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A room of one's own
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Ristampa dell'edizione del 1931. - Fonte: Biblioteca "Giorgio Melchiori" del Dipartimento di Lingue e Letterature Straniere e Culture Moderne - Università di Torino (Progetto pubblico dominio a Torino), Digitalizzazione: Università degli Studi di Torino e Accademia di Medicina di Torino, 2018
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If Shakespeare Had a Sister
SHAKESPEARE'S SISTER AND THE CRISIS OF WOMEN'S AUTONOMY: A CRITICAL ANALYSIS OF 'A ROOM OF ONE'S OWN'
- International Journal of Social Sciences 7(1):31-46
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Judith Shakespeare – Undead or Alive? On Kajsa Dahlberg’s Artist Book 'A Room of One’s Own / A Thousand Libraries'
2016, Notes on Location
This short essay conducts a reading of Kajsa Dahlberg's artist book 'A Room of One's Own / A Thousand Libraries', which compiles all underlinings and marginal notes made by readers of library copies of the Swedish translation of Virginia Woolf's essay, 'A Room of One's Own', into a single volume. Riffing on thought experiments described by Derrida and Woolf, I argue that Dahlberg’s work envisions a way to accomplish what Woolf could only dream about—namely to bring back Judith Shakespeare, an imaginary sister of William Shakespeare that Woolf evokes in her essay.
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International Journal of Applied Research
Virginia Woolf: Three Centenary Celebrations, 2007
Put before the labyrinth and proliferation of critical perspectives, studies and readings on Virginia Woolf, entangled in articulations of teleologies and epistemologies, the critic faces a question: from where should she/he start writing, on what and from which critical perspective? These were the circumstances that dictated my choice of writing on "A Sketch of the Past", published in Moments of Being-A Collection of Autobiographical Writing, (1976, 1985) and of analysing the narrative strategies used by the author to tell herself, to construct her identity and power, giving voice and authority to herself as a discursive formation. In 1929, in A Room of One's Own, Virginia Woolf explained the non-existence of authoritative female figures, metaphorically represented by Shakespeare's sister: when wondering about the reasons why women had not written as much as men, her conclusion was that historically women had been deprived of education, money, status and a room of their own in which to write. Were women given the intellectual and material conditions-"[if we] have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sitting-room […] If we face the fact that there is no arm to cling to" (AROO 148-149)-, then Shakespeare's sister would be born. The repression of the feminine discourse condemned it to silence and Shakespeare's neglected sister was only born when women were given the power of the word and of representation, when women projected in history an identity which does not fit into the androcentric paradigm of inflexible egos; she was born when women revealed their identity by acknowledging the presence of the other, an identity that is both unique and relational-a flexible ego in a world characterized by relationships. While the masculine tradition of autobiographical writing has taken as a premise the capacity of the writer to create a mirror effect and has made use of a stable and fixed perspective to constitute the self as the unifying element
George ‘Dadie’ Rylands (1902-1999) was a Cambridge don and a director and scholar of Shakespeare. He is well known for hosting the sumptuous dinner in King’s College that Virginia Woolf elaborated in A Room of One’s Own (1929), but he played a yet more significant, and hitherto unrecognized, role in Woolf’s writing life. Rylands brought Woolf in touch with English Studies and mediated between two of its aspects: the patriarchal world that privileged verse and the more democratic world that esteemed verse and prose equally. Rylands’ private letters and critical study Words and Poetry (Hogarth Press, 1928) reinforced Woolf’s confidence that prose could adapt elements of verse, and by extension that her verse-adapting prose had much in common with Shakespeare’s prose-adapting verse. Further, Rylands’ writing on words’ freedom, in Words and Poetry and his BBC talk ‘The Language of Shakespeare’ (18 March 1937), offered language that Woolf transformed for her BBC talk ‘Craftsmanship’ (29 April 1937), delivered in the series ‘Words Fail Me’. Woolf alludes to Rylands to counter the views of the first speaker in the series. This article draws on the Monks House Papers at the University of Sussex and the King’s College Archive Centre at the University of Cambridge.
Literature Compass, 2007
This paper forms part of a Literature Compass cluster of articles which examines the current state of Virgina Woolf Studies and aims to provide a snapshot of the field. Urmila Seshagiri (University of Tennessee) and Rishona Zimring (Lewis and Clark College) first provide an introduction for this paper along with Sara Gerend's article, “‘Street Haunting’: Phantasmagorias of the Modern Imperial Metropolis.” The full text of Benjamin Harvey's piece then follows.These papers grew out of the 15th Annual International Virginia Woolf Conference (College of Lewis and Clark, Portland, OR, June 9–12, 2005).The full cluster is made up of the following articles:“Introduction: Virginia Woolf and The Art of Exploration,” Urmila Seshagiri and Rishona Zimring, Literature Compass 3 (2006), 10.1111/j.1741-4113.2006.00393.x“Virginia Woolf's Sense of Adventure,” Maria DiBattista, Literature Compass 3 (2006), 10.1111/j.1741-4113.2006.00394.x“The Twentieth Part: Virginia Woolf in the British Museum Reading Room,” Benjamin Harvey, Literature Compass 3 (2006), 10.1111/j.1741-4113.2006.00395.x“‘Street Haunting’: Phantasmagorias of the Modern Imperial Metropolis,” Sara Gerend, Literature Compass 3 (2006), 10.1111/j.1741-4113.2006.00396.x“Hyde Park Gate News,” Gill Lowe, Literature Compass 3 (2006), 10.1111/j.1741-4113.2006.00397.x“The Art of ‘Scene-Making’ in the Charleston Bulletin Supplements,” Claudia Olk, Literature Compass 3 (2006), 10.1111/j.1741-4113.2006.00398.x“A Camera of Her Own: Woolf and the Legacy of the Indomitable Mrs. Cameron,” Emily Setina, Literature Compass 3 (2006), 10.1111/j.1741-4113.2006.00399.x“Woolfian Resonances,” Anne Fernald, Literature Compass 3 (2006), 10.1111/j.1741-4113.2006.00400.x“Early Twentieth-Century British Women Travellers to Greece: Contextualizing the Example of Virginia Woolf,” Martha Klironomos, Literature Compass 3 (2006), 10.1111/j.1741-4113.2006.00401.x“‘Others Wanted to Travel’: Woolf and ‘America Herself’,” Thaine Stearns, Literature Compass 3 (2006), 10.1111/j.1741-4113.2006.00402.x
In the presented thesis I focus on the topics related to gender in Virginia Woolf’s essay A Room of One’s Own (1929) and novel Orlando (1928). I aim to establish whether and how Woolf offers a solution to 20th-century female writers’ problems, and to decide if the offered model is effective in the fight against patriarchal oppression. Proceeding from the historical sources and literary criticism I set out the conditions of living in England in the interwar period, social relations and sex hierarchy, as well as outlining the aims of the feminism movement. Analysis of the chosen works enables me to validate whether the author follows her own advice given in A Room of One’s Own. The thesis draws on Judith Butler’s ideas regarding gender classification and the issue of performativity. I analyse the character of Orlando through the prism of Butler’s research and the situation of women, their opportunities and possibilities. It is concluded that Woolf offers women a model of society in which the qualities characteristic of female and male sex intermix. It allows women having a lifestyle typical of men, which would provide them with freedom and equality. Moreover, performativity proves that gender identity is not acquired naturally, but it is shaped culturally and socially, and undergoes changes in time and space.
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Judith Shakespeare
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Maggie O'Farrell
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Welcome to the LitCharts study guide on Maggie O'Farrell's Hamnet . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.
Hamnet: Introduction
Hamnet: plot summary, hamnet: detailed summary & analysis, hamnet: themes, hamnet: quotes, hamnet: characters, hamnet: symbols, hamnet: theme wheel, brief biography of maggie o'farrell.
Historical Context of Hamnet
Other books related to hamnet.
- Full Title: Hamnet: A Novel of the Plague
- When Written: Late 2010s
- Where Written: The United Kingdom
- When Published: 2020
- Literary Period: Contemporary
- Genre: Novel, Historical Fiction, Biographical Fiction
- Setting: Stratford, England from the early 1580s to the early 1600s.
- Climax: Agnes watches a production of Hamlet at the Globe Theater in London.
- Antagonist: Death, trauma
- Point of View: Third Person
Extra Credit for Hamnet
BFFs. Hamnet and Judith Shakespeare are believed to have been named after one of William Shakespeare’s closest childhood friends, Hamnet Sadler, who married a woman named Judith. Sadler became a baker and he and his wife had 14 children, one of whom they named William. He and Shakespeare remained life-long friends, with Sadler serving as one of the witnesses to Shakespeare’s will.
Strategic Sheep. Hamnet hints that John Shakespeare fell afoul of the law by illegally trading in wool. Wool had been a key English product—especially for the export market—since the Middle Ages. And although the trade was in decline by the late 1500s, as English breeds began to face competition from continental sheep, it was still quite lucrative during Shakespeare’s lifetime. In the 1570s, an English law required all non-noblemen to wear a wool cap to church each week.
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3. Biographer and Shakespeare scholar (1859- 1926), author of Life of William Shakespeare (1898). 4. Cf. Milton's unhappy fi rst marriage, his cam-paign for freedom of divorce, and his deliberate subordination of Eve to Adam in Paradise Lost. A paper read to the Women's Ser vice League [Woolf's note].
When Written: 1928. Where Written: Cambridge, England. When Published: 24 October 1929. Literary Period: Modernism, Feminism. Genre: Feminism, Essay. Setting: The narrator depicts a particular day in fictional university of Oxbridge, inspired by the quadrangles and impassable lawns of Oxford and Cambridge.
Innumerable beadles were fitting innumerable keys into well-oiled locks; the treasure-house was being made secure for another night. After the avenue one comes out upon a road—I forget its name—which leads you, if you take the right turning, along to Fernham. But there was plenty of time.
From p 71 or so on is Woolf's marvelous life of Judith Shakespeare, with the first name appearing numerous times. This is a wonderful book, a masterpiece that never grows old, but like the other reviewer I have a bit of a problem with the way it appears. ... PDF download. download 1 file . SINGLE PAGE PROCESSED JP2 ZIP download. download 1 file ...
Let me imagine, since facts are so hard to come by, what would have happened had Shakespeare had a wonderfully gifted sister, called Judith, let us say. Shakespeare himself went, very probably--his mother was an heiress--to the grammar school, where he may have learnt Latin--Ovid, Virgil and Horace--and the elements of grammar and logic.
Judith Shakespeare Character Analysis. Judith Shakespeare. is the imagined sister of William Shakespeare. Woolf creates her to show how a woman with talent equal to Shakespeare would not, because of the structure of society, be able to achieve the same success. Judith's life is fraught with tragedy - first pressured by her family into an ...
Judith Shakespeare Reading FRANCES TEAGUE R ECENT SCHOLARSHIP HAS DONE MUCH TO EXPAND our understanding of how early modern women wrote, but a related topic has received less ... three important essays: Mary Laughlin Fawcett, "Arms/Words/Tears: Language and the Body in Titus Andronicus," ELH 50 (1983): 261-77; Douglas Green, "Interpreting 'her ...
Download full-text PDF Read full-text. ... of Judith Shakespeare, the equally talented, but purely invented sister of William ... ences to Shakespeare in her novels and essays reveal an expansive ...
PDF | This inquiry investigated the major obstacles women have come across historically in producing literary works. ... Judith Shakespeare wa s created by Woolf as a ... This collection of essays ...
2016, Notes on Location. This short essay conducts a reading of Kajsa Dahlberg's artist book 'A Room of One's Own / A Thousand Libraries', which compiles all underlinings and marginal notes made by readers of library copies of the Swedish translation of Virginia Woolf's essay, 'A Room of One's Own', into a single volume.
A Room of One's Own is an extended essay by Virginia Woolf, first published in September 1929. [1] The work is based on two lectures Woolf delivered in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge. [2] [3]In her essay, Woolf uses metaphors to explore social injustices and comments on women's lack of free expression.
Synopsis. It was a fair, clear, and shining morning, in the sweet May-time of the year, when a young English damsel went forth from the town of Stratford-upon- Avon to walk in the fields. As she passed along by the Guild Chapel and the Grammar School, this one and the other that met her gave her a kindly greeting; for nearly every one knew her ...
7) In the questions above, I have referred to Woolf? Who is the "I" in her essay? 8) What does the fictional professor add? What does the story of Judith Shakespeare add? 9) What does she mean by "genius"? Why has there been no woman Shakespeare? 10) What lines made you laugh? 11) With which statements did you agree? Disagree?
Judith Shakespeare is a symbol of everything the narrator is trying to describe in the essay. In Judith's story, the narrator exposes the difference that intellectual and financial freedom makes to creative freedom and the difference creative freedom makes to poetry. ... PDF downloads of all 2,003 LitCharts guides.
By Dr Oliver Tearle (Loughborough University) A Room of One's Own is Virginia Woolf's best-known work of non-fiction.Although she would write numerous other essays, including a little-known sequel to A Room of One's Own, it is this 1929 essay - originally delivered as several lectures at the University of Cambridge - which remains Woolf's most famous statement about the ...
This grand masterpiece of Edwardian historical narrative, a. of history as an account of the "significant" forces in terms bills passed, wars fought, and kings crowned, is the basis of myth of Judith Shakespeare. However, since the 1920s, social historians have changed the focus and the findings of history.
According to Virginia Woolf in A Room of One's Own, why couldn't a woman have written Shakespeare's plays? Explain the quote "Who shall measure the heat and violence of the poet's heart when ...
William Shakespeare's *Macbeth*, written around 1606, is a profound tragedy that explores themes of ambition, power, guilt, and the supernatural. The play tells the story of Macbeth, a Scottish general whose ambition is ignited by a prophecy from three witches, leading him to murder King Duncan and seize the throne. However, his rise to power is accompanied by a descent into madness and ...
Louisiana Tech University, USA. In her classic feminist treatise, A Room of One's Own (1929), Virginia Woolf creates both a sister and a creative equal for William Shakespeare and names her Judith. Historical, biblical, and literary sources establish the aptness of Woolf's onomastic decision, if not the definitive answer to the question posed.
LitCharts assigns a color and icon to each theme in A Room of One's Own, which you can use to track the themes throughout the work. The title of Woolf 's essay is a key part of her thesis: that a woman needs money and a room of her own if she is to be able to write. Woolf argues that a woman needs financial freedom so as to be able to control ...
The couple had three children, Susanna, Hamnet, and Judith. Shakespeare's son died suddenly in the summer of 1596, four years before he wrote one of his most famous and enduring works, the play Hamlet. The novel Hamnet imagines that Shakespeare's son died of the bubonic plague, a virulent illness caused by a bacteria carried by fleas ...