: as readers of Cervantes, Shakespeare, Dante, and Tolstoy, we understand each other across space and time, and we feel ourselves to be members of the same species because, in the works that these writers created, we learn what we share as human beings, what remains common in all of us under the broad range of differences that separate us. Nothing better protects a human being against the stupidity of prejudice, racism, religious or political sectarianism, and exclusivist nationalism than this truth that invariably appears in great literature: that men and women of all nations and places are essentially equal, and that only injustice sows among them discrimination, fear, and exploitation.

Nothing teaches us better than literature to see, in ethnic and cultural differences, the richness of the human patrimony, and to prize those differences as a manifestation of humanity’s multi-faceted creativity. Reading good literature is an experience of pleasure, of course; but it is also an experience of learning what and how we are, in our human integrity and our human imperfection, with our actions, our dreams, and our ghosts, alone and in relationships that link us to others, in our public image and in the secret recesses of our consciousness.

This complex sum of contradictory truths—as Isaiah Berlin called them—constitutes the very substance of the human condition. In today’s world, this totalizing and living knowledge of a human being may be found only in literature. Not even the other branches of the humanities—not philosophy, history, or the arts, and certainly not the social sciences—have been able to preserve this integrating vision, this universalizing discourse. The humanities, too, have succumbed to the cancerous division and subdivision of knowledge, isolating themselves in increasingly segmented and technical sectors whose ideas and vocabularies lie beyond the reach of the common woman and man. Some critics and theofists would even like to change literature into a science. But this will never happen, because fiction does not exist to investigate only a single ‘precinct of experience. It exists to enrich through the imagination the entirety of human life, which cannot be dismembered, disarticulated, or reduced to a series of schemas or formulas without disappearing. This is the meaning of Proust’s observation that “real life, at last enlightened and revealed, the only life fully lived, is literature.” He was not exaggerating, nor was he expressing only his love for his own vocation. He was advancing the particular proposition that as a result of literature life is better understood and better lived; and that living life more fully necessitates living it and sharing it with others.

The brotherly link that literature establishes among human beings, compelling them to enter into dialogue and making them conscious of a common origin and a Common goal, transcends all temporal barriers. Literature transports us into the past and links us to those who in bygone eras plotted, enjoyed, and dreamed through those texts that have come down to Us, texts that now allow us also to enjoy and to dream. This feeling of membership in the collective human experience across time and space is the highest achievement of culture, and nothing contributes more to its renewal in every generation than literature.

It always irritated Borges when he was asked, “What is the use of literature?” It seemed to him a stupid question, to which he would reply: “No one would ask what is the use of a canary’s song or a beautiful sunset.” If such beautiful things exist, and if, thanks to them, life is even for an instant less ugly and less sad, is it not petty to seek practical justifications? But the question is a good one. For novels and poems are not like the sound of birdsong or the spectacle of the sun sinking into the horizon, because they were not created by chance or by nature. They are human creations, and it is therefore legitimate to ask how and why they came into the world, and what is their purpose, and why they have lasted so long.

Literary works are born, as shapeless ghosts, in the intimacy of a writer’s consciousness, projected into it by the combined strength of the unconscious, and the writer’s sensitivity to the world around him, and the writer’s emotions; and it is these things to which the poet or the narrator, in a struggle with words, gradually gives form, body, movement, rhythm, harmony, and life. An artificial life, to be sure, a life imagined, a life made of language-yet men and women seek out this artificial life, some frequently, others sporadically, because real life falls short for them, and is incapable of offering them what they want. Literature does not begin to exist through the work of a single individual. It exists only when it is adopted by others and becomes a part of social life—when it becomes, thanks to reading, a shared experience.

One of its first beneficial effects takes place at the level of language. A community without a written literature expresses itself with less precision, with less richness of nuance, and with less clarity than a community whose principal instrument of communication, the word, has been cultivated and perfected by means of literary texts. A humanity without reading. untouched by literature, would resemble a community of deaf-mutes and aphasics, afflicted by tremendous problems of communication due to its crude and rudimentary language. This is true for individuals, too. A person who does not read, or reads little, or reads only trash, is a person with an impediment: he can speak much but he will say little, because his vocabulary is deficient in the means for self-expression.

This is not only a verbal limitation. It represents also a limitation in intellect and in imagination. It is a poverty of thought, for the simple reason that ideas, the concepts through which we grasp the secrets of our condition, do not exist apart from words. We learn how to speak correctly—and deeply, rigorously, and subtly—from good literature, and only from good literature. No other discipline or branch of the arts can substitute for literature in crafting the language that people need to communicate. To speak well, to have at one’s disposal a rich and diverse language, to be able to find the appropriate expression for every idea and every emotion that we want to communicate, is to be better prepared to think, to teach, to learn, to converse, and also to fantasize, to dream, to feel. In a surreptitious way, words reverberate in all our actions, even in those actions that seem far removed from language. And as language evolved, thanks to literature, and reached high levels of refinement and manners, it increased the possibility of human enjoyment.

Literature has even served to confer upon love and desire and the sexual act itself the status of artistic creation. Without literature, eroticism would not exist. Love and pleasure would be poorer, they would lack delicacy and exquisiteness, they would fail to attain to the intensity that literary fantasy offers. It is hardly an exaggeration to say that a couple who have read Garcilaso, Petrarch, Gongora, or Baudelaire value pleasure and experience pleasure more than illiterate people who have been made into idiots by television’s soap operas. In an illiterate world, love and desire would be no different from what satisfies animals, nor would they transcend the crude fulfillment of elementary instincts.

Nor are the audiovisual media equipped to replace literature in this task of teaching human beings to use with assurance and with skill the extraordinarily rich possibilities that language encompasses. On the contrary, the audiovisual media tend to relegate words to a secondary level with respect to images, which are the primordial language of these media, and to constrain language to its oral expression, to its indispensable minimum, far from its written dimension. To define a film or a television program as “literary” is an elegant way of saying that it is boring. For this reason, literary programs on the radio or on television rarely capture the public. So far as I know, the only exception to this rule was Bernard Pivot’s program, Apostrophes, in France. And this leads me to think that not only is literature indispensable for a full knowledge and a full mastery of language, but its fate is linked also and indissolubly with the fate of the book, that industrial product that many are now declaring obsolete.

This brings me to Bill Gates. He was in Madrid not long ago and visited the Royal Spanish Academy, which has embarked upon a joint venture with Microsoft. Among other things, Gates assured the members of the Academy that he would personally guarantee that the letter “fl” would never be removed from computer software—a promise that allowed four hundred million Spanish speakers on five continents to breathe a sigh of relief, since the banishment of such an essential letter from cyberspace would have created monumental problems. Immediately after making his amiable concession to the Spanish language, however, Gates, before even leaving the premises of the Academy, avowed in a press conference that he expected to accomplish his highest goal before he died. That goal, he explained, is to put an end to paper and then to books.

In his judgment, books are anachronistic objects. Gates argued that computer screens are able to replace paper in all the functions that paper has heretofore assumed. He also insisted that, in addition to being less onerous, computers take up less space, and are more easily transportable; and also that the transmission of news and literature by these electronic media, instead of by newspapers and books, will have the ecological advantage of stopping the destruction of forests, a cataclysm that is a consequence of the paper industry. People will continue to read, Gates assured his listeners, but they will read on computer screens, and consequently there will be more chlorophyll in the environment.

I was not present at Gates’s little discourse; I learned these details from the press. Had I been there I would have booed Gates for proclaiming shamelessly his intention to send me and my colleagues, the writers of books, directly to the unemployment line. And I would have vigorously disputed his analysis. Can the screen really replace the book in all its aspects? I am not so certain. I am fully aware of the enormous revolution that new technologies such as the Internet have caused in the fields of communication and the sharing of information, and I confess that the Internet provides invaluable help to me every day in my work; but my gratitude for these extraordinary conveniences does not imply a belief that the electronic screen can replace paper, or that reading on a computer can stand in for literary reading. That is a chasm that I cannot cross. I cannot accept the idea that a non-functional or non-pragmatic act of reading, one that seeks neither information nor a useful and immediate communication, can integrate on a computer screen the dreams and the pleasures of words with the same sensation of intimacy, the same mental concentration and spiritual isolation, that may be achieved by the act of reading a book.

Perhaps this a prejudice resulting from lack of practice, and from a long association of literature with books and paper. But even though I enjoy surfing the Web in search of world news, I would never go to the screen to read a poem by Gongora or a novel by Onetti or an essay by Paz, because I am certain that the effect of such a reading would not be the same. I am convinced, although I cannot prove it, that with the disappearance of the book, literature would suffer a serious blow, even a mortal one. The term “literature” would not disappear, of course. Yet it would almost certainly be used to denote a type of text as distant from what we understand as literature today as soap operas are from the tragedies of Sophocles and Shakespeare.

There is still another reason to grant literature an important place in the life of nations. Without it, the critical mind, which is the real engine of historical change and the best protector of liberty, would suffer an irreparable loss. This is because all good literature is radical, and poses radical questions about the world in which we live. In all great literary texts, often without their authors’ intending it, a seditious inclination is present.

Literature says nothing to those human beings who are satisfied with their lot, who are content with life as they now live it. Literature is the food of the rebellious spirit, the promulgator of non-conformities, the refuge for those who have too much or too little in life. One seeks sanctuary in literature so as not to be unhappy and so as not to be incomplete. To ride alongside the scrawny Rocinante and the confused Knight on the fields of La Mancha, to sail the seas on the back of a whale with Captain Ahab, to drink arsenic with Emma Bovary, to become an insect with Gregor Samsa: these are all ways that we have invented to divest ourselves of the wrongs and the impositions of this unjust life, a life that forces us always to be the same person when we wish to be many different people, so as to satisfy the many desires that possess us.

Literature pacifies this vital dissatisfaction only momentarily—but in this miraculous instant, in this provisional suspension of life, literary illusion lifts and transports us outside of history, and we become citizens of a timeless land, and in this way immortal. We become more intense, richer, more complicated, happier, and more lucid than we are in the constrained routine of ordinary life. When we close the book and abandon literary fiction, we return to actual existence and compare it to the splendid land that we have just left. What a disappointment awaits us! Yet a tremendous realization also awaits us, namely, that the fantasized life of the novel is better—more beautiful and more diverse, more comprehensible and more perfect—than the life that we live while awake, a life conditioned by the limits and the tedium of our condition. In this way, good literature, genuine literature, is always subversive, unsubmissive, rebellious: a challenge to what exists.

How could we not feel cheated after reading War and Peace or Remembrance of Things Past and returning to our world of insignificant details, of boundaries and prohibitions that lie in wait everywhere and, with each step, corrupt our illusions? Even more than the need to sustain the continuity of culture and to enrich language, the greatest contribution of literature to human progress is perhaps to remind us (without intending to, in the majority of cases) that the world is badly made; and that those who pretend to the contrary, the powerful and the lucky, are lying; and that the word can be improved, and made more like the worlds that our imagination and our language are able to create. A free and democratic society must have responsible and critical citizens conscious of the need continuously to examine the word that we inhabit and to try, even though it is more and more an impossible task, to make it more closely resemble the world that we would like to inhabit. And there is no better means of fomenting dissatisfaction with existence than the reading of good literature; no better means of forming critical and independent citizens who will not be manipulated by those who govern them, and who are endowed with a permanent spiritual mobility and a vibrant imagination.

Still, to call literature seditious because it sensitizes a reader’s consciousness to the imperfections of the world does not mean—as churches and governments seem to think it means when they establish censorship—that literary texts will provoke immediate social upheavals or accelerate revolutions. The social and political effects of a poem, a play, or a novel cannot be foreseen, because they are not collectively made or collectively experienced. They are created by individuals and they are read by individuals, who vary enormously in the conclusions that they draw from their writing and their reading. For this reason, it is difficult, or even impossible, to establish precise patterns. Moreover, the social consequences of a work of literature may have little to do with its aesthetic quality. A mediocre novel by Harriet Beecher Stowe seems to have played a decisive role in raising social and political consciousness of the horrors of slavery in the United States. The fact that these effects of literature are difficult to identify does not imply that they do not exist. The important point is that they are effects brought about by the actions of citizens whose personalities have been formed in part by books.

Good literature, while temporarily relieving human dissatisfaction, actually increases it, by developing a critical and non-conformist attitude toward life. It might even be said that literature makes human beings more likely to be unhappy. To live dissatisfied, and at war with existence, is to seek things that may not be there, to condemn oneself to fight futile battles, like the battles that Colonel Aureliano Buendia fought in One Hundred Years of Solitude, knowing full well that he would lose them all. All this may be true. Yet it is also true that without rebellion against the mediocrity and the squalor of life, we would still live in a primitive state, and history would have stopped. The autonomous individual would not have been created, science and technology would not have progressed, human rights would not have been recognized, freedom would not have existed. All these things are born of unhappiness, of acts of defiance against a life perceived as insufficient or intolerable. For this spirit that scorns life as it is—and searches with the madness of Don Quixote, whose insanity derived from the reading of chivalric novels—literature has served as a great spur.

Let us attempt a fantastic historical reconstruction. Let us imagine a world without literature, a humanity that has not read poems or novels. In this kind of atrophied civilization, with its puny lexicon in which groans and ape-like gesticulations would prevail over words, certain adjectives would not exist. Those adjectives include: quixotic, Kafkaesque, Rabelaisian, Orwellian, sadistic, and masochistic, all terms of literary origin. To be sure, we would still have insane people, and victims of paranoia and persecution complexes, and people with uncommon appetites and outrageous excesses, and bipeds who enjoy inflicting or receiving pain. But we would not have learned to see, behind these extremes of behavior that are prohibited by the norms of our culture, essential characteristics of the human condition. We would not have discovered our own traits, as only the talents of Cervantes, Kafka, Rabelais, Orwell, de Sade, and Sacher-Masoch have revealed them to us.

When the novel Don Quixote de la Mancha appeared, its first readers made fun of this extravagant dreamer, as well as the rest of the characters in the novel. Today we know that the insistence of the caballero de la triste figura on seeing giants where there were windmills, and on acting in his seemingly absurd way, is really the highest form of generosity, and a means of protest against the misery of this world in the hope of changing it. Our very notions of the ideal, and of idealism, so redolent with a positive moral connotation, would not be what they are, would not be clear and respected values, had they not been incarnated in the protagonist of a novel through the persuasive force of Cervantes’s genius. The same can be said of that small and pragmatic female Quixote, Emma Bovary, who fought with ardor to live the splendid life of passion and luxury that she came to know through novels. Like a butterfly, she came too close to the flame and was burned in the fire.

The inventions of all great literary creators open our eyes to unknown aspects of our own condition. They enable us to explore and to understand more fully the common human abyss. When we say “Borgesian,” the word immediately conjures up the separation of our minds from the rational order of reality and the entry into a fantastic universe, a rigorous and elegant mental construction, almost always labyrinthine and arcane, and riddled with literary references and allusions, whose singularities are not foreign to us because in them we recognize hidden desires and intimate truths of our own personality that took shape only thanks to the literary creation of Jorge Luis Borges. The word “Kafkaesque” comes to mind, like the focus mechanism of those old cameras with their accordion arms, every time we feel threatened, as defenseless individuals, by the oppressive machines of power that have caused so much pain and injustice in the modern world—the authoritarian regimes, the vertical parties, the intolerant churches, the asphyxiating bureaucrats. Without the short stories and the novels of that tormented Jew from Prague who wrote in German and lived always on the lookout, we would not have been able to understand the impotent feeling of the isolated individual, or the terror of persecuted and discriminated minorities, confronted with the all-embracing powers that can smash them and eliminate them without the henchmen even showing their faces.

The adjective “Orwellian,” first cousin of “Kafkaesque,” gives a voice to the terrible anguish, the sensation of extreme absurdity, that was generated by totalitarian dictatorships of the twentieth century, the most sophisticated, cruel, and absolute dictatorships in history, in their control of the actions and the psyches of the members of a society. In 1984 , George Orwell described in cold and haunting shades a humanity subjugated to Big Brother, an absolute lord who, through an efficient combination of terror and technology, eliminated liberty, spontaneity, and equality, and transformed society into a beehive of automatons. In this nightmarish world, language also obeys power, and has been transformed into “newspeak;’ purified of all invention and all subjectivity, metamorphosed into a string of platitudes that ensure the individual’s slavery to the system. It is true that the sinister prophecy of 1984 did not come to pass, and totalitarian communism in the Soviet Union went the way of totalitarian fascism in Germany and elsewhere; and soon thereafter it began to deteriorate also in China, and in anachronistic Cuba and North Korea. But the danger is never completely dispelled, and the word “Orwellian” continues to describe the danger, and to help us to understand it.

So literature’s unrealities, literature’s lies, are also a precious vehicle for the knowledge of the most hidden of human realities. The truths that it reveals are not always flattering; and sometimes the image of ourselves that emerges in the mirror of novels and poems is the image of a monster. This happens when we read about the horrendous sexual butchery fantasized by de Sade, or the dark lacerations and brutal sacrifices that fill the cursed books of Sacher-Masoch and Bataille. At times the spectacle is so offensive and ferocious that it becomes irresistible. Yet the worst in these pages is not the blood, the humiliation, the abject love of torture; the worst is the discovery that this violence and this excess are not foreign to us, that they are a profound part of humanity. These monsters eager for transgression are hidden in the most intimate recesses of our being; and from the shadow where they live they seek a propitious occasion to manifest themselves, to impose the rule of unbridled desire that destroys rationality, community, and even existence. And it was not science that first ventured into these tenebrous places in the human mind, and discovered the destructive and the self-destructive potential that also shapes it. It was literature that made this discovery. A world without literature would be partly blind to these terrible depths, which we urgently need to see.

Uncivilized, barbarian, devoid of sensitivity and crude of speech, ignorant and instinctual, inept at passion and crude at love, this world without literature, this nightmare that I am delineating, would have as its principal traits conformism and the universal submission of humankind to power. In this sense, it would also be a purely animalistic world. Basic instincts would determine the daily practices of a life characterized by the struggle for survival, and the fear of the unknown, and the satisfaction of physical necessities. There would be no place for the spirit. In this world, moreover, the crushing monotony of living would be accompanied by the sinister shadow of pessimism, the feeling that human life is what it had to be and that it will always be thus, and that no one and nothing can change it.

When one imagines such a world, one is tempted to picture primitives in loincloths, the small magic-religious communities that live at the margins of modernity in Latin America, Oceania, and Africa. But I have a different failure in mind. The nightmare that I am warning about is the result not of under-development but of over-development. As a consequence of technology and our subservience to it, we may imagine a future society full of computer screens and speakers, and without books, or a society in which books—that is, works of literature—have become what alchemy became in the era of physics: an archaic curiosity, practiced in the catacombs of the media civilization by a neurotic minority. I am afraid that this cybernetic world, in spite of its prosperity and its power, its high standard of living and its scientific achievement would be profoundly uncivilized and utterly soulless—a resigned humanity of post-literary automatons who have abdicated freedom.

It is highly improbable, of course, that this macabre utopia will ever come about. The end of our story, the end of history, has not yet been written, and it is not pre-determined. What we will become depends entirely on our vision and our will. But if we wish to avoid the impoverishment of our imagination, and the disappearance of the precious dissatisfaction that refines our sensibility and teaches us to speak with eloquence and rigor, and the weakening of our freedom, then we must act. More precisely, we must read.

Importance of Literature in People Life Essay

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Introduction

Literature is still important, especially the radical one that tends to be challenging in many respects. It is good for people who have critical thinking and step out of the ideational comfort zone that conformity offers. Through such works as Don Quixote and Madame Bovary, one has the opportunity to live other lives through the novels’ characters. Literature can move beyond the confines of time and space. It helps reconcile, momentarily, with whatever unhappiness we have about our lives.

However, in the long run, the fantasy part of fiction paradoxically helps keep a reality check. If a novel helps us to travel momentarily outside our current times and beyond our geographic locations, in the long run, it makes us more aware of the limitations of our reality. Because some literature depicts a perfect world, after we read it we become aware of what is wrong in our reality and what should be changed for the better.

Regarding this power to incite challenging the status quo, some social institutions like the Government and the Church may be keen on censoring given works. However, it is difficult to say which work may create an upheaval because different people react differently. Moreover, the aesthetic of a book is not a criterion, as Uncle Tom’s cabin shows, for despite being aesthetically a flat novel, the significance of its theme –slavery- had influenced the then-American society.

In the end, challenging the status quo is what has made humanity progress. All the scientific and technological progress and the evolvement of such issues as human rights has been achieved because the status quo was being questioned. Therefore, the seditious quality of literature has a positive aspect to it.

Another important aspect of literature resides in language. The development of language goes on par with the development of communication within society. We have access to a wide range of words that help us express ourselves. Because society is made of individuals, many society members developing their language skills and by extension, their expressiveness will help develop communication in the society as a whole. As language develops through literature, the society to which it belongs becomes grows richer and people express themselves better.

Society becomes also richer from an ideational point of view. Indeed, thought develops and is expressed through language. Ideas without words are abstract concepts. Language is what gives them shape and makes them somehow more concrete. It is through words that we can formulate and grasp ideas. So the scope of influence of language is both verbal and intellectual.

Finally, it should be noted that media can never fill the shoes of literature. At the level of language, audiovisual media does not use language that measures up to literary language. Media language is prosaic and relegated to a secondary position. It seeks the minimum of oral expression. Therefore, the progress and continuity of language are linked to the continuity of literature. This primary role of the literature shows that the claim that books are obsolete is wrong.

The Ideas of Community in Ursula K Le Guin's “The Ones Who Walk Away From Omelas”
‘I Heard the Owl Call My Name’ by Margaret Craven
What Makes Don Quixote a Parody?
Sanity vs. Madness (Don Quixote vs. Orgon)
Analysis of Don Quixote’s Over-Romanticised Chivalric Acts and Beliefs
“Memoirs of Geisha”: The Difference Between a Novel and a Movie
Jonathan Kozol’s “Amazing Grace”
Phrase “Women’s Movement” and Novel "The Awakening" by K. Chopin
“The Road Not Taken” by Robert Frost: Advice for Life
Gabriel Conroy’s Epiphany in “The Dead” by James Joyce
Chicago (A-D)
Chicago (N-B)

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1 What Is Literature and Why Do We Study It?

In this book created for my English 211 Literary Analysis introductory course for English literature and creative writing majors at the College of Western Idaho, I’ll introduce several different critical approaches that literary scholars may use to answer these questions. The critical method we apply to a text can provide us with different perspectives as we learn to interpret a text and appreciate its meaning and beauty.

The existence of literature, however we define it, implies that we study literature. While people have been “studying” literature as long as literature has existed, the formal study of literature as we know it in college English literature courses began in the 1940s with the advent of New Criticism. The New Critics were formalists with a vested interest in defining literature–they were, after all, both creating and teaching about literary works. For them, literary criticism was, in fact, as John Crowe Ransom wrote in his 1942 essay “ Criticism, Inc., ” nothing less than “the business of literature.”

Responding to the concern that the study of literature at the university level was often more concerned with the history and life of the author than with the text itself, Ransom responded, “the students of the future must be permitted to study literature, and not merely about literature. But I think this is what the good students have always wanted to do. The wonder is that they have allowed themselves so long to be denied.”

We’ll learn more about New Criticism in Section Two. For now, let’s return to the two questions I posed earlier.

What is literature?

First, what is literature ? I know your high school teacher told you never to look up things on Wikipedia, but for the purposes of literary studies, Wikipedia can actually be an effective resource. You’ll notice that I link to Wikipedia articles occasionally in this book. Here’s how Wikipedia defines literature :

“ Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction , drama , and poetry . [1] In recent centuries, the definition has expanded to include oral literature , much of which has been transcribed. [2] Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.”

This definition is well-suited for our purposes here because throughout this course, we will be considering several types of literary texts in a variety of contexts.

I’m a Classicist—a student of Greece and Rome and everything they touched—so I am always interested in words with Latin roots. The Latin root of our modern word literature is litera , or “letter.” Literature, then, is inextricably intertwined with the act of writing. But what kind of writing?

Who decides which texts are “literature”?

The second question is at least as important as the first one. If we agree that literature is somehow special and different from ordinary writing, then who decides which writings count as literature? Are English professors the only people who get to decide? What qualifications and training does someone need to determine whether or not a text is literature? What role do you as the reader play in this decision about a text?

Let’s consider a few examples of things that we would all probably classify as literature. I think we can all (probably) agree that the works of William Shakespeare are literature. We can look at Toni Morrison’s outstanding ouvre of work and conclude, along with the Nobel Prize Committee, that books such as Beloved and Song of Solomon are literature. And if you’re taking a creative writing course and have been assigned the short stories of Raymond Carver or the poems of Joy Harjo , you’re probably convinced that these texts are literature too.

In each of these three cases, a different “deciding” mechanism is at play. First, with Shakespeare, there’s history and tradition. These plays that were written 500 years ago are still performed around the world and taught in high school and college English classes today. It seems we have consensus about the tragedies, histories, comedies, and sonnets of the Bard of Avon (or whoever wrote the plays).

In the second case, if you haven’t heard of Toni Morrison (and I am very sorry if you haven’t), you probably have heard of the Nobel Prize. This is one of the most prestigious awards given in literature, and since she’s a winner, we can safely assume that Toni Morrison’s works are literature.

Finally, your creative writing professor is an expert in their field. You know they have an MFA (and worked hard for it), so when they share their favorite short stories or poems with you, you trust that they are sharing works considered to be literature, even if you haven’t heard of Raymond Carver or Joy Harjo before taking their class.

(Aside: What about fanfiction? Is fanfiction literature?)

We may have to save the debate about fan fiction for another day, though I introduced it because there’s some fascinating and even literary award-winning fan fiction out there.

Returning to our question, what role do we as readers play in deciding whether something is literature? Like John Crowe Ransom quoted above, I think that the definition of literature should depend on more than the opinions of literary critics and literature professors.

I also want to note that contrary to some opinions, plenty of so-called genre fiction can also be classified as literature. The Nobel Prize winning author Kazuo Ishiguro has written both science fiction and historical fiction. Iain Banks , the British author of the critically acclaimed novel The Wasp Factory , published popular science fiction novels under the name Iain M. Banks. In other words, genre alone can’t tell us whether something is literature or not.

In this book, I want to give you the tools to decide for yourself. We’ll do this by exploring several different critical approaches that we can take to determine how a text functions and whether it is literature. These lenses can reveal different truths about the text, about our culture, and about ourselves as readers and scholars.

“Turf Wars”: Literary criticism vs. authors

It’s important to keep in mind that literature and literary theory have existed in conversation with each other since Aristotle used Sophocles’s play Oedipus Rex to define tragedy. We’ll look at how critical theory and literature complement and disagree with each other throughout this book. For most of literary history, the conversation was largely a friendly one.

But in the twenty-first century, there’s a rising tension between literature and criticism. In his 2016 book Literature Against Criticism: University English and Contemporary Fiction in Conflict, literary scholar Martin Paul Eve argues that twenty-first century authors have developed

a series of novelistic techniques that, whether deliberate or not on the part of the author, function to outmanoeuvre, contain, and determine academic reading practices. This desire to discipline university English through the manipulation and restriction of possible hermeneutic paths is, I contend, a result firstly of the fact that the metafictional paradigm of the high-postmodern era has pitched critical and creative discourses into a type of productive competition with one another. Such tensions and overlaps (or ‘turf wars’) have only increased in light of the ongoing breakdown of coherent theoretical definitions of ‘literature’ as distinct from ‘criticism’ (15).

One of Eve’s points is that by narrowly and rigidly defining the boundaries of literature, university English professors have inadvertently created a situation where the market increasingly defines what “literature” is, despite the protestations of the academy. In other words, the gatekeeper role that literary criticism once played is no longer as important to authors. For example, (almost) no one would call 50 Shades of Grey literature—but the salacious E.L James novel was the bestselling book of the decade from 2010-2019, with more than 35 million copies sold worldwide.

If anyone with a blog can get a six-figure publishing deal , does it still matter that students know how to recognize and analyze literature? I think so, for a few reasons.

First, the practice of reading critically helps you to become a better reader and writer, which will help you to succeed not only in college English courses but throughout your academic and professional career.
Second, analysis is a highly sought after and transferable skill. By learning to analyze literature, you’ll practice the same skills you would use to analyze anything important. “Data analyst” is one of the most sought after job positions in the New Economy—and if you can analyze Shakespeare, you can analyze data. Indeed.com’s list of top 10 transferable skills includes analytical skills , which they define as “the traits and abilities that allow you to observe, research and interpret a subject in order to develop complex ideas and solutions.”
Finally, and for me personally, most importantly, reading and understanding literature makes life make sense. As we read literature, we expand our sense of what is possible for ourselves and for humanity. In the challenges we collectively face today, understanding the world and our place in it will be important for imagining new futures.

Critical theories: A targeted approach to writing about literature

Ultimately, there’s not one “right” way to read a text. In this book. we will explore a variety of critical theories that scholars use to analyze literature. The book is organized around different targets that are associated with the approach introduced in each chapter. In the introduction, for example, our target is literature. In future chapters you’ll explore these targeted analysis techniques:

Author: Biographical Criticism
Text: New Criticism
Reader: Reader Response Criticism
Gap: Deconstruction (Post-Structuralism)
Context: New Historicism and Cultural Studies
Power: Marxist and Postcolonial Criticism
Mind: Psychological Criticism
Gender: Feminist, Post Feminist, and Queer Theory
Nature: Ecocriticism

Each chapter will feature the target image with the central approach in the center. You’ll read a brief introduction about the theory, explore some primary texts (both critical and literary), watch a video, and apply the theory to a primary text. Each one of these theories could be the subject of its own entire course, so keep in mind that our goal in this book is to introduce these theories and give you a basic familiarity with these tools for literary analysis. For more information and practice, I recommend Steven Lynn’s excellent Texts and Contexts: Writing about Literature with Critical Theory , which provides a similar introductory framework.

I am so excited to share these tools with you and see you grow as a literary scholar. As we explore each of these critical worlds, you’ll likely find that some critical theories feel more natural or logical to you than others. I find myself much more comfortable with deconstruction than with psychological criticism, for example. Pay attention to how these theories work for you because this will help you to expand your approaches to texts and prepare you for more advanced courses in literature.

P.S. If you want to know what my favorite book is, I usually tell people it’s Herman Melville’s Moby Dick . And I do love that book! But I really have no idea what my “favorite” book of all time is, let alone what my favorite book was last year. Every new book that I read is a window into another world and a template for me to make sense out of my own experience and better empathize with others. That’s why I love literature. I hope you’ll love this experience too.

writings in prose or verse, especially : writings having excellence of form or expression and expressing ideas of permanent or universal interest (Merriam Webster)

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Why Literature Matters in the 21st Century

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This book examines literature in its connection to virtue and moral excellence. The author is concerned with literature as the teacher of virtue. The current crisis in the humanities may be traced back to the separation of art and morality. The arts and humanities concern themselves with the fate and prospects of humankind. Today that fate and those prospects are under the increasing influence of technology. In a technological age, literature gains in importance precisely to the extent that our sense of intrinsic value is lost. In its elevation of play and inexhaustible meaning, literature offers a counterbalance to reason and efficiency. It helps us grasp the ways in which diverse parts form a comprehensive and complex whole, and it connects us with other ages and cultures. Not least, great literature grapples with the ethical challenges of the day.

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Why Literature Is Important

By: Author Paul Jenkins

Posted on March 28, 2022

Categories Reading , Inspiration , Productivity , Self Improvement , Storytelling , Writing

The importance of literature is immense, what you learn will change your perception of the world and how you interact with people by using a wealth of literary devices such as tone, mood, and figurative language. You will be able to share your ideas and thoughts in better ways through writing that conveys meaning clearly to your reader. The best part is that you won’t even realize when you’ve started learning all these aspects. Reading literature will seep into your mind and work almost by osmosis!

What Do We Mean By Literature

Let’s define terms first: ‘literature’ means any collection of written work, but it tends to refer to writing produced with artistic intent: novels, plays, poems, and essays. In this way, literary work differs from – for example – journalism, business, or technical writing.

Literature is the art of discovering something extraordinary about ordinary people and saying with ordinary words something extraordinary. Boris Pasternak

Be a Better Communicator and Writer

The fact is that people who read a lot of literature are better 21st Century communicators. This might seem ironic, given the multitude of technology and media that surround us.

Reading gives you access to so many different points of view that you can understand different perspectives and make up your own thoughts and feelings about them.

People who get involved with literature – reading, writing, or both – have an advantage because they’re better at getting to the point or expressing themselves. If you’ve ever been in the situation of arguing a point or explaining something complex, all that practice will help you communicate.

Your communication will benefit both in terms of your written communications, and how effectively you can express your thoughts and feelings verbally.

Reading literature also helps you develop a sense of perspective about the way other people see the world, and helps you understand their point of view more clearly. All this will make you a better communicator, and it will make you a better writer, too.

Gain a Better Understanding of the World

Literature helps us understand others and the world around us. Works of literature are windows on other worlds, and windows on the worlds of others.

When we read books written by people from other backgrounds, we learn about and accept other cultures and ideas. We can learn about ways of doing things that are different from our own. This gives us a broader perspective and helps us think about things in a new way.

In my opinion, as we live in an increasingly globalized world, it is all the more important to retain sensitivity to its great diversity. Literature from other countries and cultures helps us do that.

By reading and discussing world literature, and investigating different literary genres, we gain an understanding not only of the authors’ ideas but also of the cultural and historical context in which the ideas originated.

It’s not only English literature or American literature that holds all the pearls, by the way. These days, you can find great translations of important literary works from:

Chinese literature
Latin American literature
French literature

and many other literary traditions.

Get New Insights Into What Seemed Familiar

Conversely, it’s important to read books written by people who come from similar backgrounds to ours so they can give us perspectives we may not have considered before.

Related: Why Books Are Important .

Literature helps us understand and relate to others who’ve had experiences similar to our own, such as illness or family problems (just as reading about the loss of another person helped me process my own). It helps us to give our own real-life meaning.

When you read a work of literature, you can experience things that don’t happen in your life, and you can see yourself in different situations. You also learn about how people have dealt with problems throughout history, which can help you solve your own problems.

You’ll take a deep dive into human nature, and its many mysteries.

Language is an incredibly important part of the quest by humans for our identity. Therefore, as ‘linguistic beings’ literature is naturally a high expression of the human personality, every bit as much as painting or music.

Cultivate Empathy for Others

Literature enables us to develop empathy and understanding for others, which contributes to our social skills. It gives us a chance to imagine and live out in our minds social situations even though we may never experience them directly.

A famous academic study in 2013 (Kidd and Castano) found that literature increases empathetic skills more than nonfiction and popular fiction – perhaps because of the more complex character featured in literary works.

It is one of the important facets of literature that it explores the internal world of human life – the thoughts and feelings – of its characters in a way that visual and auditory media such as films and theater cannot. This is because character development in writing relies much more heavily on internal portrayal rather than external expression.

By connecting with the human experience of others, you enrich your own. Literature enables us to better understand what it is to be a human being.

Benefits of Literature in Education

It’s great to get kids excited about literature. Many children are social misfits and loners because they’ve difficulty forming bonds with others. When kids read about people who’re different from them, they begin to develop empathy and understanding for others. This can then be transferred to real life: children can better understand their classmates at school and make friends more easily.

Kids who read more children’s literature in high school show better social skills than children who don’t.

People who are in STEM (science, technology, engineering, and mathematics) careers can also benefit greatly from literature. It’s noteworthy that many leading physicists, for example, are also avid readers of literature.

Literature adds to reality, it does not simply describe it. It enriches the necessary competencies that daily life requires and provides; and in this respect, it irrigates the deserts that our lives have already become. C. S. Lewis

Helps You Be More Creative

Literature can help you become more creative and improve “thinking outside the box.”

The most obvious reason for this is that literature by its very nature is an exercise in creativity, and relies on the imagination and curiosity of its readers to function. Ask any group of twenty readers of a piece of literature how they would describe the main character, and you’ll get twenty different responses! Readers enjoy thinking up their own scenarios (what the characters will do next) or plots (the way the story will be resolved, for example).

Literary fiction often leans heavily on the use of symbolism, allegory, and metaphor to project its power. All of which demands significant amounts of creativity on the part of the authors and their readership.

In this way, literature functions as an immediate and direct appeal and stimulus to our creativity.

No matter what your career goals are, creativity is a valuable skill. Most professions require you to think outside the box and find innovative solutions to problems; in fact, in some professions, such as art and design, it’s mandatory!

Reading classic literature has been shown to improve creative thinking and the ability to come up with new ideas. Even if you don’t immediately become an artist or designer by reading literature, it can help you become more creative and improve your lateral thinking.

It Helps Critical Thinking Also

Literature may also improve critical thinking skills. You have to spot the flaws in a story, analyze its plot, and figure out the motivations and meaning of the characters.

One important area where literature can help us reflect and find solutions is the area of human conflict.

A literary text is a playground to examine ideas and causality between them – why and how one thing follows another.

An Essential Part of Creative Writing Skill

If engaged in any kind of creative writing, then reading and studying literature to at least some degree is a must. You will learn a huge amount about character motivation, story structure, etc.

It’s well worth reading both classic literature and modern literature.

Develop a Better Memory

Reading can help you remember things better. When we read, our brains process the information we take in.

Literature, especially, with all its plot twists, flashbacks, foreshadowing, character arcs, and so on is like a playground for the mind and memory.

Poetry, with its rhythms and rhymes, can help your own associative mental processes. If using something like the Memory Palace technique, for example, then lines and ideas from poetry can be useful in the linking of objects in the rooms of your memory palace to something you wish to remember.

When people reading poetry have their brains scanned, the regions linked to memory and daydreaming are shown to increase activity.

Related: Memory Palaces

Improve Your Vocabulary

A wider vocabulary is beneficial for all aspects of your life, from school to work.

Reading literature increases your vocabulary and improves your understanding of language. The more you read, the better you can use words and choose the right ones for each situation.

The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish. Robert Louis Stevenson

A good practice is to use a dictionary and thesaurus when you study literature. Not only will this help your precise understanding of what the author wanted to say (especially with more high-flown works) but it will also serve you to improve your own vocabulary and language use.

This skill leads to better communication with others, as you can better explain yourself and help others understand new ideas.

A large vocabulary can also help you with your writing. If you know how words are used in different contexts, you’ll find it easier to use them in your own work. And if you’ve access to a wide range of words, you’ve many more options than if you were limited by a weak vocabulary.

Enhance Your Ability to Concentrate

There are so many distractions all around in everyday life. Not the least of which are the screens that surround us every minute of the day.

The great thing about settling in with a book is that, unlike a computer screen, a book has only one purpose – to take you somewhere. Once you have engaged with the words, it’s almost impossible to stop reading. Reading literature improves your concentration, so you’re less distracted by your surroundings and therefore more effective in your work.

Whenever you find yourself losing focus, why not try grabbing the latest book on your list. Personally, I use a Kindle to read – one of the things I love about it is the bookmark feature, meaning that a page I’m reading can be bookmarked for later. Sometimes, weeks or months later.

Or pick up a short story if pushed for time.

Alongside a detrimental effect on your work or learning, constant distractions increase your stress. And not in a healthy way. Therefore, reading literature not only helps you concentrate – it helps you relax at the same time!

An Opportunity to Interact With Family and Friends

Literature provides an opportunity to have a meaningful and deep conversation with family and friends.

Works of literature normally take on meaningful and important subjects. Consequently, your family and friends will be interested in what you have to say about the topic.

The topics can be as broad as religion, philosophy, politics, and so on, or as specific as Dickens’s David Copperfield or Shakespeare’s Julius Caesar.

This kind of interaction doesn’t only have to be in person, of course. Sites like Goodreads are great to shoot the breeze with fellow readers, and exchange not only reviews of stuff that you have read, but also get into a discussion about the themes and motivations of the books.

Or you can find a local book club on Meetup, for example.

Helps Your Profile and Career

Not all motivations for reading literature are altruistic!

Reading good literature makes you more cultured and enables you to exchange and project the ideas you’ll find within it at work, and on your social profiles. Whether you are a student, or already in the world of work.

In modern society, knowledge is power, and insight is even more powerful. Books contain information that takes years to acquire firsthand; they contain advice and wisdom from people who’ve been in a similar situation before; they also open up whole new worlds: in your imagination, in other works of fiction like stories and poems, or in nonfiction like biographies or travelogues of fictional novels.

You don’t need to be an English major to benefit!

Examples of Important Literature

The Blue Sky by Galsan Tschinag
Crime and Punishment by Feodor Dostoyevsky
Teta by Barassa
Heart of Darkness by Joseph Conrad
Passage to India by E.M. Forster
Master and Margarita by Mikhail Bulgakov
The Prelude by William Wordsworth
Jane Eyre by Charlotte Bronte
A Tale of Two Cities by Charles Dickens
King Lear by William Shakespeare

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Why Study Literature?

05.15.2023 • 5 min read

Learn about the value and benefits of studying literature: how it develops our skills as well as shapes our understanding of the society we live in.

What Is Literature?

The benefits of studying literature.

Literature & Outlier.org

Many libraries in the U.S. are under attack.

From small towns to big cities, it’s more common to see protests outside of libraries. Libraries are under the microscope and being scrutinized for what content they have on their shelves.

Some people see certain books as a threat to society. While others believe everyone has a right to access any information they wish. The fact is literature is so powerful some people see it as dangerous and want to choose what the public has a right to read.

This is not the first time in history that people have tried to censor literature for what it says. So what really is literature and why is it so powerful?

In this article, we’ll define literature, talk about the history of literature, and the benefits of studying literature in college.

Literature is an art form that uses language to create imaginative experiences. It includes poetry, drama, fiction, and nonfiction.

Literature communicates ideas and emotions.It entertains, educates, and inspires readers. Literature explores complex themes and is an important part of human culture.

From its original Latin derivative, "writing formed with letters," to its current definition, a "body of written works," our understanding of literature has evolved.

Literature explains society and culture. It both criticizes and affirms cultural values based on the writer’s perceptions. It expresses and explores the human condition. It looks back to the past and onward toward the future.

As literature represents the culture and history of a language or people, the study of literature has great value. To study literature means looking deeply into a large body of written work and examining it as an art form.

Of course, there are many different literary genres, or types of literature. At a liberal arts school , a literature program, a student would study these genres extensively and understand the historical and cultural context they represent.

Literary Fiction vs. Genre Fiction

Students in a college literature program examine many forms of literature, including:

Some definitions of literature separate fiction into 2 categories: literary fiction and genre fiction. Genre fiction consists of more popular literature read for entertainment. Some examples of genre fiction include crime, fantasy, and science fiction stories.

Literary fiction explores themes of the human condition. These stories cannot be further categorized and are read primarily for a philosophical search for the meaning of life. Examples of literary fiction include The Great Gatsby by F. Scott Fitzgerald and Beloved by Toni Morrison.

You can discover more distinctions by studying literature in depth.

1. Literature Develops Communication Skills

The foundation of literature is the English Language. By reading literature, you can improve your knowledge of language: vocabulary, grammar, sentence structure, content creation, and more. When you immerse yourself in William Shakespeare, Celeste Ng, or Chinua Achebe, you're absorbing new words, expressions, and ideas—without even realizing it.

You can use everything you learn to improve your own writing and communication skills . You will use these skills beyond high school and college. In our everyday lives, we navigate personal relationships, craft emails, present projects, collaborate with teammates, analyze data, and more.

Yuval Noah Harari has written much of his own literature on the history and success of the human race. In his book Sapiens, he emphasizes our ability to craft stories as one of our most valuable skills: " Fiction has enabled us not merely to imagine things, but to do so collectively.” Through these collective stories, we learn about the human experience, both in smaller interpersonal ways and on a larger, more global scale.

2. Literature Teaches Us About the Human Condition

Literature helps us reflect on the human experience, teaching us about who we are and the world we live in. It presents a range of emotions, from love to anger to grief to happiness. It gives us insight and context about societal norms and cultural traditions.

It explores our history and our present; it imagines our futures. It introduces us to new ways of thinking and living, compelling us to think critically and creatively about our own experiences.

Through literature, we see we're not alone in our thoughts and feelings. The characters we read about have already experienced similar difficulties and worked to solve or change them, giving us the blueprint to do the same.

Jane Austen's Pride and Prejudice goes beyond social commentary to explore the complexities of familial relationships, romantic relationships, and friendships. Mr. Darcy insults Elizabeth Bennet without meaning to, Elizabeth Bennet makes harsh judgments without knowing all the facts, and Mrs. Bennet worries about her daughter's future constantly. We can see ourselves in them.

3. Literature Teaches Us About Empathy

When we connect with literature's characters and narratives, we learn how to empathize with others. While we’re not physically experiencing the raging seas in Virginia Woolf's To the Lighthouse or the loss of a loved one in William Shakespeare's Romeo and Juliet, we are swept up in the story and the emotion. This helps us develop empathy and emotional intelligence.

In a 2006 study , professors at the University of Toronto concluded a lifetime exposure to literary fiction positively correlated with advanced social ability. In 2020, the Harvard Business Review encouraged business students to read literary works to enhance their abilities to keep an open mind, process information, and make effective decisions.

4. Literature Helps Us Explore New Ideas

With words, and not actions, authors create spaces where we can explore new ideas, new structures, new concepts, and new products. When the only limit is your imagination, anything is possible in creative writing.

We can dive into the past to understand British society at the turn of the 19th century in Austen's Pride and Prejudice or jump into potential futures through Harari's Homo Deus. We can consider alternative futures like that in George Orwell's 1984 or conduct experiments in Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde.

We don't encounter monsters or humanoid robots in our everyday lives (at least we hope not!). But when we explore them through literature, we’re equipped to consider, challenge, and analyze concepts we don't yet know or understand. This practice opens our minds and allows us to be more flexible when we face the new and unknown. These critical thinking skills enable us to process information easier.

5. Literature Changes the Way We Think

With everything we learn from literature and the skills it helps us develop, literature changes the way we think, work, and act.

When we can think more critically, we arrive at different conclusions. When we open our minds and empathize with others, we better accept and tolerate differences. When we can articulate and communicate effectively, we work better together to achieve and succeed.

Whether English literature or Russian literature or French literature, literature is the key to understanding ourselves and society.

Literature and Outlier.org

Looking to study literature and develop your own writing skills? Outlier.org’s cutting-edge College Writing course is a great place to start. Through interviews with celebrated writers and writing secrets from instructor John Kaag, you'll learn how to use words to express yourself and communicate more effectively.

The course explores:

How to level up your love letters

What writing and magic have in common

How to write better professional emails using The Princess Bride

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How to create the perfect short sentence

Outlier courses are 100% online, so you can learn at your own pace from the comfort of your own home. At $149 per credit, you’ll save 50% compared to other college courses, all while earning transferable credits from the top-ranked University of Pittsburgh. If you decide to continue your education in literature, you can take the credit with you to the degree program of your choice.

It’s no doubt studying literature will give you a well-rounded education. It is through literature that societies have grown and developed—inspiring change throughout the world. Choosing to study literature will not only give you a glimpse into the past but help you articulate the present and inspire change in the future. By studying literature you will have the power to connect with others and truly touch their hearts and minds.

About the Author

Bob Patterson is a former Director of Admissions at Stanford University, UNC Chapel Hill, and UC Berkeley; Daisy Hill is the co-author of Uni in the USA…and beyond published by the Good Schools Guide 2019. Together, they have established MyGuidED, a new educational tool for students looking to apply to university (launching 2023).

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What Literature Can Teach Us

Communication, research skills, and even empathy

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M.A., English Literature, California State University - Sacramento
B.A., English, California State University - Sacramento

What is literature, exactly? This is a term used to describe written and sometimes spoken material. Derived from the Latin word, which is the same, literature means "writing formed with letters," and most commonly refers to works of the creative imagination, including poetry, drama , fiction , nonfiction , and in some instances, journalism , and song.

Definition of Literature

Literature represents the culture and tradition of a language or a people. The concept is difficult to precisely define, though many have tried; it's clear that the accepted definition of literature is constantly changing and evolving.

For many, the word literature suggests a higher art form; merely putting words on a page doesn't necessarily equate to creating literature. A canon is the accepted body of works for a given author. Some works of literature are considered canonical, that is, culturally representative of a particular genre (poetry, prose, or drama).

Literary Fiction vs. Genre Fiction

Some definitions also separate literary fiction from so-called "genre fiction," which includes types such as mystery, science fiction, western, romance, thriller, and horror. Think mass-market paperbacks.

Genre fiction typically does not have as much character development as literary fiction and is read for entertainment, escapism, and plot, whereas literary fiction explores themes common to the human condition and uses symbolism and other literary devices to convey the author's viewpoint on their chosen themes. Literary fiction involves getting into the minds of the characters (or at least the protagonist) and experiencing their relationships with others. The protagonist typically comes to a realization or changes in some way during the course of a literary novel.

(The difference in type does not mean that literary writers are better than genre fiction writers, just that they operate differently.)

Why Is Literature Important?

Works of literature, at their best, provide a kind of blueprint of human society. From the writings of ancient civilizations such as Egypt and China to Greek philosophy and poetry, from the epics of Homer to the plays of William Shakespeare, from Jane Austen and Charlotte Bronte to Maya Angelou , works of literature give insight and context to all the world's societies. In this way, literature is more than just a historical or cultural artifact; it can serve as an introduction to a new world of experience.

But what we consider to be literature can vary from one generation to the next. For instance, Herman Melville's 1851 novel " Moby Dick " was considered a failure by contemporary reviewers. However, it has since been recognized as a masterpiece and is frequently cited as one of the best works of Western literature for its thematic complexity and use of symbolism. By reading "Moby Dick" in the present day, we can gain a fuller understanding of literary traditions in Melville's time.

Debating Literature

Ultimately, we may discover meaning in literature by looking at what the author writes or says and how they say it. We may interpret and debate an author's message by examining the words they choose in a given novel or work or observing which character or voice serves as the connection to the reader.

In academia, this decoding of the text is often carried out through the use of literary theory using mythological, sociological, psychological, historical, or other approaches to better understand the context and depth of a work.

Whatever critical paradigm we use to discuss and analyze it, literature is important to us because it speaks to us, is universal, and affects us on a deeply personal level.

The Importance of Studying Literature

Students who study literature and read for pleasure have a higher vocabulary, better reading comprehension, and better communication skills, such as writing ability. Communication skills affect people in every area of their lives, from navigating interpersonal relationships to participating in meetings in the workplace to drafting memos or reports.

When students analyze literature, they learn to identify cause and effect and apply critical thinking skills. Without realizing it, they examine the characters psychologically or sociologically. They identify the characters' motivations for their actions and see through those actions to any ulterior motives.

When planning an essay on a work of literature, students use problem-solving skills to come up with a thesis and follow through on compiling their paper. It takes research skills to dig up evidence for their thesis from the text and scholarly criticism, and it takes organizational skills to present their argument in a coherent, cohesive manner.

Empathy and Other Emotions

Some studies say that people who read literature have more empathy for others, as literature puts the reader into another person's shoes. Having empathy for others leads people to socialize more effectively, solve conflicts peacefully, collaborate better in the workplace, behave morally, and possibly even become involved in making their community a better place.

Other studies note a correlation between readers and empathy but do not find causation . Either way, studies back the need for strong English programs in schools, especially as people spend more and more time looking at screens rather than books.

Along with empathy for others, readers can feel a greater connection to humanity and less isolated. Students who read literature can find solace as they realize that others have gone through the same things that they are experiencing or have experienced. This can be a catharsis and relief to them if they feel burdened or alone in their troubles.

Quotes About Literature

Here are some quotes about literature from literature giants themselves.

Robert Louis Stevenson : "The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish."
Jane Austen, "Northanger Abbey" : "The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid."
William Shakespeare, "Henry VI" : “I’ll call for pen and ink and write my mind.”
Escape Literature
What Is the Canon in Literature?
What Is an Antagonist?
Medieval Chivalric Romance
Introduction to Medieval Literature
Gothic Literature
The Definition of Quest in Literature
An Introduction to Metafiction
What Is Burlesque Literature?
How a Narrative Arc Structures a Story
Romanticism in Literature: Definition and Examples
Falling Action in Literature
What Is a Novel? Definition and Characteristics
What Is a Foil Character in Literature?
Arthurian Romance
Tragic Flaw: Literary Definition and Examples

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How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

An introduction that tells the reader what your essay will focus on.
A main body, divided into paragraphs , that builds an argument using evidence from the text.
A conclusion that clearly states the main point that you have shown with your analysis.

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Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

Who is telling the story?
How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

Novels are often divided into chapters and parts.
Poems are divided into lines, stanzas, and sometime cantos.
Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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literature , a body of written works. The name has traditionally been applied to those imaginative works of poetry and prose distinguished by the intentions of their authors and the perceived aesthetic excellence of their execution. Literature may be classified according to a variety of systems, including language , national origin, historical period, genre , and subject matter.

For historical treatment of various literatures within geographical regions, see such articles as African literature ; African theater ; Oceanic literature ; Western literature ; Central Asian arts ; South Asian arts ; and Southeast Asian arts . Some literatures are treated separately by language, by nation, or by special subject (e.g., Arabic literature , Celtic literature , Latin literature , French literature , Japanese literature , and biblical literature ).

Definitions of the word literature tend to be circular. The 11th edition of Merriam-Webster’s Collegiate Dictionary considers literature to be “writings having excellence of form or expression and expressing ideas of permanent or universal interest.” The 19th-century critic Walter Pater referred to “the matter of imaginative or artistic literature” as a “transcript, not of mere fact, but of fact in its infinitely varied forms.” But such definitions assume that the reader already knows what literature is. And indeed its central meaning, at least, is clear enough. Deriving from the Latin littera , “a letter of the alphabet,” literature is first and foremost humankind’s entire body of writing; after that it is the body of writing belonging to a given language or people; then it is individual pieces of writing.

But already it is necessary to qualify these statements. To use the word writing when describing literature is itself misleading, for one may speak of “oral literature” or “the literature of preliterate peoples.” The art of literature is not reducible to the words on the page; they are there solely because of the craft of writing. As an art, literature might be described as the organization of words to give pleasure. Yet through words literature elevates and transforms experience beyond “mere” pleasure. Literature also functions more broadly in society as a means of both criticizing and affirming cultural values.

The scope of literature

Books. Lord Alfred Tennyson. Lord Byron. Poetry. Reading. Literacy. Library. Antique. A stack of four antique leather bound books.

Literature is a form of human expression. But not everything expressed in words—even when organized and written down—is counted as literature. Those writings that are primarily informative—technical, scholarly, journalistic—would be excluded from the rank of literature by most, though not all, critics. Certain forms of writing, however, are universally regarded as belonging to literature as an art. Individual attempts within these forms are said to succeed if they possess something called artistic merit and to fail if they do not. The nature of artistic merit is less easy to define than to recognize. The writer need not even pursue it to attain it. On the contrary, a scientific exposition might be of great literary value and a pedestrian poem of none at all.

The purest (or, at least, the most intense) literary form is the lyric poem, and after it comes elegiac, epic , dramatic, narrative, and expository verse. Most theories of literary criticism base themselves on an analysis of poetry , because the aesthetic problems of literature are there presented in their simplest and purest form. Poetry that fails as literature is not called poetry at all but verse . Many novels —certainly all the world’s great novels—are literature, but there are thousands that are not so considered. Most great dramas are considered literature (although the Chinese , possessors of one of the world’s greatest dramatic traditions, consider their plays, with few exceptions, to possess no literary merit whatsoever).

The Greeks thought of history as one of the seven arts, inspired by a goddess, the muse Clio. All of the world’s classic surveys of history can stand as noble examples of the art of literature, but most historical works and studies today are not written primarily with literary excellence in mind, though they may possess it, as it were, by accident.

The essay was once written deliberately as a piece of literature: its subject matter was of comparatively minor importance. Today most essays are written as expository, informative journalism , although there are still essayists in the great tradition who think of themselves as artists. Now, as in the past, some of the greatest essayists are critics of literature, drama , and the arts.

Some personal documents ( autobiographies , diaries , memoirs , and letters ) rank among the world’s greatest literature. Some examples of this biographical literature were written with posterity in mind, others with no thought of their being read by anyone but the writer. Some are in a highly polished literary style; others, couched in a privately evolved language, win their standing as literature because of their cogency, insight, depth, and scope.

Many works of philosophy are classed as literature. The Dialogues of Plato (4th century bc ) are written with great narrative skill and in the finest prose; the Meditations of the 2nd-century Roman emperor Marcus Aurelius are a collection of apparently random thoughts, and the Greek in which they are written is eccentric . Yet both are classed as literature, while the speculations of other philosophers, ancient and modern, are not. Certain scientific works endure as literature long after their scientific content has become outdated. This is particularly true of books of natural history, where the element of personal observation is of special importance. An excellent example is Gilbert White’s Natural History and Antiquities of Selbourne (1789).

Oratory , the art of persuasion, was long considered a great literary art. The oratory of Native Americans, for instance, is famous, while in Classical Greece, Polymnia was the muse sacred to poetry and oratory. Rome’s great orator Cicero was to have a decisive influence on the development of English prose style. Abraham Lincoln ’s Gettysburg Address is known to every American schoolchild. Today, however, oratory is more usually thought of as a craft than as an art. Most critics would not admit advertising copywriting, purely commercial fiction , or cinema and television scripts as accepted forms of literary expression, although others would hotly dispute their exclusion. The test in individual cases would seem to be one of enduring satisfaction and, of course, truth. Indeed, it becomes more and more difficult to categorize literature, for in modern civilization words are everywhere. Humans are subject to a continuous flood of communication . Most of it is fugitive, but here and there—in high-level journalism, in television, in the cinema, in commercial fiction, in westerns and detective stories, and in plain, expository prose—some writing, almost by accident, achieves an aesthetic satisfaction, a depth and relevance that entitle it to stand with other examples of the art of literature.

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Introduction to Literature: What? Why? How?

When is the last time you read a book or a story simply because it interested you? If you were to classify that book, would you call it fiction or literature? This is an interesting separation, with many possible reasons for it. One is that “fiction” and “literature” are regarded as quite different things. “Fiction,” for example, is what people read for enjoyment. “Literature” is what they read for school. Or “fiction” is what living people write and is about the present. “Literature” was written by people (often white males) who have since died and is about times and places that have nothing to do with us. Or “fiction” offers everyday pleasures, but “literature” is to be honored and respected, even though it is boring. Of course, when we put anything on a pedestal, we remove it from everyday life, so the corollary is that literature is to be honored and respected, but it is not to be read, certainly not by any normal person with normal interests.

Sadly, it is the guardians of literature, that is, of the classics, who have done so much to take the life out of literature, to put it on a pedestal and thereby to make it an irrelevant aspect of American life. People study literature because they love literature. They certainly don’t do it for the money. But what happens too often, especially in colleges, is that teachers forget what it was that first interested them in the study of literature. They forget the joy that they first felt (and perhaps still feel) as they read a new novel or a poem or as they reread a work and saw something new in it. Instead, they erect formidable walls around these literary works, giving the impression that the only access to a work is through deep learning and years of study. Such study is clearly important for scholars, but this kind of scholarship is not the only way, or even necessarily the best way, for most people to approach literature. Instead it makes the literature seem inaccessible. It makes the literature seem like the province of scholars. “Oh, you have to be smart to read that,” as though Shakespeare or Dickens or Woolf wrote only for English teachers, not for general readers.

What is Literature?

In short, literature evokes imaginative worlds through the conscious arrangement of words that tell a story. These stories are told through different genres, or types of literature, like novels, short stories, poetry, drama, and the essay. Each genre is associated with certain conventions. In this course, we will study poetry, short fiction, and drama (in the form of movies).

Some Misconceptions about Literature

Of course, there are a number of misconceptions about literature that have to be gotten out of the way before anyone can enjoy it. One misconception is that literature is full of hidden meanings . There are certainly occasional works that contain hidden meanings. The biblical book of Revelation , for example, was written in a kind of code, using images that had specific meanings for its early audience but that we can only recover with a great deal of difficulty. Most literary works, however, are not at all like that. Perhaps an analogy will illustrate this point. When I take my car to my mechanic because something is not working properly, he opens the hood and we both stand there looking at the engine. But after we have looked for a few minutes, he is likely to have seen what the problem is, while I could look for hours and never see it. We are looking at the same thing. The problem is not hidden, nor is it in some secret code. It is right there in the open, accessible to anyone who knows how to “read” it, which my mechanic does and I do not. He has been taught how to “read” automobile engines and he has practiced “reading” them. He is a good “close reader,” which is why I continue to take my car to him.

The same thing is true for readers of literature. Generally authors want to communicate with their readers, so they are not likely to hide or disguise what they are saying, but reading literature also requires some training and some practice. Good writers use language very carefully, and readers must learn how to be sensitive to that language, just as the mechanic must learn to be sensitive to the appearances and sounds of the engine. Everything that the writer wants to say, and much that the writer may not be aware of, is there in the words. We simply have to learn how to read them.

Another popular misconception is that a literary work has a single “meaning” (and that only English teachers know how to find that meaning). There is an easy way to dispel this misconception. Just go to a college library and find the section that holds books on Shakespeare. Choose one play, Hamlet , for example, and see how many books there are about it, all by scholars who are educated, perceptive readers. Can it be the case that one of these books is correct and all the others are mistaken? And if the correct one has already been written, why would anyone need to write another book about the play? The answer is this:

Key Takeaways

There is no single correct way to read any piece of literature.

Again, let me use an analogy to illustrate this point. Suppose that everyone at a meeting were asked to describe a person who was standing in the middle of the room. Imagine how many different descriptions there would be, depending on where the viewer sat in relation to the person. For example, an optometrist in the crowd might focus on the person’s glasses; a hair stylist might focus on the person’s haircut; someone who sells clothing might focus on the style of dress; a podiatrist might focus on the person’s feet. Would any of these descriptions be incorrect? Not necessarily, but they would be determined by the viewers’ perspectives. They might also be determined by such factors as the viewers’ ages, genders, or ability to move around the person being viewed, or by their previous acquaintance with the subject. So whose descriptions would be correct? Conceivably all of them, and if we put all of these correct descriptions together, we would be closer to having a full description of the person.

This is most emphatically NOT to say, however, that all descriptions are correct simply because each person is entitled to his or her opinion

If the podiatrist is of the opinion that the person is five feet, nine inches tall, the podiatrist could be mistaken. And even if the podiatrist actually measures the person, the measurement could be mistaken. Everyone who describes this person, therefore, must offer not only an opinion but also a basis for that opinion. “My feeling is that this person is a teacher” is not enough. “My feeling is that this person is a teacher because the person’s clothing is covered with chalk dust and because the person is carrying a stack of papers that look like they need grading” is far better, though even that statement might be mistaken.

So it is with literature. As we read, as we try to understand and interpret, we must deal with the text that is in front of us ; but we must also recognize (1) that language is slippery and (2) that each of us individually deals with it from a different set of perspectives. Not all of these perspectives are necessarily legitimate, and it is always possible that we might misread or misinterpret what we see. Furthermore, it is possible that contradictory readings of a single work will both be legitimate, because literary works can be as complex and multi-faceted as human beings. It is vital, therefore, that in reading literature we abandon both the idea that any individual’s reading of a work is the “correct” one and the idea that there is one simple way to read any work. Our interpretations may, and probably should, change according to the way we approach the work. If we read The Chronicles of Narnia as teenagers, then in middle age, and then in old age, we might be said to have read three different books. Thus, multiple interpretations, even contradictory interpretations, can work together to give us a fuller and possibly more interesting understanding of a work.

Why Reading Literature is Important

Reading literature can teach us new ways to read, think, imagine, feel, and make sense of our own experiences. Literature forces readers to confront the complexities of the world, to confront what it means to be a human being in this difficult and uncertain world, to confront other people who may be unlike them, and ultimately to confront themselves.

The relationship between the reader and the world of a work of literature is complex and fascinating. Frequently when we read a work, we become so involved in it that we may feel that we have become part of it. “I was really into that movie,” we might say, and in one sense that statement can be accurate. But in another sense it is clearly inaccurate, for actually we do not enter the movie or the story as IT enters US; the words enter our eyes in the form of squiggles on a page which are transformed into words, sentences, paragraphs, and meaningful concepts in our brains, in our imaginations, where scenes and characters are given “a local habitation and a name.” Thus, when we “get into” a book, we are actually “getting into” our own mental conceptions that have been produced by the book, which, incidentally, explains why so often readers are dissatisfied with cinematic or television adaptations of literary works.

In fact, though it may seem a trite thing to say, writers are close observers of the world who are capable of communicating their visions, and the more perspectives we have to draw on, the better able we should be to make sense of our lives. In these terms, it makes no difference whether we are reading a Homeric epic poem like The Odysse y, a twelfth-century Japanese novel like The Tale of Genji , or a Victorian novel by Dickens, or even, in a sense, watching someone’s TikTok video (a video or movie is also a kind of text that can be “read” or analyzed for multiple meanings). The more different perspectives we get, the better. And it must be emphasized that we read such works not only to be well-rounded (whatever that means) or to be “educated” or for antiquarian interest. We read them because they have something to do with us, with our lives. Whatever culture produced them, whatever the gender or race or religion of their authors, they relate to us as human beings; and all of us can use as many insights into being human as we can get. Reading is itself a kind of experience, and while we may not have the time or the opportunity or or physical possibility to experience certain things in the world, we can experience them through reading. So literature allows us to broaden our experiences.

Reading also forces us to focus our thoughts. The world around us is so full of stimuli that we are easily distracted. Unless we are involved in a crisis that demands our full attention, we flit from subject to subject. But when we read a book, even a book that has a large number of characters and covers many years, the story and the writing help us to focus, to think about what they show us in a concentrated manner. When I hold a book, I often feel that I have in my hand another world that I can enter and that will help me to understand the everyday world that I inhabit.

Literature invites us to meet interesting characters and to visit interesting places, to use our imagination and to think about things that might otherwise escape our notice, to see the world from perspectives that we would otherwise not have.

Watch this video for a discussion of why reading fiction matters.

How to Read Literature: The Basics

Read with a pen in hand! Yes, even if you’re reading an electronic text, in which case you may want to open a new document in which you can take notes. Jot down questions, highlight things you find significant, mark confusing passages, look up unfamiliar words/references, and record first impressions.
Think critically to form a response. Here are some things to be aware of and look for in the story that may help you form an idea of meaning.
Repetitions . You probably know from watching movies that if something is repeated, that means something. Stories are similar—if something occurs more than once, the story is calling attention to it, so notice it and consider why it is repeated. The repeated element can be a word or a phrase, an action, even a piece of clothing or gear.
Not Quite Right : If something that happens that seems Not Quite Right to you, that may also have some particular meaning. So, for example, if a violent act is committed against someone who’s done nothing wrong, that is unusual, unexpected, that is, Not Quite Right. And therefore, that act means something.
Address your own biases and compare your own experiences with those expressed in the piece.
Test your positions and thoughts about the piece with what others think (we’ll do some of this in class discussions).

While you will have your own individual connection to a piece based on your life experiences, interpreting literature is not a willy-nilly process. Each piece of writing has purpose, usually more than one purpose–you, as the reader, are meant to uncover purpose in the text. As the speaker notes in the video you watched about how to read literature, you, as a reader, also have a role to play. Sometimes you may see something in the text that speaks to you; whether or not the author intended that piece to be there, it still matters to you.

For example, I’ve had a student who had life experiences that she was reminded of when reading “Chonguita, the Monkey Bride” and another student whose experience was mirrored in part of “The Frog King or Iron Heinrich.” I encourage you to honor these perceptions if they occur to you and possibly even to use them in your writing assignments. I can suggest ways to do this if you’re interested.

But remember that when we write about literature, our observations must also be supported by the text itself. Make sure you aren’t reading into the text something that isn’t there. Value the text for what is and appreciate the experience it provides, all while you attempt to create a connection with your experiences.

Attributions:

Content written by Dr. Karen Palmer and licensed CC BY NC SA .
Content adapted from Literature, the Humanities, and Humanity by Theodore L. Steinberg and licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

The Worry Free Writer by Dr. Karen Palmer is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Why Write Essays? Why Read Essays?

Posted on: September 27, 2021

Why do people write essays? Why has essay writing become a key part of student assessment? In this blog, Johnny Rodger, author or Key Essays: Mapping the Contemporary in Literature and Culture , explores these questions and asks why the essay form is so important.

The Essay as tried and tested Form that Everyone Knows

Everyone is familiar with the essay as a form. It plays a central role in our education -especially so in the Arts and Humanities. Students use it for exploration and demonstration of their knowledge and understanding of a topic. It is widely employed for assessment and examination by teachers. It also plays a central role in our learning and our general reading in terms of its use as a vehicle for the dissemination of new research, theses, proposals and theoretical work.

For all that, not much theoretical discussion is ever given to the form itself. We all know something of its origins with Montaigne; his provocations and explorations of his subjectivity – but beyond that ..? Of its subsequent history, development and adoption as the academic form there appears to be little interest. Sure, the student can go to ‘student support’ to learn the formats and to practice writing the optimal essay in whatever topic, but rarely is there any thought given to its efficacy as an educational tool, the significance of that ‘central’ role it plays in organising knowledge and approaches to knowledge, nor to its possible and actual effects on controlling, setting and containing the scholarly and intellectual horizons. The essay indeed, has always been conceived not just as the shorter, but as the lesser valued form in comparison with the thesis, the dissertation and the full-length monograph.

Yet the Essay is making a comeback

In recent years -if not decades – however, the essay has arguably come to a new prominence. For immediate evidence of new interest in the form we can turn, for example, to Brian Dillon’s Essayism a delightful book-length meditation on the form published in 2017, elegiac on the paradox of both the ‘mastery’ and the ‘partiality’ of the essay. Admittedly Dillon’s book deals particularly with the ‘literary’ essay, rather than the ‘scholarly’ type. Of course, the difference between these two types is never precisely clear-cut. - Is the philosopher Derrida’s 1999 essay ‘The Animal that Therefore I am’, for example, of the ‘literary’ or ‘scholarly’ type? A full-length book could be written on that question alone. Although, perhaps just to keep it blog-size, I could suggest that for the literary essayist, the question of style – not unrelated to that of the ‘partiality’ mentioned above – might figure more strongly…

Revival of the Essay empowered by the Research Exercise?

At any rate there is also evidence for the thriving of the more scholarly essay and its role in academia and intellectual life in general. It would seem that this could be partly a result of the institution of Performance Based Research Funding Systems – like the REF in Britain – from the 1980s onwards. These national systems have obliged academics to demonstrate their competence via regular publishing of papers. Publishers have capitalised on this new culture (not least through the practice of not paying academics for their work and by charging very high prices for journals to academic libraries), and the production of academic journals, where essays are published, has flourished. The question of the value of the work in these publications and the standards to which they adhere has been widely debated. The point here though, is that there is a thriving culture, which situation tends towards the likelihood that more good, innovative, healthy, interesting and fruitful work - in this case in the essay form – will be published.

The Essay as a Tool for Interdisciplinarity and Intersectionality?

On the other hand, we might doubt whether such a governmental top heavy, bureaucratic push for production at the behest of quality control and, yes, a species of surveillance, really could be the prime mover in a creative cultural shift? Is it not indeed much more likely that a broader set of social and cultural factors have produced a demand for discourse where the bureaucratic environment, as above, has created conditions for supply (publication) capable of meeting that demand? In the digital age, culture undergoes swift change that demands the sort of rapid, easily published response possible with the essay (especially published online). Equally with these great and rapid changes we have seen the breakdown of disciplinary barriers. In an age of interdisciplinarity – and indeed, intersectionality – those operating in the Arts and Humanities can no longer simply hide away in their own secluded field. There are a whole range of issues and topics - such as posthumanism, racism, feminism, the Anthropocene, gender, neo- and de-colonialism, blackness, interspecies relations and so on – that impinge on every field and about which every scholar must be au fait and up to date. It would be near impossible for any scholar to read every single important book on each of those issues all the time -and this is where the culture of the essay can be important in its rapid updating and responding in short form to a continually shifting cultural dynamic.

The Essay as the Performance of the Contemporary

Yet would not all the above rationalisation simply be to reduce the essay, the form itself, to a mere expediency, a convenience, a happy accident of the times, even an ersatz? To reproduce, in sum, that prejudice which has long seen the thesis and the full-length book as the real scholarly thing, and the essay as lightweight, a whim, a set of summaries and partial truths for dummies and dilettantes?

Can the revival and new prominence of the essay simply be considered as an effect of the force of circumstance? Would that not be to overlook the intellectual and conceptual strengths of the form that afford us a particular positionality with regard to the bigger world beyond its tight limits? The essay is subject to limits of extent and content, its meanings and intentions may point in many further directions, but it must always nonetheless be self-standing, a valid contribution on its own. As Adorno writes in his own essay upon the essay form ‘Its totality … is that of something not total.’. Montaigne himself set out to discover his own subjecthood anew in each fragmentary piece that he wrote as an essai through trialling what he could know on a certain topic (i.e. never complete objectivity).

If the contemporary era is one where we accept the simultaneous multiplicity of worlds and temporalities alongside the validity of decentred knowledge then is the strength of the essay for us not that it has made and continues to make this reality visible to us? In never pretending to the final word, nor to setting out from fixed identities, and in adhering to set limits of extent while paradoxically laying a small claim to universality, the best of recent essays from Fred Moten and Stefano Harney to Karen Barad, and from Eyal Weizman to Denise Ferreira da Silva – and many, many others – perform our contemporary condition before our hungry reading eyes.

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زندگی میں اگے بڑھنے کے لیے ادب کی کیا اہمیت ہے؟
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Abstract. This book examines literature in its connection to virtue and moral excellence. The author is concerned with literature as the teacher of virtue. The current crisis in the humanities may be traced back to the separation of art and morality. The arts and humanities concern themselves with the fate and prospects of humankind.
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In this blog, Johnny Rodger, author or Key Essays: Mapping the Contemporary in Literature and Culture , explores these questions and asks why the essay form is so important. The Essay as tried and tested Form that Everyone Knows Everyone is familiar with the essay as a form. It plays a central role in our education -especially so in the Arts ...

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Literature Stimulates Emotional Intelligence and Growth

Literature Trains the Mind in Critical Thinking and Analytical Skills

Literature Encourages Lifelong Learning and Curiosity

Literature Enriches Language Skills and Vocabulary

Literature Enhances Communication and Writing Abilities

Literature Provides a Voice for Social and Political Discourse

Literature Bridges Gaps Between Diverse Cultures and Societies

Literature Enhances Our Understanding of History

Literature Develops Ethical Reasoning and Moral Understanding

Literature Serves as a Medium for Escape and Mental Relaxation

Literature Preserves Cultural Heritage and Traditions

Literature Encourages Imagination and Creativity

Literature Challenges Stereotypes

Literature Can Help Us Develop Our Unique Voice

Literature Encourages You to Learn Deeper

Literature Can Inspire Us to Pursue Our Own Writing Dreams

Literature Reflects Human Experiences

Literature Lets Us Time Travel

Literature Lets Us Appreciate the Beauty of Words

Literature Gives You Something to Talk About With Others

Literature Can Take You on New Adventures Without Leaving Home

Literature Can Make Children Smarter

"Why Literature" by Mario Vargas Llosa: a Comprehensive Analysis

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Why Literature?

Importance of Literature in People Life Essay

Introduction

1 What Is Literature and Why Do We Study It?

What is literature?

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Why Literature Is Important

What Do We Mean By Literature

Be a Better Communicator and Writer

Gain a Better Understanding of the World

Get New Insights Into What Seemed Familiar

Cultivate Empathy for Others

Benefits of Literature in Education

Helps You Be More Creative

It Helps Critical Thinking Also

An Essential Part of Creative Writing Skill

Develop a Better Memory

Improve Your Vocabulary

Enhance Your Ability to Concentrate

An Opportunity to Interact With Family and Friends